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Supports: RW2
RW2 is Panasonic's camera RAW format — a single still photo straight off a LUMIX sensor. MPEG is a video container. So this conversion is not a like-for-like swap: it wraps your RW2 still inside a short, silent MPEG video clip that holds that one frame on screen for a few seconds. If you actually want a normal photo file, convert to RW2 to JPG or RW2 to TIFF instead. Choose MPEG only when you specifically need a video clip — for example, a stills slideshow element or a still frame to drop on an old MPEG-2 timeline.
A RW2 file has no motion and no sound, so the output is a silent MPEG-2 video showing your photo as a fixed frame. xconvert's .mpeg output uses the MPEG-2 program stream defined in ISO/IEC 13818 (the same H.262 video family used on DVD-Video), and because the source is a still, no audio track is added. You set how long the frame stays on screen with the Image Duration control. One important caveat for RAW shooters: a RW2 carries roughly 12–14 bits per channel of sensor data, but MPEG-2 video is 8-bit, so the wide RAW latitude is baked down to a standard 8-bit picture during encoding. For grading or detailed edits, keep a copy in an image format first.
| Property | Value |
|---|---|
| Full name | Panasonic RAW Image (LUMIX) |
| Type | Still image — camera RAW |
| Vendor | Panasonic |
| Based on | TIFF/EP container structure |
| Bit depth | ~12–14 bits per channel (sensor) |
| Audio / motion | None (single still) |
| Opens in | RawTherapee, Adobe Camera Raw, XnView MP, Apple Preview, Windows Photos |
| Best converted to | JPG / TIFF / PNG for photos; MPEG/MP4 only for a video clip |
| Property | Value |
|---|---|
| Standard | ISO/IEC 13818 (MPEG-2) |
| Video codec | H.262 / MPEG-2 Part 2 |
| Container | MPEG-2 program stream |
| Audio (when present) | MP2 (MPEG-1 Audio Layer II) — omitted here, source is silent |
| Bit depth | 8-bit per channel |
| Typical bitrate | ~2–30 Mbps |
| Best for | DVD-era video, legacy editor timelines, broad playback |
Because RW2 is a single still photo with no audio. The output is a fixed-frame, silent MPEG-2 clip. There is no soundtrack to extract, so none is added — if you need sound, you'd add it later in a video editor.
Yes, some. A RW2 holds roughly 12–14 bits per channel of sensor data, while MPEG-2 video is 8-bit. The wide RAW latitude is compressed to a standard 8-bit picture during encoding, and MPEG-2 is lossy. For editing or grading, convert to TIFF or JPG and keep the RAW as your master.
If you just want a viewable, shareable photo, use RW2 to JPG or RW2 to TIFF. Convert to MPEG only when you specifically need a video file — a still to place on an MPEG-2 timeline, or a frozen frame for a slideshow.
It matches the Image Duration you set — the still plays for that many seconds (default 5). One RW2 produces one clip of that length; there's no motion, just the held frame.
MPEG (MPEG-2) is the older DVD-era standard and is accepted by legacy editors and authoring tools that predate H.264. For modern playback and smaller files, RW2 to MP4 is usually the better choice; pick MPEG only when a specific tool or workflow requires MPEG-2.
Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours. In our testing, a single 20 MP RW2 at default settings and a 5-second duration produces a short MPEG clip of a few megabytes, depending on the Quality Preset and resolution you choose. No sign-up and no watermark.