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Supports: MPG, MPEG
Grab a single frame from an MPEG (MPEG-1 / MPEG-2) video and save it as a static WebP image. Point at any timestamp, choose lossy or lossless, and you get a web-ready still that is typically much smaller than the same picture saved as JPEG or PNG. This tool captures one frozen frame — it does not build an animated WebP.
.mpeg or .mpg clip onto the page, or click "+ Add Files." Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark.2.1 for the frame at 2.1 seconds. That single frame becomes your WebP. To pull several stills instead, switch to Multiple Screenshots.| Property | WebP | JPEG | PNG |
|---|---|---|---|
| Compression | Lossy and lossless | Lossy only | Lossless only |
| Typical size vs WebP | — | ~25–34% larger (lossy, equal quality) | ~26–35% larger (lossless) |
| Transparency (alpha) | Yes (lossy and lossless) | No | Yes |
| Best for here | Web-optimized still or thumbnail | Maximum-compatibility photo still | Lossless still you'll re-edit |
| Browser support | ~96% (Chrome 32+, FF 65+, Edge 18+, Safari 16+) | Universal | Universal |
Size figures are from Google's WebP studies: lossy WebP runs 25–34% smaller than a JPEG of equal SSIM quality, and lossless WebP is about 26% smaller than the equivalent PNG. If you need a still that opens in every legacy image viewer, grab it as JPEG instead via Convert MPEG to JPG.
A single still image. This converter captures one frame at the timestamp you enter in Time (seconds) and encodes it as a static WebP. WebP can hold animation, but this tool does not build animated WebP — switching to Multiple Screenshots still gives you separate still images, not a moving loop.
Use lossless (set Lossless? to Yes) for a pixel-exact still you plan to archive or re-edit — it's mathematically identical to the source frame. Leave the default lossy on for a web thumbnail or preview, where Google measures lossy WebP at 25–34% smaller than an equivalent JPEG, so the file stays light.
Blur comes from landing on a frame during fast motion — nudge the Time (seconds) value a few hundredths of a second to catch a still moment. Thin horizontal "combing" lines come from interlaced MPEG-2 source (common on DVD and camcorder footage); pick a frame where the subject isn't moving, which minimizes the comb artifact in a single extracted frame.
The frame is captured at the video's native resolution (for example 720×480 for NTSC DVD-quality MPEG-2, or up to 1920×1080 for HD MPEG), and you can scale it down with Resolution Percentage. WebP itself maxes out at 16,383 × 16,383 pixels per Google's spec, which is far larger than any standard-definition or HD MPEG frame, so the format is never the limiting factor.
A frame grabbed from MPEG is a solid, fully opaque rectangle — video frames have no alpha channel, so there's nothing to make transparent (WebP supports transparency, but only if the source image has it). On size: in our testing, a 720×480 PAL MPEG-2 frame exported at the Very High preset produced a roughly 25–40 KB lossy WebP, with the lossless version several times larger. To trim a multi-gigabyte MPEG before grabbing a frame, cut it down first with Video Cutter.