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Supports: M2V
An M2V file is a raw MPEG-2 video elementary stream — the bare video track from a DVD-authoring or demuxing workflow, with no audio and no container wrapper. Most media players open it but play it silently, and many editors refuse it outright. Converting to MOV wraps that stream in Apple's QuickTime container so QuickTime Player, Final Cut Pro, iMovie, and other Mac software can open and edit it. This is a re-encode, not a remux, so plan the settings below for the quality you need.
| Property | Value |
|---|---|
| Full name | MPEG-2 Video elementary stream |
| Standard | ISO/IEC 13818-2, identical to ITU-T H.262 |
| Released | Approved July 1995, published 1996 |
| Codec / payload | MPEG-2 Part 2 video only |
| Container | None — it is a bare elementary stream |
| Audio | None; audio is demuxed to a separate file (commonly AC3 or LPCM) |
| Scan type | Often interlaced (DVD and broadcast masters) |
| Color / bit depth | Typically 4:2:0, 8-bit (MPEG-2 Main Profile) |
| Best for | DVD authoring, broadcast masters, intermediate demux output |
| Plays with audio | No — load the matching audio track separately or remux |
| Property | Value |
|---|---|
| Full name | QuickTime File Format (QTFF) |
| Developer | Apple, introduced 1991 |
| Extension | .mov |
| Container | Multi-track container for video, audio, and text |
| Default video codec here | H.264 |
| Default audio codec | AAC (but the M2V source carries no audio to encode) |
| Relationship to MP4 | The MP4 file format (ISO/IEC 14496-14) was based on the 2001 QuickTime spec |
| Native support | macOS, QuickTime Player, Final Cut Pro, iMovie; Windows via modern players |
| Best for | Editing on Apple software; an editable wrapper for a loose stream |
No. An M2V elementary stream contains video only — the audio was demuxed into a separate file during DVD authoring or capture. The MOV will play silently because there is no audio to carry over. To get sound, locate the matching audio file (often an AC3 or WAV/LPCM track) and mux the two together into a container instead of converting the bare stream.
No. The source is already compressed with MPEG-2, and converting re-encodes it into the MOV container. Re-encoding can only preserve or reduce quality, never restore detail the MPEG-2 compression already discarded. Keeping the Preset on "Very High" minimizes the additional loss from this second encode.
M2V masters from DVDs and broadcast are frequently interlaced, which can show comb-like artifacts on progressive screens. The conversion preserves the frames as encoded; it does not deinterlace by default. If your footage looks combed, that is the interlacing showing through — deinterlacing is a separate processing step you would apply before or after wrapping the stream.
A pure remux would copy the MPEG-2 video into the MOV container untouched, but MPEG-2-in-MOV is poorly supported by modern Apple editors, which is usually why people convert in the first place. Re-encoding to H.264 produces a MOV that Final Cut Pro, iMovie, and QuickTime Player open reliably. If you specifically need the original MPEG-2 stream preserved, choose the MPEG-2 codec in Advanced Options.
MPEG-2 Part 2 video was published as ISO/IEC 13818-2 (identical to ITU-T H.262) and finalized in the mid-1990s. It is a stable, frozen standard rather than an actively evolving one, and it remains widely readable, which is why DVD masters and broadcast archives still exist as M2V. Newer codecs like H.264 and H.265 compress far more efficiently, so converting to an H.264 MOV usually yields a smaller, more compatible file.
The output is a standard QuickTime File Format (.mov) container — the same object-based format Apple's MPEG-4 file format was later derived from. With the default H.264 video codec, the resulting MOV is broadly compatible with macOS, QuickTime Player, and Apple's editing apps, and it opens in current cross-platform players on Windows and Linux as well.
It depends on the source resolution, length, and the codec you pick. In our testing, a 2-minute standard-definition (720x480) M2V re-encoded to an H.264 MOV at the "Very High" preset produced a file in the low tens of megabytes — typically smaller than the original MPEG-2 stream because H.264 compresses more efficiently than MPEG-2 at the same visual quality.
Files are uploaded over an encrypted connection and processed on our servers, then deleted automatically a few hours after conversion. There is no sign-up and no watermark, and your files are never shared or made public. For the more widely compatible target, see our M2V to MP4 converter; to convert a complete MPEG program stream that already carries audio, use MPG to MOV.