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Supports: MTS
MTS is the AVCHD recording format Sony and Panasonic introduced in 2006: H.264 video alongside a Dolby Digital (AC-3) or LPCM audio track. This tool pulls the audio out of that camcorder clip and re-encodes it to a WMA (Windows Media Audio) file; the video is discarded, so the result is audio only. Be honest with the target first — WMA is a legacy Microsoft format with poor playback support outside Windows. Pick it only when an old Windows PC, a Windows Media Player-era library, or a piece of editing software specifically expects a .wma file. If you just want camcorder audio that plays anywhere, extract to MP3 or M4A instead — both are far more universal.
| Property | WMA (Windows Media Audio) | MP3 | M4A (AAC) |
|---|---|---|---|
| Released | 1999, by Microsoft | 1993 (MPEG-1 Audio Layer III) | 1997-99 (MPEG-2/4 AAC) |
| Owner / license | Proprietary (Microsoft) | Patents expired; effectively open | Standardized (MPEG); broadly licensed |
| Container | ASF (Advanced Systems Format) | Native .mp3 stream |
MP4 (MPEG-4) |
| Compression | Lossy (Standard); Pro, Lossless, Voice variants also exist | Lossy | Lossy |
| Quality under ~64 kbps | Often slightly ahead of MP3 | Loses high-frequency detail sooner | Strong; usually best of the three |
| Quality at 192-320 kbps | Excellent, no audible edge over MP3 | Excellent; transparent for most listeners | Excellent; slight edge per bitrate |
| Native Windows playback | Yes (Windows Media Player / Media Player app) | Yes | Yes (modern Windows) |
| iPhone / Android / browser | Poor — usually needs a third-party app | Universal | Universal on modern devices |
| Best for | A specific old-Windows or car-stereo requirement | Anything that needs to play everywhere | Apple devices, iTunes, modern libraries |
.wma..mts (or .m2ts) clip onto the page or click "+ Add Files". Several files queue and convert with the same settings.For almost everyone, MP3 is the better pick. WMA only makes sense when something on the receiving end specifically requires a .wma file — an old Windows PC, a Windows-era media library, or a car stereo that lists WMA but not AAC. WMA plays poorly outside Windows, so if portability matters at all, use MTS to MP3 or MTS to M4A instead. Choose WMA deliberately, not by default.
No. WMA is an audio-only format, so the H.264 video in your MTS file is dropped and only the soundtrack is saved. That is the point of this tool — lifting an interview, a concert, or ambient sound off camcorder footage. If you want to keep the picture, convert to a video format with MTS to MP4 instead.
Yes, to some degree — this is a re-encode, not a copy. MTS audio is usually Dolby Digital AC-3 (already lossy) or LPCM (lossless). AC-3 to WMA is a lossy-to-lossy step that adds a small amount of generational loss; LPCM to WMA goes lossless-to-lossy. Using the "Highest" Quality Preset or a bitrate of 192 kbps and up keeps the loss small, but it cannot recover detail the AC-3 source already discarded. In our testing, a stereo AVCHD clip extracted at the "Highest" preset was hard to tell from the source in ordinary listening; the loss only compounds if you keep re-editing and re-exporting.
Only in narrow cases. WMA can sound slightly better than MP3 at very low bitrates (under roughly 64 kbps), which is why some old voice and streaming setups used it. At the 192-320 kbps range most people actually use, the two are effectively indistinguishable, and MP3 wins decisively on compatibility. Unless something specifically requires .wma, MP3 is the more practical output for camcorder audio.
Because WMA is a proprietary Microsoft format with limited support outside Windows. Apple and Android devices typically do not play .wma natively and need a third-party media player such as VLC. If you hit that wall, it is the clearest sign you should have extracted to MP3 — it plays on essentially every phone, browser, and speaker without extra software.
The converter encodes to the standard lossy Windows Media Audio codec — WMA v2 by default — which is the variant the broadest range of Windows software and devices can read. The WMA family also includes Pro, Lossless, and Voice variants, but standard WMA is the most compatible target for a general extracted audio track, and it is what an old Windows-based workflow is most likely to expect.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. The main practical limit is upload size and time: AVCHD clips can be large because they carry full HD video, so a long recording may take a while to upload even though the WMA you get back is small.