Initializing... drag & drop files here
Supports: M2TS
This tool pulls a single still frame (or a batch of frames) out of an M2TS video and saves it as a WebP image. M2TS is the BDAV MPEG-2 transport stream that Blu-ray Discs and AVCHD camcorders use to carry H.264/MPEG-4 AVC video, so the source frame is high-resolution. The question is which still format to export it as: pick WebP when you want the smallest file that keeps photo quality and can carry transparency; pick JPEG for maximum compatibility with old photo apps; pick PNG for a pixel-exact graphic. The short answer for anything heading onto a website: WebP.
| Property | WebP | JPEG | PNG |
|---|---|---|---|
| Compression | Lossy and lossless | Lossy only | Lossless only |
| File size vs the others | ~25-34% smaller than JPEG (lossy); ~26% smaller than PNG (lossless) | Baseline for photos | Largest of the three |
| Transparency (alpha) | Yes, lossy and lossless | No | Yes |
| Best for | Web images, thumbnails, smallest photo-quality still | Sharing to legacy photo apps | Sharp text/graphics, pixel-exact masters |
| Native browser support | Chrome 32+, Firefox 65+, Edge 18+, Safari 14+ (~96% of browsers) | Universal | Universal |
| Re-compresses the H.264 frame | Yes (lossy mode) | Yes | No (lossless) |
.m2ts (or .mts) file onto the page, or click "+ Add Files" to browse. You can queue several clips; each is processed with the same settings..webp; a multi-frame export downloads as a ZIP of numbered images. No sign-up, no watermark.A still image. This tool extracts frames from the M2TS video and saves each one as a standalone still WebP — Specific Frame produces one .webp, and Multiple Screenshots produces a ZIP of individual stills. It does not assemble the frames into an animated WebP. If you want a short looping animation instead, convert the clip to an animated format with a tool built for that, such as MP4 to WebP on an MP4 export of the footage.
In lossy mode, slightly — WebP re-compresses the already-compressed H.264 frame, but at the Very High Quality Preset the loss is hard to see, and the result is 25-34% smaller than the equivalent JPEG at matched quality. For a pixel-exact still with no second round of loss, switch Lossless? to Yes; lossless WebP keeps every pixel and is still about 26% smaller than the same image saved as PNG.
That is interlacing combing. Much AVCHD camcorder footage is recorded 1080i, where each frame is built from two fields captured a moment apart. On a moving subject the two fields don't align, so a still shows a horizontal comb pattern — and the WebP just stores those pixels faithfully. Land your timestamp on a low-motion moment to avoid it; progressive sources (1080p/24p/60p) and most Blu-ray content are not interlaced and won't comb.
A video frame is fully opaque, so there is nothing transparent to preserve — the extracted still has no alpha to begin with. WebP supports transparency (in both lossy and lossless modes), which matters if you later edit the still and erase a background; JPEG can't store that, but WebP and PNG can. If transparency is the goal, export as WebP or PNG and edit the alpha afterward.
Tiny. You're saving one frame, not the whole clip, so a single still is a fraction of the M2TS file's size. In our testing, a 1920×1080 frame from a 1080i AVCHD clip exported at the Very High preset (lossy, not lossless) lands in the low hundreds of kilobytes — noticeably smaller than the same frame saved as JPEG, and a small fraction of a lossless PNG of the same frame.
The output is a standard WebP still. Every current major browser opens it natively — Chrome 32+, Firefox 65+, Edge 18+, and Safari 14+ (macOS Big Sur / iOS 14 and later), which together cover roughly 96% of browsers. Windows 10/11 Photos and macOS Preview also display WebP. Only legacy clients like Internet Explorer 11 and Safari 13 and earlier need a JPEG or PNG instead.
Yes. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.