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Supports: FLAC
FLAC is a lossless codec from Xiph.Org — it preserves every bit of the original PCM down to 4-32 bit depth and sample rates up to 655,350 Hz, which is exactly what you want for archival masters but overkill for listening. M4B is Apple's audiobook container: the same AAC audio you get inside M4A, but with a .m4b extension that tells Apple Books, iTunes, Plex, Prologue, and Audiobookshelf to file it as an audiobook, expose embedded chapter markers, and remember your position when you stop. Converting lossless FLAC to M4B turns archival-quality source material into a portable, bookmarkable file at roughly one-tenth the size.
.m4b, not .m4a or .flac.Because FLAC is lossless, the AAC encoder has the full source to work with — every M4B you create from FLAC sounds as good as that bitrate possibly can. Going FLAC→M4B beats MP3→M4B, where you're transcoding a lossy file into another lossy file and stacking artifacts.
| Property | FLAC | M4B |
|---|---|---|
| Compression | Lossless (typical 40-60% of WAV) | Lossy AAC (typical 5-15% of WAV) |
| Codec | FLAC (Xiph.Org, free) | AAC-LC (MPEG-4 Part 3) |
| Container | Native FLAC or Ogg FLAC | MPEG-4 (.m4b) |
| File size, 1 hr 44.1 kHz/16-bit stereo | ~280-360 MB | ~28 MB at 64 kbps, ~56 MB at 128 kbps |
| Chapter markers | Not supported in stream | Embedded, navigable in Apple Books |
| Position bookmarking | Player-dependent (rare) | Built-in audiobook behaviour |
| Max bit depth | Up to 32-bit PCM | 16-bit equivalent (AAC) |
| Max sample rate | Up to 655,350 Hz | 8-96 kHz practical (48 kHz typical) |
| iTunes / Apple Books category | Music | Audiobooks |
| Mobile support | Android, iOS via apps | Native on iOS, macOS, Windows, Android |
| Best for | Archival masters, audiophile music | Audiobook listening and distribution |
| AAC Bitrate | Channel | Use Case | Size per hour |
|---|---|---|---|
| 32 kbps | Mono | Voice memos, draft narration | ~14 MB |
| 64 kbps | Mono | Standard audiobook narration (Audible-equivalent) | ~28 MB |
| 96 kbps | Mono/Stereo | Audiobook with light music beds | ~42 MB |
| 128 kbps | Stereo | Audio drama, full-cast productions with score | ~56 MB |
| 192 kbps | Stereo | Music-heavy productions, audiobook+album hybrids | ~84 MB |
| 256 kbps | Stereo | Archival M4B (rarely needed for speech) | ~112 MB |
Sizes assume Constant Bitrate; Variable Bitrate output is typically 10-15% smaller for the same perceived quality.
Yes, AAC is lossy — but for spoken-word content the loss is essentially inaudible above 64 kbps. AAC-LC at 64 kbps mono is widely considered the sweet spot for audiobooks; commercial Audible downloads ship at 64 kbps mono or 32 kbps depending on the tier. Because your source is lossless FLAC, the AAC encoder starts from a clean signal with no prior compression artifacts, so the M4B sounds as good as AAC at that bitrate can. If the original FLAC contains music or sound effects, jump to 96-128 kbps stereo.
Technically the audio payload is identical: AAC-LC in an MPEG-4 container. The .m4b extension is a hint to the operating system and player. iTunes, Apple Books, and the macOS Music app put .m4a into your music library and .m4b into Audiobooks — separate shelves, separate sleep-timer behaviour, separate position bookmarking. Renaming an .m4a to .m4b works on most players, but if your file already has chapter atoms inside, choosing M4B at conversion time saves you the rename step.
The M4B container supports MPEG-4 chapter atoms (the same chpl/text track Apple Books reads), but this converter outputs a single continuous track per input file — it does not auto-detect chapter boundaries from a single FLAC. If you need true chapter navigation, upload each chapter as a separate FLAC and run them in one batch, then combine with a dedicated tool such as m4b-tool or AudioBookConverter that writes a chapter list. The output here will still play in Apple Books, just without internal chapter jumps.
64 kbps AAC mono is the standard. That's roughly 28 MB per hour, so a 12-hour novel is around 340 MB — comfortable for an iPhone, watch, or Android phone. If you can hear noise or breathiness at 64 kbps (some voices are harder to encode), bump to 96 kbps mono. Reserve 128 kbps stereo for full-cast audio drama or content with significant background music.
This page converts one input to one output per job, but batch upload is supported — load all chapters and you'll get one M4B per FLAC. To merge them into a single M4B with embedded chapter markers, use a desktop tool that understands chapter generation natively, such as m4b-tool or AudioBookConverter. If you only need a single combined audio file without chapter atoms, concatenate the FLACs in an audio editor first, then convert here. For a smaller lossy intermediate that other audiobook tools accept, see FLAC to MP3.
Yes, but Android does not natively show audiobook-specific behaviour the way iOS does. Apps that understand M4B and its chapter/bookmark atoms include Smart AudioBook Player, Voice (open source), BookFusion, and Plex/Audiobookshelf clients. VLC for Android plays M4B as a regular audio file and remembers position per track, but won't expose the chapter list.
Expect roughly a 10x reduction at 64 kbps mono and 5x at 128 kbps stereo, relative to a typical 16-bit/44.1 kHz stereo FLAC. A one-hour FLAC weighing 300 MB usually becomes about 28 MB at 64 kbps or 56 MB at 128 kbps. The exact ratio depends on the original sample rate and bit depth — a 24-bit/96 kHz studio FLAC compresses more dramatically than a 16-bit/44.1 kHz consumer file.
Yes. Open the Trim panel, set Start Time (where the output begins) and Duration (how long the output runs), in seconds or HH:MM:SS.sss. This is useful for removing the studio count-in, mic-test, or post-roll silence that often sits in raw narrator FLAC takes before mastering. For multi-cut edits on a single file, use Audio Cutter first.
If lossless audiobook quality matters (rare, but valid for music-heavy productions), use M4A with ALAC (Apple Lossless), not M4B with AAC. The M4B audiobook flags work on both AAC and ALAC payloads in principle, but most converters and players assume AAC inside .m4b. A practical workflow: master to ALAC in M4A for archival, then create a 64-96 kbps AAC M4B for listening — see FLAC to M4A for the lossless path, or MP3 to M4B if your source is already lossy.