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Supports: RW2
RW2 is Panasonic's camera RAW format — a single still photo straight off a LUMIX sensor. MPEG is a video container. So this conversion is not a like-for-like swap: it wraps your RW2 still inside a short, silent MPEG video clip that holds that one frame on screen for a few seconds. If you actually want a normal photo file, convert to RW2 to JPG or RW2 to TIFF instead. Choose MPEG only when you specifically need a video clip — for example, a stills slideshow element or a still frame to drop on an old MPEG-2 timeline.
A RW2 file has no motion and no sound, so the output is a silent MPEG-2 video showing your photo as a fixed frame. xconvert's .mpeg output uses the MPEG-2 program stream defined in ISO/IEC 13818 (the same H.262 video family used on DVD-Video), and because the source is a still, no audio track is added. You set how long the frame stays on screen with the Image Duration control. One important caveat for RAW shooters: a RW2 carries roughly 12–14 bits per channel of sensor data, but MPEG-2 video is 8-bit, so the wide RAW latitude is baked down to a standard 8-bit picture during encoding. For grading or detailed edits, keep a copy in an image format first.
| Property | Value |
|---|---|
| Full name | Panasonic RAW Image (LUMIX) |
| Type | Still image — camera RAW |
| Vendor | Panasonic |
| Based on | TIFF/EP container structure |
| Bit depth | ~12–14 bits per channel (sensor) |
| Audio / motion | None (single still) |
| Opens in | RawTherapee, Adobe Camera Raw, XnView MP, Apple Preview, Windows Photos |
| Best converted to | JPG / TIFF / PNG for photos; MPEG/MP4 only for a video clip |
| Property | Value |
|---|---|
| Standard | ISO/IEC 13818 (MPEG-2) |
| Video codec | H.262 / MPEG-2 Part 2 |
| Container | MPEG-2 program stream |
| Audio (when present) | MP2 (MPEG-1 Audio Layer II) — omitted here, source is silent |
| Bit depth | 8-bit per channel |
| Typical bitrate | ~2–30 Mbps |
| Best for | DVD-era video, legacy editor timelines, broad playback |
Because RW2 is a single still photo with no audio. The output is a fixed-frame, silent MPEG-2 clip. There is no soundtrack to extract, so none is added — if you need sound, you'd add it later in a video editor.
Yes, some. A RW2 holds roughly 12–14 bits per channel of sensor data, while MPEG-2 video is 8-bit. The wide RAW latitude is compressed to a standard 8-bit picture during encoding, and MPEG-2 is lossy. For editing or grading, convert to TIFF or JPG and keep the RAW as your master.
If you just want a viewable, shareable photo, use RW2 to JPG or RW2 to TIFF. Convert to MPEG only when you specifically need a video file — a still to place on an MPEG-2 timeline, or a frozen frame for a slideshow.
It matches the Image Duration you set — the still plays for that many seconds (default 5). One RW2 produces one clip of that length; there's no motion, just the held frame.
MPEG (MPEG-2) is the older DVD-era standard and is accepted by legacy editors and authoring tools that predate H.264. For modern playback and smaller files, RW2 to MP4 is usually the better choice; pick MPEG only when a specific tool or workflow requires MPEG-2.
Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours. In our testing, a single 20 MP RW2 at default settings and a 5-second duration produces a short MPEG clip of a few megabytes, depending on the Quality Preset and resolution you choose. No sign-up and no watermark.
Because a still photo's aspect ratio rarely matches the video frame it is placed into. When the RW2's shape does not fill the chosen output resolution, the converter pads the gap with letterbox bars, and the Background Color control sets that fill (white by default). Pick a background colour that suits the still, or choose a Video resolution whose aspect ratio matches the photo to minimise the bars.
No. EXIF fields — camera model, lens, exposure, and any GPS coordinates — live in the still-image file and are not carried into an MPEG-2 video stream, which stores picture and timing data rather than photographic metadata. If you need that shot information preserved, keep the original .rw2 or export a still with RW2 to JPG or RW2 to TIFF, which retain EXIF.