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Supports: JPG, JPEG, JFIF
.mpeg2 file ready to drop into DVD-authoring tools such as DVDStyler, Adobe Encore project archives, or any tool that accepts MPEG-2 program streams.MPEG-2 (officially H.262, jointly published by ISO/IEC 13818-2 and ITU-T Rec. H.262) is the video codec mandated by the DVD-Video specification and is also a permitted codec in the Blu-ray spec. Converting JPEG photos directly to MPEG-2 produces a slideshow already in the native codec authoring tools expect — no second transcode, no generational quality loss between H.264 and MPEG-2. For anyone still producing physical discs or feeding legacy broadcast playout chains, this is the shortest path from photos to a playable disc.
.m2v) and program streams (.mpg) without re-encoding the video.If your output target is the web or a phone instead of a DVD, convert JPEG to MP4 — H.264 in an MP4 container gives 2-3x better compression at equivalent quality.
| Property | JPEG | MPEG-2 |
|---|---|---|
| Type | Still raster image | Video codec (with audio in program stream) |
| Standard | ISO/IEC 10918-1 (1992) | ISO/IEC 13818-2 / ITU-T H.262 (1996) |
| Compression | DCT, intra-frame only | DCT, intra + predictive (I, P, B frames) |
| Typical extensions | .jpg,.jpeg,.jfif | .mpg,.mpeg,.m2v,.vob,.ts |
| Color subsampling | 4:4:4, 4:2:2, 4:2:0 | 4:2:0 (Main Profile) |
| Hardware decode | Universal | Universal on DVD/BD players, set-top boxes, TVs |
| Primary use | Photos, web images | DVD-Video, ATSC/DVB broadcast, Blu-ray (allowed) |
| Target | Resolution | Frame Rate | Max Video Bitrate |
|---|---|---|---|
| DVD-Video NTSC | 720x480 (also 704x480, 352x480) | 29.97 fps (interlaced) or 23.976 (with pulldown flags) | 9.8 Mbit/s peak; ~7 Mbit/s recommended for compatibility |
| DVD-Video PAL/SECAM | 720x576 (also 704x576, 352x576) | 25 fps (interlaced) | 9.8 Mbit/s peak |
| SVCD | 480x480 (NTSC) / 480x576 (PAL) | 29.97 / 25 fps | 2.6 Mbit/s |
| Blu-ray (MPEG-2 allowed) | 1920x1080, 1280x720 | 24/25/29.97 fps | 40 Mbit/s |
| ATSC SD broadcast | 704x480 | 29.97/59.94 fps | 19.39 Mbit/s (whole multiplex) |
DVD-Video max combined audio+video bitrate is 10.08 Mbit/s; the 9.8 Mbit/s video figure is the published spec ceiling. Lower bitrates (4-7 Mbit/s) are common for safety against older drives.
| Preset | Behavior | When to Use |
|---|---|---|
| Very High (Recommended) | Visually-lossless target near codec ceiling | Master/archive copies, single-disc photo slideshows |
| Constant Quality (CQ) | Single perceptual-quality target across all frames | When image content varies a lot and you want consistent look |
| Constraint Quality | Caps output size while keeping quality even | Fitting many slideshows on one DVD-5 (4.7 GB) or DVD-9 (8.5 GB) |
For NTSC regions (Americas, Japan, South Korea, Taiwan, the Philippines) use 720x480. For PAL/SECAM regions (most of Europe, Australia, much of Asia and Africa) use 720x576. Set these as exact Width x Height under Video Resolution rather than scaling from a 4K photo — DVD authoring tools expect the native frame size and will reject or re-encode anything else.
The .mpeg2 extension makes the codec version explicit, which matters because .mpg is overloaded — it can hold MPEG-1 or MPEG-2 video, with or without audio. Most DVD authoring tools (DVDStyler, ImgBurn, Encore) accept any of .mpg, .mpeg, .m2v, or .mpeg2 as input and demux them on import. VOB is a DVD-specific wrapper around MPEG-2 program streams with extra navigation tables; the authoring tool builds VOBs at the end of the burn process, not before.
Most do, but compatibility is uneven. The Blu-ray Disc spec includes MPEG-2 as an allowed codec alongside H.264 and VC-1, so all Blu-ray players decode it. Smart TVs from Samsung, LG, Sony, and TCL released in the last decade list MPEG-2 in their USB-media specs. Older or budget media players may only recognize .mpg / .mpeg extensions — rename the file if your hardware ignores .mpeg2.
Common defaults: 5 seconds for wedding and family event slideshows (matches typical pacing of Ken Burns-style slideshows), 3 seconds for travel galleries, 1-2 seconds for fast montages or "year in review" clips. The "Duration" control sets a single per-image value; if you need uneven pacing, duplicate photos in the upload list so high-emphasis frames hold longer.
Not in this tool — output is silent MPEG-2 video. Add audio in your DVD authoring tool (DVDStyler, Encore, Wondershare DVD Creator) where you can mux AC-3 or LPCM audio onto the video at burn time, or remux with ffmpeg using -c:v copy -c:a ac3. Adding audio after the fact avoids re-encoding the MPEG-2 stream.
MPEG-2 is roughly 2-3x less efficient than H.264 (MPEG-4 Part 10) at the same perceptual quality because it predates many later compression improvements: no in-loop deblocking, no CABAC entropy coding, integer-only 8x8 DCT, fewer motion-vector modes. That trade-off is intentional — MPEG-2 decoders are simple and cheap, which is why every DVD player ships with hardware support. If size matters more than DVD compatibility, convert your photos to MP4 instead.
QuickTime Player on modern macOS does not include an MPEG-2 decoder by default — Apple dropped the legacy "MPEG-2 Playback Component" with QuickTime X. Open the file in VLC (which bundles libavcodec and decodes MPEG-2 directly) or IINA. The file itself is fine; only the player needs to change.
Yes. JPG, JPEG, and JFIF are the same JPEG codec, just different filename conventions: JPEG is the codec name from ISO/IEC 10918-1, JPG is the legacy 8.3-filesystem-friendly extension Windows preferred, and JFIF is the "JPEG File Interchange Format" wrapper specifying byte-order and metadata structure. The decoder treats them identically. If your source files use the .jpg extension, JPG to MPEG-2 lives at its own URL — same engine, different landing page.
Yes — upload one JPEG, leave merge strategy at default, and set Duration to the length you need (the tool supports up to 10 seconds per frame as a preset; longer holds can be achieved by uploading the same JPEG multiple times). The output will be a constant-image MPEG-2 stream with intra-frames carrying the photo and predicted frames coded as near-zero deltas, so the file stays small relative to the duration.