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Supports: MRW
MRW is Konica Minolta's camera RAW format — the unprocessed sensor data written by DiMAGE compacts and the Maxxum/Dynax DSLRs. Most modern photo apps no longer decode it, so converting MRW to JPEG renders that RAW into a standard 8-bit image you can view, share, or upload anywhere. This page explains both formats and what the conversion trades away.
| Property | Value |
|---|---|
| Full name | Minolta RAW (Konica Minolta α RAW) |
| Type | Camera RAW — single-image sensor data |
| Developer | Minolta, later Konica Minolta |
| Sensor data | CCD output, demosaiced during conversion ("raw development") |
| Used by | DiMAGE 5/7/A-series compacts; Maxxum/Dynax 7D (2004), 5D (2005) |
| Bit depth | 12-bit sensor data (per-channel, pre-render) |
| Editing latitude | High — white balance and exposure set at conversion, not capture |
| Native browser support | None — RAW formats do not display in browsers |
| Replaced by | Sony ARW, after Sony acquired the Minolta camera line |
| Property | Value |
|---|---|
| Full name | JPEG (Joint Photographic Experts Group) — JPG is the same format |
| Standard | ITU-T T.81 (1992) / ISO/IEC 10918-1 |
| Type | Lossy raster image |
| Bit depth | 8-bit per channel (24-bit RGB) |
| Compression | Lossy, typically around 10:1 with little visible loss |
| Editing latitude | Low — white balance and exposure are baked in |
| Native browser support | Universal — every browser and image viewer |
| Best for | Sharing, web upload, viewing legacy RAW captures |
.mrw file onto the page or click "+ Add Files." You can queue several at once.MRW is a legacy proprietary RAW format from Konica Minolta cameras that left the market when Sony took over the line. Newer RAW decoders prioritize current formats like Sony ARW, so MRW support is patchy. Adobe Camera Raw and XnViewMP still read most MRW files, but rendering to JPEG gives you an image that opens anywhere.
JPEG is lossy 8-bit, so the wide editing latitude of RAW goes away. The conversion bakes in the white balance, exposure, and color the RAW left adjustable, and discards the extra tonal range of the 12-bit sensor data. The picture looks the same on screen, but you can no longer recover highlights or re-balance color the way you could from the original MRW.
Yes. JPEG is a one-way render — once you have it, you cannot get the RAW latitude back. Keep the .mrw as your master so you can re-render later with different white balance or exposure, or convert it to a lossless format like TIFF or PNG if you need an editable copy without JPEG compression.
They are related but not identical. ARW is the direct successor: when Sony acquired Minolta's camera business, it carried the sensor lineage forward but switched the RAW extension from .mrw to .arw. If your camera is a Sony Alpha rather than a Minolta or Konica Minolta, you likely have ARW files — use ARW to JPG instead.
The visible image is preserved, and standard EXIF fields such as camera model, exposure, and capture date typically carry over. Minolta-specific maker-note data and the raw sensor information do not survive the render, because JPEG stores a finished 8-bit picture rather than the editable RAW payload.
In our testing, a 6-megapixel Maxxum/Dynax-era MRW (roughly 8-9 MB of RAW data) renders to a JPEG of about 2-4 MB at the "Very High" preset, depending on scene detail. Lowering the Quality Preset or scaling the resolution down shrinks it further; if you need a precise target, use "Specific file size" in Advanced Options.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.