Initializing... drag & drop files here
Supports: MOV
Almost everyone who lands here is choosing between two nearly identical mobile containers. The short answer: pick 3G2 if the target device is a CDMA2000 handset or a piece of software that explicitly asks for .3g2; pick 3GP for anything on the GSM/UMTS side; pick MP4 if the device is from this decade and you simply want a smaller file.
The two formats are siblings, not rivals. 3GP comes from the 3rd Generation Partnership Project, 3G2 from 3GPP2 — the bodies that standardised the GSM/UMTS and CDMA2000 network families respectively. ExifTool's file-type table describes 3G2 as "3rd Gen. Partnership Project 2 a/v" and classifies it as QuickTime-based, which is the same lineage as the MOV you are converting from. MDN treats both under one container entry with the MIME types video/3gpp and video/3gpp2.
| Property | MOV (QuickTime) | 3GP (3GPP) | 3G2 (3GPP2) |
|---|---|---|---|
| Standardised by | Apple | 3GPP (GSM / UMTS lineage) | 3GPP2 (CDMA2000 lineage) |
| MIME type | video/quicktime |
video/3gpp |
video/3gpp2, video/3gp2 |
| Structural family | QuickTime | QuickTime-derived / ISO base media | QuickTime-based (ExifTool) |
| Video codecs in common use | H.264, HEVC, ProRes | H.263, H.264, MPEG-4 Part 2 | H.263, H.264, MPEG-4 Part 2 |
| Audio codecs in common use | AAC, PCM | AMR-NB, AMR-WB, AAC-LC, HE-AAC, MP3 (MDN) | The same set, plus the CDMA-side speech codecs 3GPP2 standardised |
| Video codecs offered here | n/a (source) | H.263, H.264, MPEG-4, Xvid | H.263, H.264, MPEG-4, Xvid |
| Audio codecs offered here | n/a (source) | AAC, AMR Narrow Band, AMR Wide Band | AAC, AMR Narrow Band, AMR Wide Band |
| Browser playback | None — MDN's table shows no support in Chrome, Edge, Firefox or Safari | None in mainstream desktop browsers | None in mainstream desktop browsers |
| Typical role | Capture and editing master | Mobile delivery on GSM-lineage devices | Mobile delivery on CDMA-lineage devices |
.3g2 specifically..3g2 and rejects other extensions outright..3g2 clips and want the set to stay consistent..mov onto the page or click "Add Files" to browse. Several clips can be queued and encoded with the same settings..3g2. Files are uploaded over an encrypted connection, processed on our servers and deleted automatically after a few hours. No sign-up, no watermark.| Option | What it produces | Constraint to know |
|---|---|---|
| H.264 (default) | Modern, efficient video | None — honours your resolution and compression settings |
| MPEG-4 | MPEG-4 Part 2 Simple Profile, tagged mp4v |
None, but no better than H.264 on any modern player |
| Xvid | Also MPEG-4 Part 2 Simple Profile, tagged mp4v — we checked the output tag |
Offered, but not a distinct result from MPEG-4 here |
| H.263 | The oldest, most widely decoded 3GPP-era video codec | Locks the frame to 128x96, 176x144, 352x288, 704x576 or 1408x1152 and overrides your resolution choice |
| AAC (audio) | Full-bandwidth stereo audio | None; the safe default for anything musical |
| AMR Narrow Band (audio) | Speech-grade audio | Forced to 8000 Hz and mono, whatever the source was |
| AMR Wide Band (audio) | Wideband speech | Forced to 16000 Hz and mono |
No — they carry the same video codecs and, on this page, exactly the same encoder options. Any quality difference between two files you make here comes from the codec, bitrate and resolution you chose, not from the container. Choose between them on device compatibility alone.
Sometimes it works, and it is still the wrong approach. The two containers use different brand identifiers in their file-type box, and players that care about the difference read that box rather than the filename. If a device demands .3g2, convert to it properly so the internal branding matches the extension.
Yes, and that is the intended trade. Every conversion here is a full re-encode — our servers decode the MOV and encode fresh streams — so the picture is recompressed. Combined with the low resolutions these containers are used at, expect visible softening. That is the price of a file an old handset can decode.
The group's configured default value does not match any of the three visible buttons, so none appears highlighted. It is a cosmetic gap rather than a failure: convert without touching it and the server falls back to the container's default, writing AAC audio. Select AAC, AMR Narrow Band or AMR Wide Band explicitly if you want certainty.
Not as encode targets. The 3GPP2 file format was defined alongside the speech codecs used on CDMA networks, but this converter offers AAC, AMR Narrow Band and AMR Wide Band only. For speech destined for an old CDMA handset, AMR Narrow Band at 8 kHz mono is the closest match in behaviour and the most likely to decode.
Not usefully. The audio options here are stereo AAC or mono AMR, and any resolution beyond a few hundred pixels defeats the reason to use the format at all. If you need multichannel audio or a large frame, the container is wrong for the job — convert to MP4 instead.
H.263 was selected. Its five legal frame sizes are all 4:3, and the scale is applied to both axes, so a 16:9 source is squeezed rather than letterboxed. Switch to H.264 and use a resolution preset; the presets set the target height and let the width follow the source aspect ratio.
Your MOV is uploaded over an encrypted connection, converted on our servers, and deleted automatically after a few hours — never shared, never made public, with no sign-up and no watermark. On a long clip the slow part is the upload, not the encode, so trimming to a Time Range first or cutting the source with video-cutter is the quickest route to a finished file.