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Supports: MPEG2
MPEG-2 is the interlaced video codec behind DVD-Video and digital broadcast; AVIF is a modern still-image format built on the AV1 codec. This tool pulls a single frame out of an MPEG-2 stream — typically a DVD rip or a broadcast capture — and saves that one moment as an AVIF image. It does not re-encode the clip into an AVIF animation; you choose a timestamp and get one picture. Because the source is standard-definition and often interlaced, the sections below cover what each format actually is and what realistically survives the grab.
| Property | Value |
|---|---|
| Standard | ISO/IEC 13818, also ITU-T H.262 |
| First released | 1996 |
| Type | Lossy, motion-compensated video codec (interlaced or progressive) |
| Carried in | Program Stream — .mpg, .mpeg, .vob (DVD), .m2v |
| Typical use | DVD-Video, ATSC / DVB / ISDB digital broadcast, SVCD, HDV tape |
| DVD resolution | 720×480 (NTSC), 720×576 (PAL) — standard definition |
| Chroma / bit depth | 4:2:0, 8-bit (DVD-Video profile) |
| Patent status | Expired worldwide as of January 3, 2024 |
| Property | Value |
|---|---|
| Standard | AV1 Image File Format, v1.0.0 (2019) |
| Maintainer | Alliance for Open Media |
| Built on | AV1 video codec, wrapped in an ISOBMFF / HEIF container |
| File extension | .avif (media type image/avif) |
| Compression | Lossy and lossless; ~30-50% smaller than JPEG at equal quality |
| Bit depth | 8, 10, or 12-bit per channel |
| Chroma | 4:2:0, 4:2:2, 4:4:4 (plus RGB) |
| Features | Alpha transparency, HDR (PQ / HLG, BT.2020), animation |
| Browser support | ~93% of users — Chrome 85+, Firefox 93+, Edge 121+, Safari 16.4+ |
.mpg, .mpeg, or .vob file onto the page, or click "+ Add Files" to browse. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.2.1 for the frame at 2.1 seconds. That single frame becomes your AVIF.No — MPEG-2 (ISO/IEC 13818 / H.262) is a video codec, not a still-image format, so there is nothing to convert one-to-one. What this tool does is sample one frame from the MPEG-2 stream and encode that frame as an AVIF picture. You point the Time (seconds) field at the moment you want; everything before and after that frame is ignored. If you want the whole clip in a modern container instead of a single still, convert it to video with MPEG-2 to MP4.
No, and this is the honest catch. DVD-Video and broadcast MPEG-2 are standard definition — 720×480 (NTSC) or 720×576 (PAL) — encoded lossily at 4:2:0, 8-bit. AVIF is a more efficient codec, so it stores that exact picture in a smaller file with cleaner gradients than JPEG, but it cannot reconstruct detail the original MPEG-2 encode already discarded. The output is a smaller, modern-format copy of an SD-era still, not an upscaled or de-noised one.
Most DVD and broadcast MPEG-2 is interlaced — each video field captures a different instant, and a single still pulled from a motion scene shows them woven together as comb artifacts. There is no setting that fixes this on a frozen frame, so the practical fix is to pick a different moment: nudge Time (seconds) a few hundredths earlier or later to land on a frame where the subject is still, which shows far less combing. Static title cards and held shots grab cleanly.
AVIF generally produces files 30-50% smaller than JPEG at the same visual quality, with fewer blocking artifacts on the gradients common in SD footage. The tradeoff is compatibility: a JPEG opens in every viewer ever made. If you need a still that opens anywhere — old image viewers, email, legacy software — grab the frame as MPEG-2 to JPG instead. For a lossless still you intend to edit or color-correct, MPEG-2 to PNG keeps every pixel exact.
Yes. Switch Frame Selection from Specific Frame to Multiple Screenshots, which samples frames at a set capture rate across the clip and returns them together rather than one timestamp. It is the quickest way to build a contact sheet from a DVD chapter or a captured broadcast segment when you do not yet know which exact frame you want.
No. AVIF can hold animation because it is built on the AV1 video codec, and some online "video to AVIF" tools produce a short animated loop. This converter does not — it extracts one frame at the timestamp you enter and encodes a static image. If you want motion, keep the clip as video with MPEG-2 to MP4; the AVIF here is always a single still.
AVIF is supported by roughly 93% of browsers in use today, per caniuse.com: Chrome 85+, Firefox 93+, Edge 121+, and Safari 16.4+ (macOS 13 / iOS 16, from 2023). Some older desktop image viewers still cannot open it. If the image shows a broken icon, the viewer predates AVIF support — open it in a current browser, or extract the frame as MPEG-2 to JPG for universal compatibility.
Your MPEG-2 file is uploaded over an encrypted (TLS) connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark on the output, and your files are never shared or made public. In our testing, a 720×480 NTSC DVD frame saved at the Very High preset came out in the low tens of kilobytes — noticeably smaller than the same frame as a high-quality JPEG, with the exact ratio depending on how much fine detail the scene holds.