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Supports: HEVC, MOV, MP4, M4V, MKV
A bare .hevc file is a raw H.265 video bitstream — the naked compressed picture data an encoder or demuxer writes out, with no container, no seek index and no audio track. The WMV that comes out of this page will therefore be silent: there is nothing in the source to carry over. The second thing worth knowing before you start is that WMV is a step backwards in codec efficiency, so the picture cannot improve and the file will usually grow. This page walks through the conversion, names the settings that actually matter, and is honest about when a different target would serve you better.
.hevc (or .h265) file onto the page, or click "+ Add Files" to browse. Several raw streams can be queued and converted with the same settings..wmv. No sign-up, no watermark. The file is a genuine ASF-container WMV that Windows Media Player and other Windows tooling open directly.WMV is a Microsoft codec family stored in the Advanced Systems Format (ASF) container, and this converter starts on WMV 2, the codec whose FourCC is WMV2 and which Microsoft shipped as Windows Media Video 8. It is deliberately not the newer WMV 9 (FourCC WMV3), the version that was standardised by SMPTE as 421M — better known as VC-1 — in March 2006. WMV 2 is offered because the widest range of older Windows software will decode it without extra codec packs.
Because WMV is a different codec family from H.265, nothing about your existing stream is preserved. The converter decodes every H.265 frame back to pixels and re-encodes them as WMV. Two consequences follow, and both are one-way:
.wmv will usually be larger than the .hevc it came from.There is one quirk specific to raw streams. A .hevc file has no container header, so it carries no duration and no bitrate metadata — ffprobe reports both as N/A. That means a quality preset has no measured source bitrate to scale from. If you need the output to land near a particular size, do not rely on the preset: choose Specific file size and name the number, or Constant Bitrate and name the rate.
The audio side needs no thought here. WMA v2 is preselected, but a raw H.265 stream has no audio to encode, so the WMV simply has no audio stream in it. Add music or narration afterwards in a video editor if the clip needs sound.
| Property | HEVC (raw .hevc) |
WMV (this output) |
|---|---|---|
| What it is | A raw H.265 video bitstream, not a container | A WMV 2 video stream inside an ASF container |
| Standard | ITU-T H.265 / ISO/IEC 23008-2, approved 13 April 2013 | Microsoft proprietary; only WMV 9 became an open standard (VC-1 / SMPTE 421M, March 2006) |
| Generation | 2013 | Windows Media 8 era, early 2000s |
| Relative efficiency | 25–50% better than H.264 | Predates H.264 and is less efficient than it |
| Carries audio? | No | Yes in general, but not here — the source has none |
| Playback | Needs an H.265-capable player; raw streams confuse many | Native on Windows; needs extra components elsewhere |
| Best for | Efficient storage of modern high-resolution footage | Legacy Windows software that insists on .wmv |
| Choice | FourCC | Also known as | When to use it |
|---|---|---|---|
| WMV 2 (preselected) | WMV2 |
Windows Media Video 8 | The default. Best balance of picture and compatibility with older Windows software |
| WMV 1 | WMV1 |
Windows Media Video 7 | Only when a very old program or embedded player rejects WMV 2 |
| WMV 9 / VC-1 | WMV3 |
SMPTE 421M | Not offered here. If a workflow specifically demands VC-1, a WMV output from this page will not satisfy it |
.mp4, .mkv or .mov container instead..hevc has no bitrate metadata for a quality preset to scale from. Use Specific file size or Constant Bitrate when the number matters..hevc source" — A raw stream has no container index, so many players reject it before playback even starts. The converter reads it anyway; the upload is unaffected.For most people, WMV is the wrong target for an .hevc stream. Pick it only when a specific legacy Windows program, an old PowerPoint deck or a Windows Media Player-based workflow genuinely demands that extension. If you simply want the clip to play widely and stay efficient, HEVC to MP4 is the standard wrap and plays on phones, browsers and most desktop software; HEVC to MKV is the equivalent in an open container, and HEVC to AVI covers older non-Microsoft hardware. If your footage does have sound, then by definition you do not have a raw stream — convert the original container instead, with something like MP4 to WMV or MKV to WMV, so the audio track comes along for the ride.
Because a raw .hevc file is an H.265 video elementary stream and holds no audio at all. HEVC, defined by ITU-T H.265 and ISO/IEC 23008-2, is a video coding standard — it specifies how pictures are compressed and says nothing about sound. In our own check, converting a raw H.265 stream to WMV produced an ASF file containing exactly one stream, of type video, with no audio stream present. The sound you remember lived in the container the video was demuxed out of; convert that container instead.
A full re-encode. ASF cannot carry an H.265 stream, and WMV is an entirely different codec family, so there is no way to keep your existing bitstream and simply put it in a .wmv. Every frame is decoded and encoded again, which costs a second generation of lossy compression and usually a larger file. If keeping the efficient modern codec matters more than the container, HEVC to MP4 is the better route.
No. WMV 2 is preselected, the codec with FourCC WMV2 that Microsoft shipped as Windows Media Video 8. VC-1 is the later WMV 9 codec (FourCC WMV3), standardised by SMPTE as 421M in March 2006, and it is not among the choices here. The Video Codec control offers WMV 2 and the even older WMV 1; pick WMV 1 only if some ancient program refuses the default.
Because WMV 2 is far less efficient than H.265. HEVC is specified to achieve roughly 25% to 50% better compression than H.264 at the same visual quality, and WMV 2 comes from the generation before H.264 — so encoding the identical picture in WMV 2 simply needs more bits. To shrink it, lower the preset, or set a Specific file size and accept the quality cost.
Because a raw H.265 stream has no container to record its own bitrate or duration, so a preset that works by scaling the source's bitrate has nothing to scale from. Any conversion starting from a real container behaves normally. On this page, if the output size matters, use Specific file size to name the megabytes or Constant Bitrate to name the rate — both are explicit and do not depend on source metadata.
WMA v2 is preselected, with WMA v1 as the alternative — those are the two audio codecs the ASF container is offered with here. A file that plays with sound and is named .hevc is really a renamed container, and in that case the audio would be decoded and re-encoded to WMA v2 alongside the video.
Yes on Windows — a .wmv in an ASF container is exactly what Windows Media Player and older Microsoft tooling expect, which is the whole reason to choose this format. Elsewhere it is less comfortable: macOS has no built-in WMV support and Linux desktops rely on ffmpeg-based players. VLC and mpv play WMV on every platform, but if your audience is not on Windows, an MP4 is a much kinder deliverable.
Usually not. WMV is a Microsoft codec family whose newest member was standardised twenty years ago, and the industry moved to H.264 and then HEVC long since. Convert to WMV when something concrete requires the extension — an old authoring tool, an embedded Windows player, a legacy PowerPoint import — and choose HEVC to MP4 for everything else.
Your file is uploaded over an encrypted connection, decoded and re-encoded on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. For a long 4K capture, the wait you notice is mostly upload time over your own connection.