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Supports: M2V
This converter wraps a raw MPEG-2 video stream into an MTS (AVCHD) file so you can drop DVD-project footage into a camcorder-style editing timeline. One thing to know up front: a true .m2v is video only, so the MTS it produces will be silent — the soundtrack lives in a separate sibling file, and getting it back means converting that file instead. Details and the fix are below.
.m2v onto the page, or click "+ Add Files" to choose it from your computer. You can queue several clips to run with the same settings..mts file. No sign-up, no watermark.| Property | M2V (source) | MTS / AVCHD (output) |
|---|---|---|
| Full name | MPEG-2 Video elementary stream | AVCHD MPEG-2 Transport Stream |
| Standard | ISO/IEC 13818-2 (MPEG-2 video, a.k.a. H.262) | MPEG transport stream, ISO/IEC 13818-1 |
| Introduced | MPEG-2 published 1996 | AVCHD, 2006 (Sony + Panasonic) |
| Video codec | MPEG-2 Part 2 | H.264 / MPEG-4 AVC |
| Audio | None — video only | Normally AC-3 or LPCM (absent here, see below) |
| Typical use | DVD/SVCD authoring, broadcast masters | Sony/Panasonic camcorders, AVCHD edit workflows |
| Container | Bare elementary stream (no container) | MPEG-2 transport stream (.mts / .m2ts) |
Because a true .m2v is an MPEG-2 video elementary stream and carries no audio at all. The MPEG-2 standard keeps video (ISO/IEC 13818-2) and audio in separate elementary streams and only joins them inside a container, so a bare .m2v is picture-only. The MTS this tool writes is a complete, playable video container — but there is no audio stream in the source to mux into it, so the result plays silently. The soundtrack is in a sibling file (.ac3 or .mp2 next to the .m2v), or in the original .mpg/.vob it was demuxed from. To keep the sound, convert that file instead: MPG to MTS or VOB to MTS.
It is sitting next to your .m2v as a separate file. DVD and SVCD authoring tools demux a recording into a video .m2v plus a matching audio file with the same base name — clip.m2v and clip.ac3 (DVD) or clip.mp2 (SVCD). Players such as VLC automatically pair the two during playback, which is why you heard sound, but that pairing is never baked into the .m2v itself. Convert the original muxed container — the .mpg or .vob — and the audio rides along into the MTS.
No. AVCHD uses H.264, and your .m2v is already MPEG-2, so this is a lossy-to-lossy re-encode: the H.264 pass cannot recover detail the MPEG-2 compression already discarded, and a fresh lossy encode is slightly softer than the source. A DVD-era standard-definition .m2v (typically 720×480 or 720×576) also stays standard-definition — wrapping it as MTS does not make it HD. The point of this conversion is workflow compatibility (getting the footage into an AVCHD-style editor), not a quality gain.
For most people, MP4 is the better target. MTS/AVCHD makes sense when a specific camcorder-oriented editor or device expects .mts files; if you simply want a clip that plays widely and edits easily, M2V to MP4 gives you the same H.264 video in a friendlier, more universally supported container. Both will be silent if the source is a true video-only .m2v, so the sibling-audio caveat above applies either way.
Yes. If you have an MTS/AVCHD clip and need the bare MPEG-2 video stream for a DVD-authoring step, use MTS to M2V. Note that the reverse conversion mirrors this one: an .m2v is video-only, so the audio track from the MTS does not travel inside the .m2v — it would need to be exported as a separate file. In our testing, a true demuxed .m2v converts to a clean, playable MTS, but the output is silent every time unless the source actually contained an audio stream.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — never shared or made public. There is no sign-up and no watermark.