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Supports: MP4, M4V
M4V is Apple's MP4 variant — an MPEG-4 container holding H.264 video and AAC audio, used by iTunes, Apple TV, and QuickTime. AU is something far older: the Sun Microsystems audio format from the late 1980s, a flat big-endian file that early Java and Unix audio pipelines read natively. This converter discards the M4V picture, decodes its AAC soundtrack, and writes the samples into an AU file.
| Property | Value |
|---|---|
| Defined by | Apple Inc. (MPEG-4 Part 14 / ISO/IEC 14496-14 container) |
| Introduced | October 2005, alongside the iTunes Video Store |
| Video codec | Usually H.264 (AVC); sometimes H.265 (HEVC) |
| Audio codec | AAC (lossy), typically ~128 kbps stereo |
| DRM | Optional Apple FairPlay on purchased iTunes content |
| Carries video | Yes — H.264/H.265 alongside the audio |
| Relationship to MP4 | Same container; Apple chose .m4v to flag iTunes content |
| Native browser support | Plays where MP4/H.264 plays (Safari, Chrome, Edge, Firefox) |
| Property | Value |
|---|---|
| Defined by | Sun Microsystems (the "Sun/NeXT" .au / .snd format) |
| Introduced | Late 1980s |
| Container | Flat: 24-byte header (six 32-bit words) + optional ≥4-byte annotation |
| Magic number | .snd — bytes 0x2e 0x73 0x6e 0x64 at offset 0 |
| Endianness | Big-endian throughout, including the sample data |
| Original encoding | 8-bit μ-law at 8000 Hz (Unix system sounds) |
| Also supports | Linear PCM at 8 / 16 / 24 / 32-bit, plus A-law and IEEE float |
| Carries video | No — audio only |
| Associated with | Sun/NeXT workstations, Java AudioClip, telephony (G.711) |
The M4V soundtrack is AAC, which is already lossy — perceptual data was discarded when the file was first encoded. This tool decodes that AAC and writes the result into AU, where the default encoding is uncompressed 16-bit big-endian PCM (pcm_s16be, matching AU's big-endian origin). That makes the AU file larger than the audio inside the M4V, but it cannot restore detail the original AAC threw away — you get a faithful, bulky copy of already-lossy audio, not new fidelity. The Lowest quality preset instead writes 8-bit μ-law, AU's original telephony encoding, producing a much smaller file. The video picture is dropped entirely; the output is audio only.
AU is an old Unix/Sun/NeXT/Java format, not a modern general-purpose choice. Reach for it when something specifically asks for .au: legacy Unix audio pipelines, Java AudioClip resources, telephony prompts, or DSP coursework that distributes reference clips as .au. For anything else, a small shareable file is better served by M4V to MP3, and keeping the AAC as-is without re-encoding by M4V to M4A.
AudioClip or phone-system output, set 8000 Hz and Mono.No. M4V files bought from the iTunes Store carry Apple FairPlay DRM, and no third-party converter can decode them — the encryption is tied to your Apple account and authorized devices. Only DRM-free M4V works here: files you exported from iMovie, Final Cut, QuickTime, or any non-purchased source. If the upload fails or produces silence, FairPlay is the usual reason. To use purchased content you would first need to play it back through an authorized Apple app.
Because the M4V's audio is AAC — a compressed lossy codec at roughly 96–192 kbps — and the default AU output is uncompressed 16-bit PCM, which runs about 1.4 Mbps for stereo 44.1 kHz. So a one-minute AAC track decodes into a roughly 10 MB PCM-in-AU file. The extra bytes do not add fidelity; they are an uncompressed copy of audio that already lost detail during AAC encoding. Pick the Lowest preset at 8000 Hz mono for an AU that is actually smaller (8-bit μ-law, about 480 KB per minute).
By default, 16-bit big-endian linear PCM (pcm_s16be), which matches AU's big-endian heritage and suits music or general audio. The Lowest quality preset switches to 8-bit μ-law at 8000 Hz — AU's original encoding and the most universally readable, ideal for Java applets, telephony prompts, or any system that expects classic "Sun audio." The AU header records which encoding was used, so both are valid .au files.
Sun's SPARC and NeXT's Motorola 68k workstations were both big-endian processors, so the format was specified that way in the late 1980s to match native CPU memory layout. Modern x86 and ARM machines are little-endian, so their audio libraries byte-swap AU samples transparently on read. It is only an issue in low-level C that parses the header by hand, where you may need ntohl or a byte-swap intrinsic. In our testing, a one-minute stereo M4V soundtrack decoded to AU at the default Very High preset produced a roughly 10 MB 16-bit PCM .au, while the Lowest μ-law preset at 8000 Hz mono produced about 480 KB.
For a brand-new project, pick WAV, FLAC, or MP3 — AU is niche today. But it survives where it is specifically required: Java audio APIs still ship .au support in the JDK, older telephony stacks expect 8 kHz μ-law, and many DSP and CS courses distribute reference clips as .au because the 24-byte header is short enough to parse by hand. If a tool, textbook, or vendor asks for "AU" or "Sun audio," this conversion is the way to feed a modern M4V recording into it. If you only need a small, broadly playable file, M4V to MP3 is the better target.
Files are uploaded over an encrypted connection and processed on our servers. They are deleted automatically a few hours after conversion, and are never shared or made public. There is no sign-up and no watermark on the output. The practical limit on big videos is upload time, since the decode and re-encode happen on our servers rather than on your device.