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Supports: MTS
Yes — and this is the most useful thing to know before converting. An .mts file is AVCHD: "AVCHD" is the recording format Sony and Panasonic introduced in 2006, and .MTS is simply the filename a camcorder writes when it records in that format. There is no separate "AVCHD format" to convert into. What people usually mean by "AVCHD" the destination is the full disc/card folder structure — the BDMV directory tree, not a single file — and that is the one real distinction this page exists to explain. If you just need footage that plays everywhere, you almost certainly want MTS to MP4 instead.
This tool re-encodes your .mts clip and outputs a stream with an .avchd extension. What it cannot do is author the multi-folder AVCHD disc structure that authoring software and Blu-ray players expect — that requires a disc-authoring tool, not a file converter (the same way a single .vob file is not a finished DVD).
| Property | Bare .mts / .avchd stream | Full AVCHD structure (disc or card) |
|---|---|---|
| What it is | One video file | A directory tree (PRIVATE/AVCHD/BDMV/STREAM/…) |
| Container | MPEG-2 transport stream | Blu-ray-derived BDMV (transport streams + sidecar files) |
| Video codec | H.264 / MPEG-4 AVC | H.264 / MPEG-4 AVC |
| Audio codec | Dolby AC-3 or linear PCM | Dolby AC-3 or linear PCM |
| Playlists / clip info | None | Playlist and clip-information files alongside the streams |
| Plays on a standalone AVCHD player | Not on its own | Yes (player reads the playlists) |
| Imports into Premiere Pro / Final Cut natively | Often fails (metadata gone) | Yes (reads the full folder) |
| Created by a file converter | Yes (this tool) | No — needs disc-authoring software |
Spec note: AVCHD 1.0 (2006) caps video at 24 Mbit/s (18 Mbit/s on DVD media); the 2011 AVCHD 2.0 amendment raised that to 28 Mbit/s and added 1080/50p–60p (AVCHD Progressive) and 3D. The codecs never changed — H.264 video, AC-3 or LPCM audio throughout.
.avchd-named stream — some pipelines key on the extension; this tool gives you one..avchd and want a plain .mts → AVCHD to MTS.BDMV tree), not a file conversion.The 2011 revision raised bitrate and added progressive-scan modes, but the codecs never changed — so a re-encode stays inside the same H.264 + AC-3 family either way.
| Property | AVCHD 1.0 (2006) | AVCHD 2.0 (2011) |
|---|---|---|
| Max video bitrate | 24 Mbit/s (18 on DVD media) | 28 Mbit/s |
| Video codec | H.264 / MPEG-4 AVC | H.264 / MPEG-4 AVC |
| Audio codec | Dolby AC-3 or linear PCM | Dolby AC-3 or linear PCM |
| Frame modes | Up to 1080i and 1080/24p | Adds 1080/50p-60p (AVCHD Progressive) and 3D |
| Container | MPEG-2 transport stream (BDAV) | MPEG-2 transport stream (BDAV) |
PRIVATE/AVCHD/BDMV/STREAM/ with 8.3-style names like 00001.MTS. Batch upload is supported.Yes — a .mts file is already AVCHD; the extension is just the camcorder's filename for an AVCHD recording. There is no separate format to gain. The honest reasons to run this conversion are practical: re-encoding mixed footage to one consistent H.264 profile, hitting a target bitrate or size, trimming, or feeding a tool that specifically expects an .avchd-named stream. If your goal is broad playback, convert to MP4 instead — you get more compatibility, not less.
No. This is a file converter — it outputs a single re-encoded stream, not the full PRIVATE/AVCHD/BDMV/ directory tree with the playlist and clip-information files that AVCHD players and Blu-ray authoring tools read. Building that structure is a disc-authoring task, much like a lone .vob file is not a finished DVD. Use dedicated authoring software if you need a disc; use this tool if you just need a stream.
A small amount, because the output is re-encoded rather than copied. At the default Very High preset the difference from the source is visually hard to spot, but it is not bit-for-bit. Since the input is already H.264, re-encoding to H.264 gains no format advantage — so if preservation matters, set Constant Quality to a low CRF (around 18 is near-lossless). No conversion here is a true stream copy; even MTS to MKV, which keeps the same H.264 codec family, re-encodes the video rather than copying it.
Both are MPEG-2 transport streams carrying H.264 video and AC-3 (or LPCM) audio, and there is no functional difference between them — one can be renamed to the other. .MTS is what AVCHD camcorders write to SD cards using 8.3 filenames; .M2TS is the same stream after import to a computer or as authored on a Blu-ray Disc's BDMV/STREAM/ directory.
Resolution: yes — leave "Keep original" under Video resolution and the output matches the source dimensions (AVCHD typically records 1920x1080; AVCHD 2.0 also covers 1080p60). Audio: the AVCHD family uses Dolby AC-3 or linear PCM, and the converter keeps an AVCHD-compatible audio track. If a downstream player drops AC-3 (a common licensing quirk in consumer software), an MP4 output re-encoded to AAC avoids the silent-audio trap.
Switch File Compression to Constant Quality and choose a low CRF — around 18 is visually lossless for H.264, while the default Very High preset already stays close to the source. Lower numbers mean higher quality and a larger file. There is no true stream copy here, so a low CRF is the way to keep the re-encode imperceptible rather than expecting a bit-for-bit copy.
Yes. Because both are the same MPEG-2 transport stream carrying H.264 and AC-3, the difference is effectively the filename, not the codec. Use AVCHD to MTS if a tool specifically wants the .mts extension; the stream inside is treated the same in either direction (still re-encoded, not stream-copied).
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, and nothing is shared or made public. There is no fixed per-file cap; the practical limit is upload size and connection speed. In our testing, a 2-minute 1080p MTS clip at the default preset uploads and converts comfortably; a full camcorder reel of several gigabytes works too, it just takes longer to upload.