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Supports: MJPEG
MJPEG (Motion JPEG) stores every frame as a full, independent JPEG with no compression between frames, so a clip of any length stays large. DivX is an MPEG-4 Part 2 video codec that adds interframe compression — it reuses what stays the same from one frame to the next — so converting MJPEG to DivX typically produces a much smaller file at similar visual quality. This is a re-encode, so expect a small one-time generation loss, but the size savings on motion footage are usually dramatic.
.mjpeg clip onto the page or click "+ Add Files" to browse. You can queue several files and convert them with the same settings.DivX is the right target if you specifically need an AVI that plays on an older DivX-Certified DVD/Blu-ray player or legacy media box. For everything else — phones, browsers, editors, smart TVs — MP4 with H.264 is the more efficient and more universally compatible choice.
| Property | MJPEG (source) | DivX (MPEG-4 Part 2) | MP4 / H.264 |
|---|---|---|---|
| Compression | Intra-frame only (each frame a JPEG) | Interframe (I/P/B frames) | Interframe, more advanced |
| Typical container | .mjpeg / .avi | .avi (MP3 audio) | .mp4 (AAC audio) |
| Relative file size | Largest (5–20x H.264) | Much smaller than MJPEG | Smallest at equal quality |
| Origin | JPEG-based, 1990s | MPEG-4 Part 2, c. 2000–2001 | H.264/AVC, 2003 |
| Best for | Capture, webcams, frame-accurate editing | Legacy DivX-Certified players | Modern playback everywhere |
If your goal is the smallest, most compatible file rather than DivX specifically, convert MJPEG to MP4 instead.
Usually yes, and often by a large margin. MJPEG repeats a full JPEG for every frame and never compares one frame to the next, while DivX (MPEG-4 Part 2) only stores what changes between frames. On typical motion footage MJPEG can occupy roughly 5–20x the space of an interframe codec, so the DivX output is normally a fraction of the source size at comparable quality.
There is a small, one-time generation loss because DivX re-encodes the video with lossy interframe compression rather than copying the original JPEG frames. At the "Very High" preset the difference is hard to spot on normal content. If you need to keep editing frame-by-frame afterward, keep an MJPEG master and use the DivX copy only for storage and playback.
Choose DivX only if you need to play the file on an older DivX-Certified DVD/Blu-ray player or set-top box that expects a DivX AVI. For phones, browsers, modern TVs, and video editors, MP4 with H.264 compresses better and plays almost everywhere. In our testing, the same source converted to MP4/H.264 was consistently smaller than the DivX AVI at a matched quality preset.
A DivX AVI traditionally pairs MPEG-4 Part 2 video with MP3 audio, and that is the default this converter applies. The audio from your MJPEG source is re-encoded to match the DivX container.
VLC, MPC-HC, and most desktop media players handle DivX AVI out of the box on Windows, macOS, and Linux. Hardware DivX-Certified DVD and Blu-ray players also play it directly. If a player refuses the file, converting DivX to MP4 makes it universally compatible.
Large MJPEG files are practically limited by upload time rather than a hard device cap. Your file is sent over an encrypted connection, converted on our servers, and deleted automatically after a few hours — never shared, never made public, and no sign-up or watermark is required.