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Supports: PSD
HEVC — High Efficiency Video Coding, standardised as ITU-T H.265 in April 2013 — is a video codec, not an image format. This page takes an Adobe Photoshop document, flattens every layer into one composite frame, and encodes that single frame as an H.265 video clip held motionless for a duration you choose. There is no animation, no audio, and no way back to the layer stack.
Two things are worth knowing before you start, because neither is obvious from the file extension. First, the download is a Matroska file named .hevc, not a raw elementary stream — renaming it to .mkv makes far more software open it. Second, HEVC's entire advantage comes from compressing the differences between frames, and a one-frame clip has none of those, so you are paying H.265's slow encode and patchy playback support for very little in return. If you only want the picture, PSD to PNG keeps the alpha channel and PSD to JPG opens anywhere; if you need a still-as-video that plays everywhere, PSD to MP4 is the pragmatic choice.
.psd onto the page or click "+ Add Files". Upload several and they are handled according to the Merge strategy in step 3. .psb (Large Document Format) files are not accepted — flatten and re-save one as a .psd first..hevc File Actually Is| Property | What you get |
|---|---|
| Container | Matroska. We read a finished conversion back and the file begins with the EBML signature 1A 45 DF A3, and file identifies it as Matroska data |
| Video codec | H.265, the only codec offered on this page (listed as both "H.265" and "HEVC") |
| Audio | None. The audio options are hidden entirely, because a still image carries no sound |
| Frame rate | 1 frame per second |
| Clip length | The Image Duration you choose; 5 seconds by default, giving exactly 5 identical frames |
| B-frames | Disabled — pointless between identical frames and they introduce a start-time offset |
| Pixel format | yuv420p |
| Transparency | Composited onto the Background Color before encoding; no video codec here stores alpha |
| Source preparation | The PSD is rendered to a clean PNG first, capped at 4096 px on its long edge |
Because the payload is Matroska, VLC, mpv, MPC-HC and anything else that reads .mkv will open the download directly — but software that dispatches on the file extension may not recognise .hevc. Renaming the download to .mkv costs nothing and fixes that immediately.
H.265 is a constant-quality codec, so on this page the preset maps to a real CRF value rather than a bitrate guess. Lower CRF means higher quality and a bigger file. The base values below are calibrated at 1080p; the encoder then shifts the number by up to ±2 depending on the output resolution, using a higher CRF at larger sizes where compression artefacts are harder to see, and a lower one at small sizes where they are not.
| Quality Preset | Base H.265 CRF at 1080p | What it is for |
|---|---|---|
| Highest | 15 | Visually lossless master; noticeably larger for very little gain on a still |
| Very High (Recommended) | 17 | Default. Keeps fine type and gradients from the PSD intact |
| High | 20 | Transparent quality for most artwork; a good balance |
| Medium | 26 | Standard delivery quality; softening becomes visible on flat colour |
| Low | 30 | Small file, obvious artefacts around hard edges |
| Very Low | 32 | Preview quality only |
| Lowest | 36 | Heavy compression; expect blocking across the whole frame |
If you would rather set the number yourself, switch from Quality Preset to Constant Quality and type a value on the 16–51 CRF scale, or use Constraint Quality to pair a CRF with a Max bitrate ceiling in bps / Kbps / Mbps. Note that the bitrate and target-file-size modes are hidden on this page: a still image has no source bitrate to scale from, so they would have nothing to work with.
.hevc file" — it is Matroska. Rename the download to .mkv and open it in VLC or mpv. Software that goes by file extension has no idea what to do with .hevc..hevc file a raw H.265 stream?No. Despite the extension, the conversion writes a Matroska container holding an H.265 video track. We confirmed it directly: a finished file begins with the EBML magic bytes 1A 45 DF A3, and probing it reports the format as matroska. That is generally good news — a raw elementary stream carries no duration or timing metadata, whereas the Matroska file plays and seeks correctly. Just rename it to .mkv if a player refuses to touch .hevc.
No. A video frame is a single flat picture, so every layer, group, mask, adjustment layer, blend mode, smart object and live text layer is composited into one image before the encoder ever sees it, and nothing in the .hevc file can restore that structure. Keep the original .psd as your editable master. Hidden layers are absent for the same reason — the conversion uses the composite Photoshop already stores in the file, so re-save with "Maximize Compatibility" enabled if something looks missing.
No, and it will cost a little fidelity. Encoding adds no detail that was not in the flattened composite, and the intra-frame encode is lossy, so the frame is very slightly softer than the source. Choosing a larger output resolution just stretches the same pixels onto a bigger canvas. The way to stay closest to the artwork is to leave Video resolution on Keep original and the preset on Very High or Highest — but if fidelity is the goal, a still image format is a better answer than a video codec: PSD to PNG at the Highest preset is true-colour lossless.
Because H.265 supports constant-quality encoding. On codecs that do not — MPEG-4, Xvid, DivX, WMV and similar — the preset works by scaling the source's bitrate, and a still image reports a bitrate of zero, so every rung collapses to the same value. H.265 takes a CRF number instead, which is a property of the encode rather than of the source, so each preset genuinely produces a different result. That is one of the few real advantages of picking an H.265 target for a still.
MP4 for almost everyone. The .hevc download is a Matroska file, which browsers do not play, stock phone and TV apps generally do not read, and Apple's built-in players do not open. H.265 itself is also patent-encumbered and decoded inconsistently across browsers. An MP4 with H.264 plays on effectively every device and browser and encodes far faster, which makes PSD to MP4 the sensible default when a tool wants video but all you have is a still design. Choose HEVC only when a specific pipeline asks for a file named .hevc.
Yes. Upload them all and leave Merge strategy on Merge images: each PSD is shown in turn for the Image Duration you chose, in upload order, inside a single file. Switch to Video per image to get one clip per PSD instead. There are no transitions or cross-fades — one image simply replaces the next — and any file whose aspect ratio differs from the output frame is letterboxed with the Background Color, so keeping the canvas sizes consistent is worth the effort.
One frame per second, for exactly the Image Duration you select. At the default five seconds that means a five-frame clip lasting 5.000 seconds, which is what we measured reading a finished conversion back. Sub-second options (1/60s, 1/30s, 1/24s, 0.1s, 0.2s, 0.3s, 0.5s) exist for cases where something downstream only needs a valid video wrapper around a single frame rather than a watchable clip.
Your .psd is uploaded over an encrypted connection, flattened and encoded on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public. The real constraint is upload size and time; on top of that, still images are normalised to a maximum of 4096 px on the long edge before encoding, so an unusually large canvas will be scaled down whatever its original dimensions.