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Supports: VOB
VOB is the multiplexed container DVD-Video burns to disc — it bundles MPEG-2 video, navigation data, subtitles, and audio (LPCM, MPEG-1/2 Layer II, AC-3, or DTS — but never AAC) into one stream. AIFC (Audio Interchange File Format - Compressed), introduced by Apple in July 1991, is the extended cousin of AIFF: same big-endian RIFF-style chunk layout, but with a COMM compression-type field and an FVER chunk so it can carry codecs beyond raw PCM. Converting VOB to AIFC strips the video, demuxes the audio, and rewraps it in a container that Logic Pro, Final Cut Pro, GarageBand, and QuickTime treat as a first-class citizen.
| Property | VOB (DVD-Video) | AIFC |
|---|---|---|
| Type | Video container (MPEG-PS) | Audio container (chunked IFF) |
| Introduced | DVD-Video spec, 1995 | Apple, July 1991 |
| Carries | MPEG-2 video, audio, subs, navigation | Audio only |
| Audio codecs allowed | LPCM, MP2, AC-3, DTS (no AAC) | PCM (BE/LE/float), G.711 μ-law/A-law, ADPCM, IMA 4:1, MACE 3:1/6:1 |
| Typical bitrate | 4-9.8 Mbps total stream | 1411 kbps (PCM 16-bit/44.1k stereo) to ~700 kbps (μ-law) |
| File size cap | 1 GiB per VOB (DVD spec) | None (chunk size is 32-bit, ~4 GiB practical) |
| Byte order (audio) | Big-endian LPCM | Big-endian by default; AIFF-C/sowt is little-endian |
| Native players | DVD players, VLC, MPV, Windows Media Player | macOS, iTunes/Music, Logic Pro, Final Cut Pro, QuickTime, Audacity, FFmpeg |
| Best use | DVD playback / archival | Mac audio production, lossless interchange |
| Codec | Output | Trade-off |
|---|---|---|
| PCM 16-bit Big Endian (default) | Lossless, CD-grade | ~10 MB per minute stereo at 44.1 kHz — same as AIFF |
| PCM 24-bit Little Endian | Lossless, studio-grade | ~50% larger than 16-bit; matches modern DAW session depth |
| PCM μ-law (G.711) | Lossy, telephony heritage | About half the size of 16-bit PCM; audible artefacts on music |
| PCM A-law (G.711) | Lossy, European telephony | Same size class as μ-law; slightly different companding curve |
All three can carry the same lossless PCM samples — the difference is metadata and platform handling. AIFC adds the FVER chunk and a compression-type field in the COMM chunk so it can also store μ-law, A-law, and ADPCM if you ever need a smaller file. macOS's default "AIFF" export is actually AIFF-C/sowt under the hood, so AIFC is what Apple's ecosystem writes by default. If your downstream tool is strictly AIFF-only (older Windows DAWs, some legacy hardware samplers), use the VOB to AIFF page instead. For Windows-first workflows, VOB to WAV is a safer bet.
If the source VOB carries LPCM audio (uncommon but present on some music DVDs and DVD-Audio discs), the default PCM 16-bit big-endian output is sample-accurate lossless. If the source is AC-3 (Dolby Digital) or MP2 — which covers nearly all commercial DVD-Videos — the decode-and-rewrap step is lossless relative to the AC-3/MP2 bitstream, but the original studio master was already lossy-compressed when the disc was authored. You cannot recover detail that AC-3 threw away.
For PCM 16-bit stereo at 44.1 kHz, expect roughly 10 MB per minute (1411 kbps). At 48 kHz (DVD's native rate) it's about 11 MB per minute. A 90-minute film's stereo audio comes out near 950 MB. Switching the AIFC codec to μ-law or A-law roughly halves the file at the cost of telephony-grade artefacts on music — fine for spoken-word, audible on a film score.
DVD-Video discs use one of four: AC-3 (Dolby Digital, by far the most common — typically 192-448 kbps), DTS (1.5 Mbps, on some special editions), MPEG-1/2 Audio Layer II (mostly older PAL releases), or linear PCM (rare, mainly music and concert DVDs). VOB explicitly cannot carry AAC. When the converter demuxes, it decodes whichever codec is present and re-encodes it as the AIFC codec you selected — PCM 16-bit big-endian by default.
The DVD-Video specification caps each VOB at 1 GiB so the discs remain readable across operating systems with 32-bit file-size limits from the mid-1990s. A typical 2-hour film fits in five or six VOBs named VTS_01_1.VOB, VTS_01_2.VOB, and so on. Upload them all together — the converter processes each file separately, so you'll get one AIFC per VOB. To join them, use a DAW or concatenate first with a tool like MPEG Streamclip or FFmpeg.
AIFC can store multichannel PCM (the spec allows arbitrary channel counts in the COMM chunk), but most editors and players only handle stereo or mono AIFC reliably. Set Audio Channel to Stereo to fold a 5.1 AC-3 track down to two channels for general use. If you specifically need the discrete 5.1 stems, AIFC is not the right container — bounce to multi-mono WAV stems in a DAW after import.
Modern Windows handles AIFC through VLC, foobar2000, MediaMonkey, and any player using FFmpeg or LAV Filters. Windows Media Player and the built-in Films & TV app don't open .aifc natively — they recognize .aiff and .aif but not .aifc. If your target is a Windows-only workstation, rename the extension to .aif (the AIFF/AIFC spec permits it) or convert to WAV instead.
Files upload over HTTPS, process in an isolated job, and auto-delete shortly after the conversion finishes. No account is required, files aren't indexed or shared, and the AIFC output is yours to download. The page works on Chrome, Firefox, Safari 14+, and Edge — no Flash, no installer.
Some VOBs in a DVD set are menu loops or trailers that carry only video, or chapters where the audio stream is muted. The converter will return an error or produce a silent AIFC for those files. Check the VOB in VLC first (Tools → Codec Information) to confirm an audio track is present, and prefer the VTS_xx_1.VOB through VTS_xx_n.VOB files that hold the main title rather than VIDEO_TS.VOB (menu) or VTS_xx_0.VOB (chapter menus).