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Supports: ICO
.MTS is the file name AVCHD camcorders give to the MPEG-2 transport streams they record — H.264 video in a broadcast-style wrapper. An ICO is the opposite kind of thing: a Windows icon container holding one small still picture, or the same picture at several sizes, capped at 256×256 pixels. Converting ICO to MTS holds that single frame motionless for a few seconds and writes it as a silent transport stream, which is worth doing for exactly one reason — feeding a logo or icon into an editing, ingest or authoring workflow that only accepts AVCHD-style footage. This page explains what you get, what the settings do and where the conversion stops being the right answer.
.ico onto the page or click "Add Files" to browse. You can queue several icons; Merge strategy decides whether they become one clip ("Merge images", the preselected option) or one .MTS per icon ("Video per image")..MTS. Files are uploaded over an encrypted connection, converted on our servers and deleted automatically after a few hours — no sign-up, no watermark.| Property | Value |
|---|---|
| Container | MPEG-2 Transport Stream (ISO/IEC 13818-1) |
| Format family | AVCHD, introduced by Sony and Panasonic in 2006 for HD camcorders |
| Extension on camera | .MTS — computers and Blu-ray discs use .m2ts, which carries the same video with BDAV framing |
| Video codec here | H.264 (MPEG-4 AVC), the AVCHD codec, preselected in the Video Codec dropdown |
| Audio in the AVCHD spec | Dolby AC-3 or linear PCM |
| Audio in this conversion | None — a still image has no sound, so the output is silent |
| Best for | Ingest into AVCHD-era editors, authoring tools and broadcast-style pipelines |
| Poor fit for | Sharing, web pages, phones — use MP4 for those |
A single picture inside an .ico tops out at 256×256 pixels, and 16×16, 32×32 and 48×48 are far more common. That is a long way below an HD frame, so resolution is the setting that decides whether the clip looks crisp or mushy — nothing in the pipeline can invent detail the icon never had.
| Video resolution setting | What you get | Use it when |
|---|---|---|
| Keep original | A frame the exact size of the icon | The clip is a placeholder and sharpness matters more than frame size |
| Preset Resolutions (720p / 1080p) | The icon enlarged to a broadcast frame, visibly soft | The receiving tool insists on a standard HD frame |
| Fixed Resolutions | A named frame size, icon scaled to fit | You are matching an existing project preset |
| Width x Height | Any exact frame; the icon is scaled to fit and centred, Background Color filling the rest | You need a square frame that matches a square icon |
.MTS in the first place..ico if you want the detailed artwork.If you want motion, a single static ICO cannot supply it — build the video from real frames instead, for example with PNG to MP4. If you only need the artwork as a larger flat image, ICO to PNG keeps transparency and every pixel, though the same size ceiling applies. And if nothing in your workflow specifically demands the .MTS extension, ICO to MP4 produces the same still-as-video in a smaller file that plays essentially everywhere. Finally, a file named .ico is sometimes PNG or GIF data with the wrong extension; if the conversion refuses it, re-save it as a genuine icon and try again.
Same encoded video, different packet framing. Camcorder media use .MTS and a computer's AVCHD folder structure or a Blu-ray disc uses .m2ts, and the extension decides how the transport stream is written: .MTS here is a plain stream of 188-byte packets beginning with the 0x47 sync byte, while ICO to M2TS writes BDAV 192-byte packets that each prefix a 4-byte timestamp header and come out slightly larger. Renaming one to the other does not re-frame it, so choose .MTS when an AVCHD-era editor or authoring template expects that spelling and convert to .m2ts when the tool asks for the four-letter name.
No. What you download is the bare transport stream — the part that lives inside an AVCHD card's BDMV/STREAM/ folder — without the playlist and clip-information files a camcorder writes alongside it. Copying it to a card will not produce a browsable AVCHD volume. It does play in software players such as VLC and imports into AVCHD-aware editors, which build the surrounding structure themselves.
Because the source is an icon, and because the decoder takes the first picture stored in the container rather than the largest. In our testing, an icon file holding 16, 32, 48 and 256 pixel versions was read at 16×16 — the first entry written into the file. The clip inherits that size unless you enlarge it under Video resolution, and enlarging only magnifies existing pixels, so for the sharpest result re-save the icon as a single 256×256 .ico first.
One frozen frame, held for the duration you set. A standard ICO contains no animation, so the output is a single unchanging picture for the whole clip. That is exactly what you want for a slate, a logo card or a gap-filler on a timeline, and exactly what you do not want if you were expecting an animated logo.
H.264 (MPEG-4 AVC), which is preselected. AVCHD was built around H.264, so it imports most cleanly into AVCHD editors and authoring templates and plays on the widest range of older hardware. H.265 is offered in the Video Codec dropdown and produces smaller files, but it is not part of the AVCHD specification and many of the tools that ask for .MTS will refuse it.
It is filled with the Background Color, White by default. Video formats have no alpha channel, so transparency cannot be carried into a transport stream at all — the choice is only which colour replaces it. If the clip will be cut over a dark background, set that colour before converting.
Yes. Upload them together and leave Merge strategy on "Merge images" to get a single .MTS in which each icon holds for its own duration, or switch to "Video per image" to get one file per icon. Upload order is the order they appear.
Your .ico is uploaded over an encrypted connection, converted on our servers and deleted automatically after a few hours. There is no sign-up, no watermark, and nothing is shared or made public.