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Supports: HEVC
This walk-through is for anyone holding a raw .hevc file — the bare H.265 elementary stream an encoder, capture card, or ffmpeg command spits out — who needs it inside an .AVI container for an old Windows editor or legacy player. Two things about this conversion surprise people, so they come first: a raw .hevc stream is video only, with no audio track, so the AVI you get back is silent; and AVI is a 1992 container that was never designed to carry H.265, so the video is re-encoded into an older codec rather than copied. Both are explained below, along with when you should pick MP4 or MKV instead.
.hevc file onto the page or click "+ Add Files" to browse. You can queue several streams at once; they convert with the same settings..AVI file. No sign-up, no watermark.A .hevc file is a raw H.265 video elementary stream — NAL units with Annex B start codes, and nothing else. It carries no audio, no timestamps a player can trust, and no container metadata. That is why the AVI comes out silent: there is no audio track in the source to carry over. If your footage needs sound, the audio lives in a separate file, and you would mux it back in afterward (with a desktop tool such as ffmpeg or your editor) or, better, convert from the original muxed recording instead of the bare stream.
The codec change is the second half of the story. Per Microsoft's specification, AVI "was not intended to contain video using any compression technique that requires access to future video frame data beyond the current frame (B-frame)" — and H.265 leans heavily on exactly those B-frames. So this converter decodes the H.265 video and re-encodes it into an AVI-friendly codec. That is a quality-losing transcode, not a lossless copy, so the settings matter:
.hevc stream contains no audio at all, so there is nothing to put on the AVI's audio track. The sound, if you have it, is in a separate file; mux the two together after conversion, or go back to the original recording that still had audio attached.For almost everyone, AVI is the wrong destination for an H.265 stream. AVI cannot carry H.265 properly, so the conversion forces a quality-losing re-encode to an older codec and still leaves you without audio. If your goal is simply to make the footage playable or editable in something modern, keep it in H.265: both MP4 and MKV can hold H.265 directly, so convert HEVC to MP4 for the most widely supported result, or convert HEVC to MKV when you want a flexible container that also carries multiple audio tracks and subtitles. Reach for AVI only when a specific legacy application or device explicitly demands the .avi extension. If you already have an AVI that a newer tool rejects, the fix runs the other way: convert AVI to MP4.
Because the source has none. A raw .hevc file is an H.265 video elementary stream — video frames only, with no audio track and no container. There is nothing to carry over to the AVI's audio channel, so the output is silent by definition. If your footage had sound, that audio is in a separate file (or in the original muxed recording); mux it back in after conversion, or convert from the recording that still contains the audio.
No, not properly. Per Microsoft's AVI specification, the container was "not intended to contain video using any compression technique that requires access to future video frame data beyond the current frame (B-frame)," and H.265 depends heavily on B-frames. Forcing H.265 into AVI produces a non-standard file most players mishandle, which is why this converter re-encodes to an AVI-friendly codec instead. If you want to keep H.265 untouched, convert HEVC to MP4 or convert HEVC to MKV — both containers carry H.265 directly.
Yes. Because AVI cannot carry H.265, the H.265 video is decoded and re-encoded into an older codec such as MPEG-4 or H.264. That re-encode is lossy, so how much you lose depends on the codec and Quality Preset you choose. In our testing, the MPEG-4 default at the "Very High" preset with the original resolution kept the loss visually minor; aggressive presets and downscaling are where the softening becomes obvious.
For almost any modern purpose, choose MP4 or MKV. Both can carry H.265 directly, so you avoid the quality-losing re-encode that AVI forces, and the files are smaller and far more widely supported. Pick AVI only when a specific older Windows editor, player, or device requires the .avi extension. For everything else, convert HEVC to MP4 or convert HEVC to MKV.
MPEG-4 (the default) is the safest choice — it is what classic Xvid/DivX-era Windows tools decode without extra codec packs. Choose H.264 instead if your target software supports it and you want smaller files at the same quality. Pick Motion JPEG (MJPEG) only when a legacy editor needs every frame stored independently for frame-accurate scrubbing, and accept that the file will be much larger.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, and your files are never shared or made public.