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Supports: HEVC, MOV, MP4, M4V, MKV
.hevc (raw H.265 bitstream) or .h265 files from your computer, Google Drive, or Dropbox. Batch conversion is supported..mov files. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared.A raw .hevc file is just an H.265 elementary bitstream — no container, no timing metadata, no audio track. Most Apple software (Final Cut Pro, iMovie, QuickTime Player) expects video to arrive inside a .mov, .mp4, or .m4v container. Putting the H.265 video into a MOV container makes the same footage playable and editable on macOS and iOS while keeping the efficient H.265 codec.
.mov container. Converting a loose .hevc to .mov reconstructs that native pairing..hevc will usually fail import, while the same video converted to MOV imports cleanly..hevc typically opens nothing..mov as a first-class video; raw HEVC streams are not recognized by these apps..hevc requires a separate rewrap step in tools like ffmpeg or Subler.A common confusion: HEVC and MOV are not alternatives — they describe different layers of the file. HEVC (H.265) is the video codec. MOV is the container. A .mov can hold H.264, H.265 (HEVC), ProRes, or other codecs. This conversion targets the MOV container and, by default, keeps the same H.265 codec (you can switch to H.264).
| Property | HEVC (.hevc raw) | MOV (.mov) |
|---|---|---|
| Type | Video codec / elementary bitstream | Container format |
| Defined by | ITU-T H.265 / ISO/IEC 23008-2 | Apple QuickTime File Format |
| Holds audio | No | Yes (AAC, ALAC, PCM, AC-3) |
| Timing metadata | No | Yes (timecode, edit lists, chapters) |
| QuickTime playback | No (raw stream) | Yes (native) |
| Final Cut Pro import | Usually fails | Supported |
| Typical source | Encoder output, screen recorders | iPhone Camera, ProRes capture, exports |
When you save HEVC to MOV here, the codec stays H.265 by default (fastest path, visually lossless at the default preset). If your destination tool struggles with H.265, switch the Video Codec dropdown to H.264.
| Codec inside MOV | File size vs H.264 | QuickTime | Final Cut Pro | iMovie | Web browsers |
|---|---|---|---|---|---|
| H.264 (AVC) | Baseline | Yes | Yes | Yes | Universal |
| H.265 (HEVC) | ~40–50% smaller | macOS High Sierra+ | 10.4+ | 10.1.5+ | Safari 11+, Edge, Chrome 107+ |
| ProRes | 3–5× larger | Yes | Native | Yes | No |
Note on the hvc1 vs hev1 codec tag: Apple's QuickTime and Final Cut Pro prefer the hvc1 tag for HEVC tracks (Bitmovin community discussion). XConvert writes Apple-compatible tagging when targeting MOV, so files play in QuickTime without "media that isn't compatible" errors.
It is a re-encode — even at the default settings. When you leave Video Codec at its default (H.265, matching the source), the conversion decodes and re-encodes the video but keeps the same H.265 codec at a visually lossless quality, so the MOV looks identical to the source. Changing the codec, dropping the quality preset, or setting a smaller target file size increases the re-compression and adds visible generational loss.
Raw .hevc (and .h265) files are elementary bitstreams without a container — no audio, no timing, no muxing. macOS and Apple's editors need the video wrapped in MOV, MP4, or M4V. After converting to .mov here, the file opens by double-click and imports into Final Cut Pro 10.4+.
At the default settings (same H.265 codec, visually lossless quality), the MOV stays close to the source size. If you switch the Video Codec to H.264 at the same visual quality, expect roughly 1.5–2× the file size, since H.265 compresses about 40–50% better than H.264 at equivalent quality.
No. The conversion can only carry forward what's in the source. A raw .hevc bitstream contains no audio track, so the resulting MOV will also be silent. To pair an audio file with video, use a tool like ffmpeg locally — XConvert's .hevc input expects a video-only stream.
iPhone recordings are already .mov (HEVC inside MOV). You don't need this converter for iPhone video — load them into Photos, Final Cut Pro, or iMovie directly. This tool is for loose .hevc / .h265 files (encoder dumps, OBS recordings configured to raw bitstream, downloads from compliance archives). If you have iPhone footage already in MOV but want to recompress, see Compress MOV or Trim MOV.
MP4 and MOV are very closely related — both descend from the ISO Base Media File Format (ISO/IEC 14496-12). MP4 has broader Windows, Android, and web compatibility; MOV is preferred for Apple editing workflows. If you're targeting Windows or web playback, use Convert HEVC to MP4 instead; the conversion choices are nearly identical.
Yes, with codecs installed. Windows 10/11 plays MOV through the Films & TV app once the HEVC Video Extension is installed from the Microsoft Store. VLC plays HEVC-in-MOV on all platforms without extra setup. For pure Windows targeting, MP4 is the safer container.
XConvert handles large videos on our servers; file size limits depend on your upload bandwidth and our server-imposed quota. A 4K 10-bit HEVC file converted to MOV with the same H.265 codec is faster than re-encoding 4K to H.264, which is far more demanding. For repeatable large conversions, work with files under 2 GB or split with Trim MOV first.
Keeping the H.265 codec preserves most stream-level metadata (color primaries, transfer characteristics, HDR10 mastering display info), and container-level metadata like timecode tracks or rotation flags is written into the MOV wrapper. If you're working with Dolby Vision profile 8.4 or other proprietary metadata, verify on a single test clip first — those layers depend on whether your source .hevc carried the SEI messages.