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Supports: AVIF
This tool wraps a single AVIF image inside an MPEG-2 video stream in the MPEG Program Stream (.mpeg2 / .mpg) container. When people type "MPEG-2" rather than just "MPG", they usually mean the codec by name — and that almost always points at one job: getting a still picture into the format DVD-authoring software, set-top boxes, and broadcast-era editing suites actually accept. The output is one motionless frame held on screen for a duration you choose — it does not animate the image. If you need a smaller, sharper still-as-video for modern playback, use AVIF to MP4; if you only need a viewable picture, AVIF to JPG keeps it an image.
.avif onto the page, or click "Add Files". Upload several at once, then use Merge strategy to combine them into one clip ("Merge images") or output a separate video per picture ("Video per image")..mpeg2 file. No sign-up, no watermark.| Property | Value |
|---|---|
| Standard | ISO/IEC 13818 (approved 1995), aka H.262/MPEG-2 Part 2 |
| Container here | MPEG Program Stream (.mpeg2 / .mpg / .mpeg) |
| Video codec | MPEG-2 by default; MPEG-1 also selectable |
| Audio codec family | MP2 (MPEG-1 Audio Layer II) — hidden for image input, so output is silent |
| DVD frame size (NTSC) | 720×480 at 29.97 fps |
| DVD frame size (PAL) | 720×576 at 25 fps |
| Still in use for | DVD-Video, ATSC/DVB digital TV, broadcast and archive workflows |
| Modern alternative | MP4/H.264 or AV1 for anything new |
No. The output is a single still frame repeated for the duration you set, so the video looks frozen. Even though AVIF can hold an animated image sequence, this image-to-video tool treats the file as one picture rather than playing back multiple frames. If you need motion, start from an animated source such as a GIF or an existing video instead.
It produces a standard MPEG-2 Program Stream, which is the codec DVD-Video is built on, so authoring tools and most software players (VLC, Windows Media Player) will ingest it. For a disc that plays in a living-room DVD player, set the Video resolution to a DVD-compliant size first — 720×480 for NTSC or 720×576 for PAL — then run the clip through your authoring software, which handles the final bitrate and disc structure. xconvert gives you the MPEG-2 stream; the authoring tool turns it into a compliant disc.
Because the input is a still image, there is no audio track to carry, so the audio stage is switched off and the file is silent by design. The Program Stream would normally hold MP2 (MPEG-1 Audio Layer II) audio, which is the default for MPEG-2 output here, but with a single picture there is nothing to encode. To add sound, convert the image to video first, then attach an audio track in a video editor.
For anything modern, MP4 is the better choice — it produces a smaller, sharper file that plays on virtually every current device and editor. Choose MPEG-2 only when something in your pipeline specifically demands it: DVD authoring, a broadcast-era editing suite, or a set-top box that refuses MP4. In our testing, the same AVIF still rendered to MPEG-2 came out noticeably larger and softer than the AVIF to MP4 output at matched quality and resolution, because MPEG-2 is a lossy 1990s codec that discards the fine detail AVIF preserves. It is a deliberately backwards pairing — a state-of-the-art image dropped onto a codec built for DVDs — so the trade is legacy compatibility over fidelity. The .mpg and .mpeg extensions are the same format under different names; our AVIF to MPG and AVIF to MPEG pages cover those identically.
Your AVIF is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after the conversion. There is no sign-up, no watermark, and your files are never shared or made public.