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Supports: MKV
This tool takes the audio out of a Matroska (.mkv) video and writes it as FLAC, discarding the picture. The question almost everyone is really asking is whether the result is "lossless", and the honest answer depends entirely on what is inside your MKV. FLAC never adds loss — but it also cannot undo loss that already happened. If the MKV carries a lossless track, you get a bit-perfect copy. If it carries AC-3, DTS or AAC, you get a lossless container wrapped around audio that was already lossy, at a much larger size. Both are legitimate; knowing which one you are doing is the point of this page.
Matroska can carry almost any audio codec, so check the source before assuming bit-perfect output. Media players and tools like MediaInfo will tell you which codec a track uses:
| Audio codec inside the MKV | Lossy or lossless | What the FLAC output actually is |
|---|---|---|
| FLAC | Lossless | Identical samples, re-encoded at your chosen compression level |
| PCM (uncompressed) | Lossless | Bit-perfect, and usually noticeably smaller than the source |
| Dolby TrueHD | Lossless | Bit-perfect; decoded to PCM, then losslessly re-encoded |
| DTS-HD Master Audio | Lossless | Bit-perfect through the same route |
| AC-3 (Dolby Digital) | Lossy | Quality frozen where it is; no further loss, but no recovery either |
| E-AC-3 (Dolby Digital Plus) | Lossy | Same — preserved exactly as decoded, not restored |
| DTS (core) | Lossy | Same |
| AAC | Lossy | Same |
| MP3 or Vorbis | Lossy | Same, and the FLAC will usually be several times larger |
.mkv onto the page or click "+ Add Files". Batch uploads are supported and each file is converted with the same settings..flac. Files upload over an encrypted connection, are processed on our servers, and are deleted automatically a few hours later — no sign-up, no watermark.| Property | FLAC | WAV | MP3 |
|---|---|---|---|
| Lossy or lossless | Lossless, compressed | Lossless, uncompressed | Lossy |
| Typical size vs raw PCM | Roughly 50–70% | 100% | Roughly 10% |
| Specification | RFC 9639 (December 2024) | Microsoft/IBM RIFF | ISO/IEC 11172-3 |
| Bit depth support | 4 to 32 bits per sample | Commonly 16/24/32-bit | Fixed internal representation |
| Channels supported | 1 to 8 | Many | 2 |
| Metadata and tags | Strong, native | Weak and inconsistent | Strong (ID3) |
| Best for | Archiving and editing lossless sources | Handing straight to a DAW | Listening and sharing |
The FLAC step always is; the overall chain depends on the source. FLAC is a lossless codec — RFC 9639 defines it around the property that "decompressing losslessly compressed information returns exactly the original data" — so encoding decoded audio to FLAC never discards a sample. If the MKV holds FLAC, PCM, Dolby TrueHD or DTS-HD Master Audio, the output is bit-perfect. If it holds AC-3, DTS core, AAC or MP3, those bits were thrown away by the original encoder years ago and nothing can bring them back. Wrapping lossy audio losslessly is still lossy audio — just bigger.
Because FLAC stores the full decoded waveform, not the compact lossy representation. A 192 kbps AC-3 track decodes to a 48 kHz multi-channel PCM stream; FLAC then compresses that stream by roughly 30–50%, but it is compressing something far larger than the AC-3 was. The result can easily be several times the size of the original track while sounding identical to it. That is expected behaviour, not a bug — and it is the strongest argument for using MKV to MP3 when the source was lossy to begin with.
No. It only changes how hard the encoder works and how long it takes. The page states this directly in its own help note: a lower number is faster but leaves a larger file, and it "doesn't effect the audio quality". Level 1 and level 12 decode to exactly the same waveform — every level is lossless, so the only trade is encode time against a few percent of file size. Level 12 (the starting value) is the right choice for archiving; drop it if you are converting a long file and want it finished sooner.
It can. FLAC supports 1 to 8 channels per RFC 9639, so a 5.1 track can be carried through as 5.1 when Audio Channel is left on ORIGINAL. Deliberately choosing MONO or STEREO downmixes instead, which is a one-way change you cannot undo later. If you are archiving a surround soundtrack, leave both Audio Channel and Audio Sample Rate on ORIGINAL — any resampling or downmix converts a bit-perfect job into an approximation.
The one the container marks as its default audio track. There is no track picker on this page, so a film with an original-language track plus dubs and a commentary produces a single FLAC from whichever stream is flagged default. Subtitles, chapters and the video itself are all discarded — FLAC is an audio-only format. If you need a specific alternate track, remux the MKV first with that stream set as default and then convert.
In our pipeline the audio stream is decoded to PCM and then re-encoded with the FLAC encoder at your chosen compression level — it is a genuine encode, not a stream copy, so the output is a real FLAC file rather than the original codec under a new extension. The FLAC encode itself is mathematically lossless: what goes in as decoded samples comes back out identically when the file is played. That is exactly why a lossless source survives untouched while a lossy source is preserved rather than repaired.
Very broad support, with a few gaps worth knowing. VLC, foobar2000, mpv, Kodi and essentially every desktop media player handle FLAC natively, as do Android and modern hi-res audio players. Apple's ecosystem reads FLAC through the Files app and supports it in recent releases, though ALAC has historically been the preferred lossless format there. The remaining holdouts tend to be car stereos, older Bluetooth speakers and budget devices. If something refuses your file, FLAC to MP3 makes a universally playable copy.
Yes, in two ways. Open Trim on this page — it starts on Unchanged — and enter a start time and duration to encode only that span, which is faster than converting a two-hour concert and cutting afterwards. Alternatively, cut the finished audio with the Audio Cutter, or trim the source video first with the Video Cutter if you want to keep a video copy of the excerpt as well.
Your MKV is uploaded over an encrypted connection, converted on our servers, and both the upload and the resulting .flac are deleted automatically a few hours later. Files are never shared or made public, there is no sign-up, and nothing is added to the audio. The original file on your device is untouched — the FLAC is written as a new file for you to download.