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Supports: HEVC
HEVC (H.265, ISO/IEC 23008-2) is the video codec your phone almost certainly uses for 4K capture: every iPhone since the iPhone 7 records "High Efficiency" footage as HEVC inside a.mov or.mp4 wrapper, and Samsung, Google Pixel, and most modern action cams default to HEVC for 4K and high-frame-rate clips. The audio track riding inside is almost always AAC (or AC-3 on some camcorders). Re-encoding that track to Opus — defined in IETF RFC 6716 and shipped natively by Chrome, Firefox, Edge, and Safari 18.4+ — gives you the smallest, highest-quality voice/music file the open web has, without keeping the giant video payload.
<audio> — Opus in WebM or Ogg plays in Chrome, Firefox, Edge, and Safari 18.4+ on macOS Sequoia 15.4 / iOS 18.4 and later. Pages load faster than with MP3 because Opus typically delivers the same perceived quality at roughly half the bitrate.| Property | HEVC (H.265) — input video | Opus — output audio |
|---|---|---|
| Standard | ITU-T H.265 / ISO/IEC 23008-2 (2013) | IETF RFC 6716 (2012) |
| Type | Lossy video codec | Lossy audio codec |
| Typical bitrate | 5-60 Mbps for 1080p / 4K video | 6-510 kbps; 32-128 kbps covers most use |
| Sample / frame rate | 24-120 fps video | 8 / 12 / 16 / 24 / 48 kHz internal |
| Channel layouts | N/A (video) | Mono, stereo, surround (up to 255 channels) |
| Patent / royalty status | Patent-encumbered (MPEG-LA, HEVC Advance, Velos) | Royalty-free, open standard |
| Native browser playback | Safari, Edge with HEVC extension | Chrome 33+, Firefox 15+, Edge 14+, Safari 11+ (full in 18.4+) |
| What this conversion does | Discards the entire video track | Re-encodes the embedded AAC/AC-3 audio to Opus |
| Use case | Bitrate (mono) | Bitrate (stereo) | Notes |
|---|---|---|---|
| Voice memo, podcast notes | 16-24 kbps | 24-32 kbps | SILK speech mode; clearly intelligible |
| Podcast, interview, lecture | 24-48 kbps | 48-64 kbps | Standard speech-podcast quality |
| Music streaming (good) | n/a | 96-128 kbps | Roughly transparent for casual listening |
| Music streaming (high) | n/a | 160-192 kbps | Matches AAC ~256 kbps in listener tests |
| Archival / mastering | n/a | 256-510 kbps | Diminishing returns above ~256 kbps |
This converter is audio-only — the HEVC video track is dropped and only the audio stream is transcoded to Opus. If you want to keep the video, convert to a video container instead (see HEVC to MP4). To keep audio in a more universal format, see HEVC to MP3 or HEVC to AAC.
For mono speech, 24-32 kbps is plenty — Opus's SILK mode keeps voice intelligible down to 16 kbps. For stereo speech with light background music, 48-64 kbps sounds clean. Going above 96 kbps for spoken-word content mainly wastes space; Opus at 64 kbps already beats MP3 at 128 kbps for most listeners. Pick Variable Bitrate so quiet passages spend fewer bits.
Opus uses a hybrid of two codecs: SILK (derived from Skype's speech codec) for low-bitrate voice and CELT (a transform codec) for music, with the encoder switching between them per frame. Listening tests run by Xiph and the Opus working group showed Opus at 64 kbps stereo outperforming HE-AAC and Vorbis on 48 kHz music, and Opus at 96 kbps beating an LC-AAC encoder and a 136 kbps MP3 on the same material. MP3, designed in 1993, was never tuned for sub-64 kbps work.
Yes, with caveats. Safari 18.4 (macOS Sequoia 15.4 / iOS 18.4, March 2025) added native playback for Opus in Ogg containers. Earlier Safari versions can play Opus inside WebM or MP4 in some cases but not Ogg. If you need to support older Apple devices, convert to AAC instead — see HEVC to AAC.
Yes — use the Trim controls. Enter a start time and a duration (in seconds, or HH:MM:SS.sss like 00:01:30.500). The converter decodes only the selected window before encoding, so trimming a 5-minute clip from a 1-hour HEVC file is also faster than processing the whole thing.
There is no fixed cap. Conversion runs on our servers, so the practical limit is upload size and connection speed and your patience for the upload. Multi-GB 4K HEVC files from iPhone, GoPro, or DJI cameras work; on low-RAM devices, trim first or convert one file at a time.
Yes — at the same bitrate, mono Opus carries one channel of audio instead of two, so perceptual quality per kilobit is much higher (or you can drop the bitrate by 30-50% for the same quality). For voice content, mono at 24 kbps usually sounds better than stereo at 32 kbps. For music, stick with stereo unless the source is already mono.
Not in any way you will hear. The converter decodes the source audio (AAC, AC-3, or any other track inside the HEVC container) to PCM, then re-encodes it to Opus at your chosen settings. Going from one lossy codec to another is "tandem encoding" and does add a small amount of artifact, but at sensible Opus bitrates (>=64 kbps stereo) the result is indistinguishable from the source for almost all listeners.
Yes. Drop multiple files (or a whole folder) and apply the same settings to all, or set per-file options before clicking Convert. Each file processes on our servers and downloads individually or as a single ZIP. To shrink an existing Opus file further, see Compress Opus; to convert Opus output to MP3 for legacy players, see Opus to MP3.