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Supports: MKV
MKV (Matroska) is a flexible open container that can hold video, multiple audio tracks, subtitles, and chapters in a single file — common for movies, anime, TV episodes, and downloaded recordings. MP3 (formally MPEG-1/MPEG-2 Audio Layer III, ISO/IEC 11172-3 and 13818-3) became patent-free on April 16, 2017, and remains the most universally playable audio format on the planet — every car stereo, Bluetooth speaker, smartwatch, and DAP made in the last 25 years decodes it without a codec pack. Pulling the audio out gives you a portable listening file at a fraction of the size.
| Property | MKV (Matroska) | MP3 |
|---|---|---|
| Type | Open container (holds video + audio + subs) | Lossy audio format |
| Spec | Matroska, maintained by IETF CELLAR WG | ISO/IEC 11172-3 (MPEG-1) / 13818-3 (MPEG-2) |
| Audio codecs supported | AAC, AC-3, E-AC-3, DTS, FLAC, Vorbis, Opus, MP3, PCM, TrueHD | Single codec (MP3) |
| Multi-track audio | Yes — unlimited tracks, languages, commentaries | No — one stereo or mono stream |
| Typical bitrate | Source-dependent (audio 128 kbps to lossless multi-Mbps) | 32-320 kbps |
| Universal device playback | Limited (requires VLC, MPV, or modern smart-TV) | Yes — every device built since the late 1990s |
| Patent / royalty status | Royalty-free since launch (2002) | Patent-free since April 16, 2017 |
| Preset | MP3 bitrate | ~Size for 1 hr stereo | Best for |
|---|---|---|---|
| Highest | 320 kbps CBR | ~144 MB | Archival, music videos, mastering reference |
| Very High (Recommended) | 256 kbps CBR | ~115 MB | Concert recordings, soundtracks |
| High | 192 kbps CBR | ~86 MB | General music, full-stereo content |
| Medium | 128 kbps CBR | ~58 MB | Podcasts, audiobooks, web playback default |
| Low | 96 kbps CBR | ~43 MB | Speech, talk radio, low-bandwidth devices |
| Very Low | 64 kbps CBR | ~29 MB | Voice memos, transcription input |
| Lowest | 32-48 kbps CBR | ~15-22 MB | Mono voice, tightest possible size |
It transcodes. The audio stream is decoded from whatever codec the MKV holds (AAC, AC-3, DTS, FLAC, Vorbis, Opus, or PCM) and re-encoded to MP3 at the bitrate your preset implies. That means even if the source was lossless FLAC, the output is lossy MP3 — a one-way step. If you want a true bit-perfect extract for editing, convert MKV to FLAC instead, then encode to MP3 from there only when you need the portable copy.
The default audio track flagged in the MKV header is the one that gets converted — the same track your media player selects on first play. Browser-based extractors (xConvert included) generally cannot expose a track-picker UI for arbitrary MKV layouts. If you need a non-default track, the cleanest path is to remux first with MKVToolNix to make the desired track the default (or strip the others), then upload the result here. MKVToolNix is free and open-source.
Pick something equal or slightly higher than the source bitrate, never lower if quality matters. A 192 kbps AAC source re-encoded to 192 kbps MP3 sounds noticeably softer than the original because the second lossy pass discards different psycho-acoustic data than the first; bumping to 256 or 320 kbps MP3 hides most of that loss. For DTS or AC-3 5.1 sources downmixed to stereo, 320 kbps MP3 is the safe choice. Note that no MP3 setting recovers detail the source codec already discarded.
CBR keeps the bitrate fixed every second — predictable file size, slightly larger, and the safest choice for older car stereos and DAPs that mishandle VBR seeking. VBR raises the bitrate during dense passages (full orchestra, dialogue with music bed) and drops it during silence, producing a smaller file at equivalent perceived quality. For Apple Podcasts, Spotify, and any modern phone, VBR at quality V0-V2 is the better trade. For a 2008-era Honda head unit reading MP3 off a USB stick, stick to CBR.
Yes — set Audio Channel to Mono. A 60-minute podcast at 64 kbps mono is about 29 MB, versus 58 MB stereo at 128 kbps. This works well when the source is a single speaker or a phone-call recording where there's no real stereo image. Don't use Mono on music or any stereo dialogue mix; you'll collapse panning and lose the spatial cues.
No. MKV chapters, embedded album art, and Matroska tags don't survive the audio extract — only the audio samples themselves. If you need ID3v2 tags (title, artist, album, cover art) on the output MP3, add them afterward with a tag editor like Mp3tag or directly in iTunes/Music. For chapter-aware podcast publishing, Apple Podcasts uses a separate chapter MP4 atom, not MP3-embedded data.
Same workflow, different page. Use MP4 to MP3 for iPhone screen recordings, YouTube downloads, and most camera footage. MP4 and MKV are both modern containers, but MP4 is more common for phone-shot video while MKV dominates ripped/downloaded TV and movie content. The audio inside is usually AAC for MP4 and AC-3/DTS/AAC for MKV.
Use the Trim controls before clicking Convert. Set Trim start and duration in HH:MM:SS.sss — for example, start 00:23:15.000 and duration 00:04:30.000 to grab a single song from a concert film. The converter only encodes the requested window, so it finishes in seconds rather than processing the full 2-hour file. If you already have an MP3 and just need to chop it, the Audio Cutter does the same trim without re-encoding.
Yes — feed the resulting MP3 into Compress MP3 and pick a lower bitrate or target size. Going from 320 kbps to 128 kbps roughly cuts the file by 60%. Be aware this is a third lossy pass (MKV source codec → MP3 320 → MP3 128), so for archival masters it's better to extract once at the final target bitrate rather than re-compressing later.