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Supports: MP4, M4V
M4V is Apple's video flavour of the MPEG-4 container — the same ISO base-media structure as MP4, with an extension Apple used for iTunes Store video and QuickTime exports — and it almost always carries H.264 video with an AAC soundtrack. HEVC (High Efficiency Video Coding, also called H.265) is the codec generation that followed H.264 and targets similar quality at roughly half the bitrate. This page re-encodes the video stream to H.265 and keeps your audio. One thing to know before you start, because most of the web gets it wrong: the .hevc file produced here is not a raw elementary stream.
| Property | Value |
|---|---|
| Full name | MPEG-4 Video file, Apple's .m4v variant |
| Base standard | ISO base media file format / MPEG-4 Part 14 — structurally an MP4 |
| Introduced by | Apple, for iTunes Store video and QuickTime exports |
| Typical video codec | H.264 / AVC |
| Typical audio codec | AAC; iTunes films may carry an additional Dolby Digital surround track |
| Copy protection | Optional Apple FairPlay on Store purchases and rentals; absent from your own exports |
| Native playback | QuickTime, iTunes and the Apple TV app, iOS and macOS, most modern players |
| Extras it can carry | Chapters, subtitle tracks, artwork and iTunes metadata such as episode and season fields |
.hevc File This Tool Produces Actually IsElsewhere on the web .hevc usually means a bare Annex-B bitstream with no audio, no timestamps and no container. That is not what comes out of here. Our pipeline routes H.265 output into a Matroska package, so the extension is the only unusual thing about it — the contents are an ordinary video file with a duration, a seek index and your soundtrack alongside the picture.
| Property | Value |
|---|---|
| Container actually written | Matroska (the MKV family) |
| Video codec | H.265 / HEVC, encoded with x265 |
| Audio | Kept and re-encoded; AAC is the starting selection |
| Timestamps, duration, seeking | Present and working, as in any Matroska file |
| Opens in | VLC 3.0 and newer, mpv, MKV-aware players and media servers |
| Does not open in | QuickTime, the Windows Photos app, phone galleries, browsers, most stock editors |
| Recommended fix | Rename the file to .mkv — same bytes, an extension software recognises |
| Standard behind the codec | ITU-T H.265, first approved April 2013; published by ISO/IEC as MPEG-H Part 2 (ISO/IEC 23008-2) |
.m4v onto the page or click "Add Files". .mp4 sources work on the same page, and several clips can be queued and converted with one set of settings.If the point of the exercise is H.265 compression that anyone can open, this is the wrong page. Use M4V to MP4 and set the video codec to H.265 there: you get the identical bitstream and the identical size saving, sitting in a container that phones, browsers, smart TVs and editors actually read. M4V to MKV is the other sensible destination — the same Matroska package as here, but under the extension every MKV-aware tool recognises on sight. Reach for this page specifically when a pipeline or tool has asked you for a file named .hevc.
.hevc output a raw H.265 bitstream?No. That is the usual meaning of the extension elsewhere, and it is why so many players refuse the file, but our output is a Matroska container carrying the H.265 video plus your audio track, with real timestamps and a seek index. We verified this on the output the converter writes rather than assuming from the extension. Practically, that means two things: the file is complete and playable, and any software judging it by name alone will be misled. Renaming it to .mkv resolves that instantly.
Yes. The soundtrack is carried across and re-encoded, with AAC as the starting selection in the Audio Codec dropdown. If a player shows the picture but stays silent, the likely cause is that player's Matroska or codec support, not a missing track — open the file in VLC or mpv to confirm the audio stream is there.
Nothing meaningful. H.265 is the ITU-T name and HEVC is the ISO/IEC name for the same specification, and both entries drive the same x265 encoder. Pick either; the output is the same codec.
The compression gain is real but it is not a fixed ratio. HEVC was designed to reach comparable quality to H.264 at roughly half the bitrate, and re-encoding an H.264 M4V at a sensible Quality Preset usually does produce a substantially smaller video stream. How much you actually save depends on the source: a clip that was already compressed hard has little redundancy left to exploit, while a high-bitrate camera export has plenty. Content matters too — flat, static footage compresses far better than grain, confetti or water.
No, and it cannot be. Your M4V is H.264, so producing H.265 means fully decoding every frame and re-encoding it with a different codec — a transcode, not a copy, and it adds a generation of lossy compression on top of whatever the M4V already lost. Keep the original M4V as your master and treat this output as a derived file. To keep the loss small, use a high Quality Preset and leave the resolution on Keep original.
No. Store purchases and rentals can be wrapped in Apple's FairPlay protection, which encrypts the video so it decodes only on a device authorised with the buying Apple ID. No web converter can read that stream, so the job fails outright. DRM-free M4V files convert normally: your own exports, screen recordings, camera footage and renders from editing software.
Treat the output as standard dynamic range. This converter does no HDR tone-mapping, so an HDR source gets a plain colour conversion and the result can look flat or washed out compared with the original on an HDR display. If preserving the HDR grade matters, keep the M4V as your master and do the HEVC encode in a desktop tool that handles tone-mapping and colour metadata explicitly.
No. There is no deinterlacing anywhere in this pipeline, so interlaced fields are carried through and the combing stays baked into the H.265 output. Deinterlace first in a desktop editor if you need a clean progressive result, then convert.
Files are uploaded over an encrypted connection, decoded and re-encoded on our servers, and deleted automatically a few hours later — no sign-up, no watermark, never shared or made public. H.265 encoding is computationally heavier than H.264, so a long high-resolution source takes noticeably longer than the equivalent MP4 job; the other practical limit is upload time on a multi-gigabyte file.