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Supports: PEF
PEF (Pentax Electronic File) is Pentax's proprietary RAW format — the unprocessed sensor data captured by every K-mount DSLR (K-1, K-1 Mark II, K-3, K-3 Mark III, K-70, K-S2, K-5, K-7, K-r, K-x) and the KF mirrorless body, plus older *ist D / *ist DS / *ist DL series. PEF files are 20-40 MB each, contain 12-bit or 14-bit color depth, and require Pentax Digital Camera Utility (PDCU 5), Adobe Lightroom, RawTherapee, Capture One, or DxO PhotoLab to open. JPG is the universal compressed image format — opens on every phone, laptop, browser, social platform, and print kiosk on earth. Common reasons Pentax shooters convert PEF → JPG:
| Property | PEF (Pentax RAW) | JPG |
|---|---|---|
| Compression | Lossless | Lossy (DCT) |
| Color depth | 12-bit or 14-bit per channel | 8-bit per channel |
| Typical file size (24MP) | 20-40 MB | 3-8 MB |
| Editing latitude | Wide — recover ±2 stops, full white balance freedom | Narrow — limited highlight/shadow recovery |
| Native viewer | Pentax PDCU, Lightroom, RawTherapee, Capture One, DxO | Every browser, OS, phone, print kiosk |
| Social media upload | Not accepted | Universal |
| EXIF metadata | Full (camera, lens, settings, GPS where present) | Preserved on conversion |
| Cameras using it | Pentax K-mount DSLRs and KF mirrorless | Universal |
| Best for | Master originals, future re-edits | Sharing, web, email, print delivery |
| Preset | JPG quality | Output size (from 32 MB PEF) | Best for |
|---|---|---|---|
| Highest | ~98% | 7-14 MB | Archival, large prints, hero images |
| Very High (default) | ~92% | 3-8 MB | Client delivery, portfolios, fine-art proofs |
| High | ~85% | 1.5-4 MB | Web galleries, blog posts, email |
| Medium | ~75% | 800 KB-2 MB | Social media, contact sheets |
| Low | ~60% | 300-700 KB | Thumbnails, quick reviews |
| Very Low | ~40% | 80-300 KB | Email previews, mobile messaging |
Yes — EXIF metadata transfers from PEF to the JPG output. Camera body (K-1 Mark II, K-3 Mark III, K-70, KF, etc.), lens model (HD PENTAX-D FA 24-70mm f/2.8 ED SDM WR, smc PENTAX-DA* 16-50mm f/2.8, HD PENTAX-DA 18-135mm WR), shooting mode, shutter speed, aperture, ISO, focal length, and GPS coordinates (on bodies with O-GPS1 / O-GPS2 attached) all carry over. If you want to strip metadata before publishing online — common for protecting location privacy on landscape shoots — enable the "remove EXIF" option in advanced settings.
Yes — always. PEF holds 12-14 bits of color per channel and full sensor data; JPG is 8-bit and lossy. Once you discard the PEF, you can't recover blown highlights, fix white balance from scratch, or re-edit with new software in 5 years. Standard workflow: keep PEF masters on backup drives or cloud (Backblaze, Carbonite, iDrive) and treat JPG as a delivery/share format only.
Both are fine, and Pentax is one of the few makers that lets you choose in-camera. PEF is Pentax-proprietary and slightly smaller; DNG is Adobe's open standard and is supported natively by more third-party tools without a libraw update. If you already shoot PEF, this converter handles it. If you've switched to DNG, see DNG to JPG — same workflow, same options, same quality bands.
Close, but not identical. Pentax Digital Camera Utility applies the in-camera Custom Image setting (Bright, Natural, Portrait, Landscape, Vibrant, Radiant, Muted, Bleach Bypass, Reversal Film, Monochrome, Cross Processing) and any custom curves. Lightroom applies Adobe's default RAW interpretation. Our converter uses libraw-derived demosaicing with neutral defaults — colors are accurate but not "Pentax-rendered" with Custom Image baked in. For client delivery where color science matters, edit in PDCU or Lightroom first, then export. For quick web shares and forum posts, the inline conversion is great.
PEF stores raw 12/14-bit sensor data with no demosaicing applied — it's a digital negative. JPG stores a finished, demosaiced, 8-bit image with DCT-based lossy compression. A 32 MB PEF routinely becomes a 3-6 MB JPG at "Very High" — that's a 5-10× reduction with very little visible quality loss for normal viewing distances. This is normal and expected.
Yes — drop in 100, 500, or even 2,000+ PEF files. Each converts in parallel within your browser session and downloads as a ZIP. Useful for landscape, astro, and event shooters prepping a whole memory card after a trip. Nothing uploads to a server, so even a 50 GB PEF folder stays private.
Same workflow applies for other camera makers. See CR2 to JPG for Canon EOS DSLRs, NEF to JPG for Nikon DSLRs and Z-series, ARW to JPG for Sony Alpha bodies, DNG to JPG for Adobe / phone DNG, and RAF to JPG for Fujifilm X-series. The math is the same: RAW master → JPG delivery.
No — identical format. "JPEG" is the full name (Joint Photographic Experts Group); "JPG" is the legacy 3-character extension from DOS-era filesystem limits. Both are byte-for-byte compatible. See PEF to JPEG if you prefer the .jpeg extension.
No — JPG is a lossy format by design. The default "Very High (Recommended)" preset (~92% quality) produces output that is visually indistinguishable from the source for almost all viewing scenarios, but a pixel-peep comparison will show DCT artifacts. For a true lossless conversion of PEF, convert to PEF to TIFF or PEF to PNG instead.