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Supports: MPEG2
An MPEG-2 file (the format behind DVD-Video and older digital broadcasts) carries its sound as a separate audio track — usually MPEG-1 Layer II (MP2) or Dolby Digital (AC-3). This tutorial walks you through pulling that track out and decoding it to WAV, an uncompressed PCM format you can drop straight into an editor or archive without a codec installed.
.mpeg2, .mpg, or .m2v file onto the page, or click "Add Files" to browse. The video stream is discarded; only the audio track is decoded.The defaults reproduce the source faithfully, so most people can skip straight to Convert. Change them only when your destination has a specific requirement:
WAV stores every sample uncompressed, so size scales directly with sample rate, bit depth, and channel count. At 48 kHz, 16-bit, stereo — the typical DVD-Video audio profile — that works out to roughly 11.5 MB per minute, or about 691 MB per hour. CD-rate audio (44.1 kHz) lands near 635 MB per hour. This is expected behavior for a lossless format, not a quality problem; it is simply the cost of keeping the full waveform.
This conversion handles standard MPEG-2 program and transport streams. It can't process encrypted commercial DVDs (the CSS-protected VOB files on a retail disc must be decrypted by separate ripping software first), and it can't repair a corrupted or truncated capture. If your DVD source is unencrypted but stored as .vob files, convert those directly with Convert VOB to WAV. To trim a WAV after extraction without re-encoding, use the Audio Cutter.
Either, depending on the source. DVD-Video and broadcast MPEG-2 most often carry Dolby Digital (AC-3) or MPEG-1 Audio Layer II (MP2), both at 48 kHz; some discs use uncompressed LPCM. Whichever codec is present, this converter decodes it to PCM WAV.
No. WAV is a lossless container, so it reproduces the source track exactly without adding or removing detail. If the original MPEG-2 audio was a compressed MP2 or AC-3 stream, the WAV preserves that same fidelity — it just stores it uncompressed, which makes the file larger, not better-sounding.
By default the output is PCM 16-bit, and the sample rate matches the source (48 kHz for typical DVD-Video audio). In Advanced Options you can switch Audio Codec to PCM 24-bit or 32-bit and change Audio Sample Rate if your workflow needs a specific value.
In our testing, a stereo 48 kHz source decoded to 16-bit PCM produces roughly 11.5 MB per minute of audio — about 691 MB for a full hour. Choosing Mono roughly halves that; choosing 24-bit increases it. The size depends only on duration, sample rate, bit depth, and channel count, never on the original codec.
WAV can store multichannel PCM, but for compatibility the output is decoded to stereo or mono by default. If your MPEG-2 track is 5.1 AC-3 and you need every channel preserved separately, a multichannel-aware desktop tool is the more reliable choice.
Yes. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.