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Supports: MRW
MRW is the Minolta RAW format from the Dimage and Maxxum/Dynax era — the camera line that became Konica Minolta α and, after Sony's acquisition, the Sony Alpha series. Because that line is long discontinued, a .mrw file holds the unprocessed Bayer-sensor data of an old shot that most modern apps will not open without a plugin. This converter demosaics that raw data and renders it to PNG, a universally-openable, lossless image you can view, share, or edit anywhere. The tradeoff is honest: rendering a RAW bakes in white balance and exposure, so you lose the editing latitude RAW gives you — keep the original .mrw if you ever want to re-develop it, and use PNG as the best-quality, non-RAW export.
| Property | MRW (Minolta RAW) | PNG |
|---|---|---|
| Type | Camera raw sensor capture | Rendered raster image |
| Data stored | Mosaiced Bayer data, ~12-bit dynamic range | Demosaiced RGB, 8 or 16 bits per channel |
| Compression | Largely uncompressed raw | Lossless (DEFLATE / LZ77 + Huffman) |
| Editing latitude | High — adjust exposure/white balance non-destructively | Baked in at conversion time |
| Transparency | No alpha | Alpha channel supported |
| Opens in | Specialist RAW software (RawTherapee, Photoshop) | Any browser, OS, or image viewer |
| Best for | Archiving the original negative | Sharing and editing a finished image |
PNG itself is lossless, so the render written to PNG keeps full fidelity — DEFLATE compression discards no pixel data. What you do lose is RAW editing latitude: the demosaicing step bakes in white balance, exposure, and tone, which you can no longer adjust non-destructively. For the best-quality result, keep the Quality Preset on "Very High" and retain your original .mrw as the master.
PNG supports both 8 bits per channel (24-bit color) and 16 bits per channel (48-bit color), where JPG is 8-bit only and lossy. Because a Minolta sensor captured roughly 12-bit dynamic range, PNG is the better choice when you want a lossless render with smoother gradients and no compression artifacts. If you instead need a small, easily shared file, convert MRW to JPG — and if you want a 16-bit archival container with embedded color profiles, convert MRW to TIFF.
The Minolta/Konica Minolta camera line was discontinued after Sony took it over and switched to the TIFF-based ARW format, so MRW dropped out of mainstream support. Modern operating systems often need a RAW extension or third-party app to even preview .mrw. Rendering to PNG frees those old shots into a format every browser, phone, and image viewer opens natively.
MRW files embed Exif and Minolta MakerNote metadata (camera model, exposure, lens info). PNG is not the standard container for camera Exif, so shooting metadata is not preserved the way it is in a JPG or TIFF. If retaining capture data matters, keep the original .mrw, which holds the complete MakerNote, or export to TIFF.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. In our testing, a single 24-megapixel-class MRW rendered at "Very High" to 8-bit PNG produces a noticeably larger file than the source JPG would, because PNG keeps every pixel lossless rather than discarding detail.