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Supports: WEBA
.weba files. Batch conversion is supported, so you can queue multiple clips and process them with identical settings.hh:mm:ss.SSS so only the segment you need is encoded — useful when you only want a clean intro from a long stream rip..aifc file. Conversion runs on our servers, then files are delivered straight back to your browser — no sign-up, no watermark, and uploads are removed after processing.WEBA is the audio-only sibling of WebM — typically Opus or Vorbis inside a Matroska-based container, streamed straight out of Chrome, YouTube, or the MediaRecorder API. AIFC (AIFF-C), introduced by Apple in July 1991 as an extension to the 1988 AIFF specification, wraps the same kind of PCM audio AIFF uses but also allows compressed codecs in the COMM chunk and adds a four-character compression-type field. In day-to-day Apple workflows, AIFC almost always means little-endian PCM (sowt) — bit-identical to AIFF but in the byte order macOS prefers.
sowt AIFCs on export, so handing a session collaborator an AIFC avoids the silent re-encode you'd get from MP3 or Opus..weba opens in Chrome but is awkward in Finder Quick Look and won't import into iMovie; AIFC plays natively in QuickTime, Music.app, and Preview's audio preview.| Property | WEBA | AIFC |
|---|---|---|
| Year introduced | 2010 (with WebM) | 1991 (Apple, as AIFF-C extension) |
| Container family | Matroska (EBML) | IFF / FORM AIFC chunk |
| Typical codec | Opus or Vorbis | PCM (sowt little-endian or NONE big-endian); also supports ulaw, alaw, IMA4, MACE |
| Compression | Lossy by default | Usually uncompressed PCM; codec field allows compressed variants |
| Endianness | Container-defined | Compression-type chunk distinguishes big-endian (NONE) vs little-endian (sowt) |
| File size, 3-min stereo | ~2-3 MB (Opus 96 kbps) | ~32 MB (PCM 16-bit / 44.1 kHz) |
| Browser playback | Chrome, Edge, Firefox, Opera | None natively — needs a player or plugin |
| macOS Finder preview | Limited (no Quick Look audio) | Native, including waveform scrub in Music.app |
| Pro audio app support | Patchy; usually re-encoded | First-class in Logic Pro, Pro Tools, Final Cut Pro |
| Best for | Web delivery, voice memos | Editing master, archive, AIFF-compatible delivery |
| Setting | Typical value | When to choose it |
|---|---|---|
| Audio Channel: Original | Pass-through | Keep WEBA's original mono/stereo layout — best default |
| Audio Channel: Mono | 1 channel | Single-voice recordings, podcast B-roll, dictation |
| Audio Channel: Stereo | 2 channels | Music, stereo field recordings, force-stereo for editors expecting two tracks |
| Sample Rate: Original | Source rate | Avoids resampling artifacts; recommended when WEBA source is unknown |
| Sample Rate: 44.1 kHz | CD audio | Delivery to CD, iTunes/Apple Music ingest |
| Sample Rate: 48 kHz | Film/broadcast | Final Cut Pro, Premiere, DAW sessions tied to video |
| Sample Rate: 32 kHz / 22.05 kHz | Speech | Smaller files when the source is voice-only |
For the reverse direction, see AIFC to WEBA. If you prefer the older big-endian AIFF flavor, try WEBA to AIFF or WEBA to AIF. For a lossless alternative with much smaller files, look at WEBA to FLAC.
Both formats share the same IFF-style container that Electronic Arts and Apple co-developed in the late 1980s. AIFF (1988) only carried uncompressed big-endian PCM. AIFC (1991) added a compression-type field in the COMM chunk so the same wrapper could hold compressed audio — ulaw, alaw, IMA 4:1, MACE 3:1/6:1, and others. In practice today the most common AIFC payload is sowt, which is plain PCM but little-endian to match Intel/Apple Silicon byte order. So an AIFC marked sowt is the same audio quality as an AIFF, just byte-swapped.
Yes. Apple's pro apps were designed around the AIFF/AIFC family and treat .aifc and .aiff interchangeably, including Logic Pro 11, Final Cut Pro 10.7+, GarageBand, and Music.app. QuickTime Player has played AIFC since the QuickTime 1.0 days. If a third-party DAW only advertises "AIFF" support, an AIFC with PCM (NONE or sowt) payload still opens — the container is identical and the codec is plain PCM.
WEBA almost always carries Opus or Vorbis, which compress audio by an order of magnitude. The default AIFC output here is uncompressed 16-bit PCM, so a 3-minute stereo file jumps from roughly 2-3 MB to about 32 MB. That's the cost of decoding once and writing as PCM — you trade size for editor compatibility and zero further generational loss.
No. WEBA is lossy at the source — once Opus or Vorbis has thrown out perceptually masked data during encoding, that information is gone. Converting to AIFC writes the decoded waveform losslessly into PCM, so you preserve everything the WEBA decoder produces, but you don't gain back what was discarded in the original encode. Think of AIFC here as freezing the current quality so further edits don't compound losses.
If your AIFC is heading to a music workflow — CD, Apple Music, Bandcamp, sampler libraries — choose 44.1 kHz to match the long-standing music industry standard. If it's heading to a video editor (Final Cut Pro, Premiere, DaVinci Resolve) or a broadcast deliverable, choose 48 kHz to match the film/television standard since the early DAT era. Leaving "Original" is fine when you don't know the source rate; the converter avoids unnecessary resampling.
Yes. Open Advanced Options and use the Trim control with start time and duration in hh:mm:ss.SSS format. This is much faster than converting the whole file and re-editing in a DAW, and it keeps your AIFC small when you only need a clip from a longer recording.
VLC plays AIFC on every desktop platform — Windows, macOS, Linux — without issue. Windows Media Player and the built-in Media Player app in Windows 11 will play AIFC files containing standard PCM (the default), though they sometimes balk at exotic legacy codecs like MACE. If you need maximum cross-platform compatibility outside the Apple world, WAV is the safer choice — see WEBA to WAV.
xConvert processes one file at a time per slot in a browser session, with batch conversion supported through the queue. There's no hard per-file cap on this page for typical audio durations; uploads run on our servers and the processed file is delivered straight back to your browser without watermarks or sign-up. Files are removed from our servers after processing.
You'd need an AIFC that uses one of the compressed codecs the format allows (ulaw, IMA4, MACE). Those codecs are old and lossy, and modern workflows skip them in favor of FLAC, ALAC, or Opus. If small file size matters, use WEBA to FLAC for lossless compression at roughly half the size of PCM, or WEBA to MP3 for the smallest broadly compatible lossy output.