Initializing... drag & drop files here
Supports: MTS
This tutorial is for anyone holding .mts camcorder footage who wants a single, space-efficient still frame rather than a whole clip. By the end you'll have pulled an exact frame (by timestamp) from an AVCHD recording and saved it as a HEIF image — and you'll know when HEIF is the right target and when JPG or PNG serves you better.
.mts recordings straight off a Sony or Panasonic AVCHD camcorder. Batch upload works — each file is processed independently and returned separately.12.5 for the 12.5-second mark), or switch to Multiple Screenshots to grab a still at a fixed interval across the whole clip.The frame-extract controls are the heart of this conversion, so it's worth understanding the two modes:
30 is the frame at thirty seconds, 90.5 is one minute thirty-and-a-half seconds, 3600 is the one-hour mark. The converter seeks to the nearest decodable frame; because AVCHD is H.264 with a group-of-pictures structure, the true seek point lands on the closest keyframe, typically within a second or two of what you asked for.| Property | MTS (AVCHD) | HEIF |
|---|---|---|
| Introduced | 2006, jointly by Sony and Panasonic | 2015 (ISO/IEC 23008-12, MPEG-H Part 12) |
| Type | Video container (MPEG transport stream) | Still-image / image-sequence container |
| Codec | H.264/MPEG-4 AVC (AC-3 audio) | HEVC most commonly (also AV1, AVC, JPEG) |
| Typical resolution | 1080i, 720p; 1080p added in 2011 | Inherits the source frame's resolution |
| Compression vs JPEG | N/A (it's a video container) | Roughly half the size at equivalent quality |
| Native browser support | None (needs an HLS/DASH wrapper) | Safari 17+ only; ~14% global (per caniuse) |
| Best for | Camcorder HD capture and editing | Apple Photos / iOS archives; storage-tight stills |
HEIF is the wrong target if the still has to be shared widely or displayed on the open web — most browsers simply won't render it, so reach for MTS to JPG for universal compatibility or MTS to PNG when you need a lossless, editable still. If you specifically want the Apple .heic extension that iPhones and Macs write, use MTS to HEIC — it's the same HEVC-coded image under a different name. And if you actually wanted to keep the clip as video rather than pull a frame, this image converter isn't the tool; going the other direction (a HEIF photo back into an AVCHD stream) is handled by HEIF to MTS.
HEIF stores a still at roughly half the bytes of an equivalent-quality JPEG and can carry 10-bit colour and HDR metadata that JPEG cannot. The catch is reach: only Safari 17+ renders HEIF natively, about 14% of browsers per caniuse. So HEIF wins for Apple-ecosystem use and storage-tight archives; JPG wins anywhere the image needs to be shared or shown on the web.
It will be as sharp as the source frame allows, but no sharper. AVCHD records with H.264, which is already lossy, and HEIF then re-encodes that frame with HEVC — efficient, but a second lossy step. Keeping Quality Preset at Highest preserves the most detail; it cannot add detail the camcorder never captured.
HEIC is HEIF with HEVC encoding — the specific subset Apple ships on iPhones and Macs, using the .heic extension. HEIF is the broader container. xconvert outputs standards-compliant HEVC-coded HEIF here, so the file opens wherever HEIC does; if a tool insists on .heic, use MTS to HEIC for that exact extension.
HEIF is primarily a still-image container, so the converter pulls the frame you point it at — one frame via Specific Frame, or several via Multiple Screenshots, each saved as its own HEIF. HEIF technically supports image sequences, but most viewers (macOS Preview, Windows Photos) only show the first frame, so this tool treats each capture as a separate still.
Native support covers macOS High Sierra (10.13) and later, iOS 11+, iPadOS, Android 10+, and Windows 11 22H2+ out of the box (Windows 10 needs the free HEIF Image Extension). Among browsers, only Safari 17+ shows them in an <img> tag. Editors like Photoshop 2022+, Affinity Photo, and GIMP (via plugin) open them too. In our testing, a 1080p frame from an AVCHD clip at the Very High preset came out around 300-450 KB — well under half what the same frame cost as a quality-matched JPG.
Yes. MTS files are larger than a browser can comfortably decode for frame extraction, so this conversion runs through our server-backed pipeline: the file is uploaded over an encrypted connection, the frame is extracted on our servers, and the upload is deleted automatically a few hours after conversion. No account, no watermark, and the file is never shared or made public.