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Supports: MJPEG
Motion JPEG (MJPEG) stores every frame as a separate, fully-compressed JPEG image, which keeps editing simple but makes files large. MPEG-2 adds motion prediction between frames, so this conversion usually produces a much smaller file in the exact format DVD authoring tools, legacy editors, and broadcast pipelines expect. This is a re-encode, not a remux — choose it when you specifically need an MPEG-2 stream, not just a smaller modern file.
| Property | Value |
|---|---|
| Full name | Motion JPEG |
| Compression | Intra-frame only — each frame is a standalone JPEG |
| Inter-frame prediction | None (no P/B frames) |
| Lossy / lossless | Lossy (JPEG DCT, can show ringing and blocking) |
| Audio | Not carried by the codec itself; stored separately in the AVI/MOV container |
| Typical file size | Large — no temporal compression |
| Formal standard | None universal; documented per implementation (AVI, QuickTime, RFC 2435) |
| Common sources | IP cameras, webcams, digital cameras, non-linear editing |
| Property | Value |
|---|---|
| Standard | ISO/IEC 13818 / ITU-T H.262 (Part 2, video) |
| Released | 1996 |
| Compression | Inter-frame — I, P, and B frames for temporal prediction |
| Lossy / lossless | Lossy, but far more space-efficient than MJPEG |
| Container | Program Stream / Transport Stream (.mpg, .mpeg, .m2v) |
| Default audio here | MPEG Layer II (MP2) |
| Best for | DVD-Video authoring, broadcast (ATSC, DVB), legacy editors |
| DVD-Video limits | 720×480 (NTSC) / 720×576 (PAL), video up to 9.8 Mbit/s |
Usually, yes. MJPEG has no inter-frame compression, so it stores full data for every frame. MPEG-2 adds P and B frames that only record what changes between frames, so for typical footage the MPEG-2 output is substantially smaller than the MJPEG source at comparable visual quality.
Some, because this is a lossy-to-lossy re-encode. Re-encoding cannot add detail that the MJPEG source never captured, and MPEG-2's motion prediction is a different model than JPEG's per-frame compression. Keeping Quality Preset on "Very High" or setting a generous bitrate (6–8 Mbit/s) minimizes visible loss for most clips.
MPEG-2 is the format DVD-Video and many broadcast and legacy-editor workflows require. For general modern use, MP4 with H.264 is smaller still and plays nearly everywhere — if you do not specifically need MPEG-2, convert MJPEG to MP4 instead.
MJPEG itself does not store audio; any sound lives in the surrounding AVI or QuickTime container. When that audio is present, the converter re-encodes it to MP2 by default, which is the standard MPEG-2 audio pairing. Silent surveillance or webcam clips simply produce a video-only MPEG-2 file.
DVD-Video expects 720×480 for NTSC (29.97 fps) or 720×576 for PAL (25 fps). Set one of these under Video resolution before converting so your DVD tool accepts the stream without re-scaling. For editing rather than discs, leave the resolution unchanged.
The practical limit is upload size and time over your connection, not your device. Because MJPEG files are large, very long clips can take a while to upload. If you only need the result smaller for sharing or storage rather than in MPEG-2 specifically, the video compressor may be a faster route.