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Supports: MKV
This walk-through is for anyone holding an .mkv video who needs the soundtrack on its own as an .aifc (AIFF-C) file — usually to feed a legacy Apple tool, sampler, or DAW that specifically asks for the .aifc form. Two things are worth understanding before you start: this conversion keeps the audio and throws the video away, and whether the result is a true lossless copy depends entirely on which audio codec was packed inside the MKV. The sections below explain both, then get you a clean AIFC.
.mkv onto the page, or click "+ Add Files" to browse. Queue several clips and they convert in one batch with the same settings.Matroska (the .mkv container) is an open, royalty-free format that can interleave video with one or more audio tracks. This converter reads the audio track, decodes it to raw samples, and wraps those samples in an AIFF-C file as uncompressed PCM, 16-bit, big-endian (compression type NONE). The video is not in the output at all — if you wanted to keep the picture, this is the wrong tool.
What you get from the audio depends on what the MKV was carrying, and there are two cases:
Either way the conversion never makes the audio worse than it already was. It just can't make lossy audio better, and the format name shouldn't fool you (see the AIFC FAQ below).
| Property | MKV (source) | AIFC (output here) |
|---|---|---|
| Container | Matroska, open standard, announced Dec 2002 | AIFF-C (form type AIFC), Apple, 1991 |
| Holds | Video + one or more audio tracks | Audio only — video discarded |
| Typical audio codec | AAC, AC-3, DTS (lossy); FLAC or PCM (lossless) | Uncompressed PCM, 16-bit big-endian (NONE) |
| Compression | Usually lossy on the audio track; sometimes lossless | None — raw samples written in full |
| File size | Compact audio track inside a large movie | Larger audio file (PCM is uncompressed) |
| Native playback | VLC, mpv, most modern players | macOS, Logic Pro, QuickTime; FFmpeg-based tools elsewhere |
| Best for | Storing/playing the whole movie | Legacy Apple tools and samplers needing .aifc |
C describes a capability of the AIFF-C wrapper, not your file. This converter writes uncompressed PCM into it, so the output is larger, not smaller.This tool needs a real, playable MKV with a decodable audio track — it can't read a corrupted or DRM-protected file, and it never recovers fidelity that a lossy codec discarded earlier. It also can't keep the video; the output is audio only. If AIFC isn't actually what you need, two targets are usually better: most people who want a small, universally playable audio file should use MKV to MP3, and anyone editing or mastering on a non-Apple system will find MKV to WAV — the standard uncompressed PCM editor format — more widely supported than AIFC. Reach for AIFC specifically when a piece of Apple software demands the .aifc form.
No. This is an audio-extraction tool: it reads the audio track out of the MKV, writes it to an AIFC file, and discards the video entirely. The output has no picture. If you want to keep the video and only change the container or codec, you need a video-to-video conversion, not this one.
No. Most MKV files carry lossy audio (commonly AAC, AC-3, or DTS), which permanently dropped some detail when it was first encoded. Decoding that to uncompressed PCM and wrapping it in AIFC stores the samples your player already produces — it can't reconstruct what was removed. The AIFC sounds the same as the MKV's audio, just in a larger, uncompressed container. The exception is an MKV that already held FLAC or raw PCM, in which case the transfer is genuinely lossless because nothing was re-compressed.
Because the AIFC here is uncompressed. AAC, AC-3, or DTS inside an MKV shrinks audio substantially versus raw PCM; the AIFC writes every sample out in full at 16-bit. CD-quality stereo PCM runs about 10 MB per minute, so a compact compressed soundtrack commonly expands several-fold. The added bytes are uncompressed data, not extra fidelity.
Not as written here. AIFF-C, introduced by Apple in 1991, is a container that can carry compressed audio — legacy codecs like MACE, A-law, or μ-law — but it equally holds uncompressed PCM, and that is what this converter writes (compression type NONE, 16-bit big-endian). The "C" describes a capability of the wrapper, not the contents of your file. In our testing, a one-minute MKV with a 192 kbps AAC track produced an AIFC of roughly 10 MB — far larger than the source audio, exactly because it is uncompressed.
Pick AIFC only when a specific tool demands the .aifc form — for example a pre-Logic-era Apple authoring app or an older sampler that imported AIFF-C natively and rejects other containers. For editing or mastering on most systems, the uncompressed MKV to WAV is the more standard and widely supported target; for a small, universally playable file, MKV to MP3 is the better choice. AIFC is the niche pick, not the default.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.