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Supports: RW2
RW2 is the raw format Panasonic LUMIX cameras write, and almost nothing outside a photo editor opens it — which is exactly why people need the shot inside a PDF they can email, print, or attach to a job sheet. This walk-through covers how the raw is turned into a page, which of the page-setup controls actually change the output, what the single real size lever is, and where the conversion falls short if you were hoping to keep raw data.
.rw2 file onto the page or click "+ Add Files". You can queue several LUMIX frames at once; they all share the same page settings.The conversion is two stages. First the RW2 sensor data is demosaiced and rendered into an ordinary RGB image, which is written out as an interim JPEG at whatever the "Image Quality (%)" slider says (it opens at 75). Second, that JPEG is embedded on a PDF page at the paper size, margin, placement and alignment you picked.
That two-stage design explains the two things people most often ask about this page:
On page geometry: with the defaults above (A4, Portrait, Narrow margin, Contained, Center), a 4912 x 3688 frame is drawn at roughly 523 x 392 points — about 7.3 x 5.4 inches, centred, with white above and below because a 4:3 photo does not fill a portrait A4 sheet. Set "Paper size" to "Original" if you want the page to take the photo's shape instead.
| Control | Opens on | What it changes |
|---|---|---|
| Combine? | Single PDF | One multi-page PDF for the whole batch vs. one PDF per file |
| Paper size | A4 | Sheet size; "Original" makes the page match the photo's own dimensions |
| Page layout | Portrait | Portrait or Landscape sheet — match it to the photo to avoid white bands |
| Image placement | Contained | Contained fits the whole frame inside the margin; Cover fills the sheet and crops |
| Image alignment | Center | Where the photo sits when it does not fill the drawable area |
| Margin | Narrow (0.5") | Blank border; "No margin (0")" gives edge-to-edge placement room |
| Image Quality (%) | 75 | Quality of the rendered JPEG that gets embedded — the real file-size lever |
| Image Transparency | Unchanged | No effect on an RW2 source; raw captures carry no alpha channel |
| Property | RW2 (Panasonic LUMIX raw) | PDF output |
|---|---|---|
| Pixel data | Undemosaiced sensor mosaic, 12-bit on this DC-FZ45 sample | Rendered 8-bit RGB, JPEG-compressed |
| White balance / exposure latitude | Fully re-adjustable | Baked in at render; not recoverable |
| Camera Photo Style | Recorded as a setting, applied by Panasonic's own renderer | Not reproduced; a neutral default development is used |
| Reversibility | — | One-way; a PDF cannot be turned back into an RW2 |
| Opens without special software | No | Yes — any PDF reader, on any platform |
| Typical size, this 20.9 MB sample | 20.9 MB | 1.84 MB at the default quality of 75 |
.rw2. A renamed JPEG, or another manufacturer's raw such as CR2, NEF or ARW, will not be accepted by this RW2 tool.PDF is a page format, not a raw container: the conversion produces a flattened, viewable picture and discards the editable sensor data, the highlight and white-balance latitude, and most of the shooting metadata. If your goal is to keep editing the shot, keep the .rw2 as your master and work in a raw editor — a PDF can never be converted back. And if you only need a normal photo to share rather than a document, convert RW2 to JPG instead and skip the page wrapper entirely. Files from a camera body newer than the decoder recognises may also fail to open; in that case export a TIFF or JPEG from the manufacturer's own software and convert that.
No. The sensor mosaic is demosaiced into ordinary RGB pixels, compressed as JPEG, and embedded on the page. What you lose is the editing headroom — the ability to re-set white balance, pull back blown highlights, or lift shadows without penalty. The picture itself is intact; the negative behind it is not, and the PDF cannot be reversed into an RW2.
"Image Quality (%)", and nothing else on the page. The converter renders the raw to an interim JPEG at that quality and then embeds that JPEG directly, so the PDF ends up the size of the JPEG plus a small amount of page structure. On the 20.9 MB DC-FZ45 raw used to verify this page, the default quality of 75 gave a 1,928,646-byte JPEG and a 1,929,625-byte PDF. Paper size and margin move the picture around the sheet but barely touch the byte count.
The image you reviewed on the LCD is a JPEG the camera generated using its own Photo Style — contrast, saturation and sharpening applied by Panasonic's processing. The RW2 stores the unprocessed capture, so a third-party renderer produces a neutral interpretation instead. To match a specific look, develop the RW2 in a raw editor and convert the finished export.
Yes, and that is the preselected behaviour. Upload all of them and leave "Combine?" on "Single PDF" to get one document with each photo on its own page. Choose "Individual PDFs" if you would rather download a separate file per raw. Every photo in the batch shares the same paper size, margin, placement and quality settings.
Set "Paper size" to the sheet you will actually print on, match "Page layout" to the photo's orientation so you are not printing white bands, and push "Image Quality (%)" up toward 90-100 — that is what determines how much detail survives into the embedded image. For screen-only sharing the default of 75 is plenty and keeps the file small enough to email.
Raw decoders usually render the full sensor readout, including the border rows and columns the camera trims when it writes its own JPEG. The DC-FZ45 sample used here reports 4896 x 3672 in its metadata but decodes to 4912 x 3688 — a handful of extra pixels on each edge. It is normal, and it is why a raw render can be a fraction wider than the in-camera JPEG of the same shot.
Not for an RW2. The transparency-preserving path only runs when the uploaded file is a PNG, and a raw camera capture has no alpha channel to preserve in the first place. The control renders because it is shared with other image-to-PDF sources; on this page you can leave it alone.
Your file is uploaded over an encrypted connection, rendered and assembled on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and files are never shared or made public. The practical limit on a big job is upload size and time rather than anything on our side — LUMIX raws routinely run 20 MB or more each, so a batch of twenty is a substantial upload.