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Supports: AIFC
AIFC (AIFF-C) is Apple's Audio Interchange File Format, usually holding uncompressed PCM audio in large, studio-quality files. WEBA is the audio-only form of WebM — a modern, open, royalty-free container that wraps Opus or Vorbis audio for efficient web and Android playback. Converting AIFC to WEBA re-encodes that bulky PCM into a space-efficient stream, shrinking the file dramatically while keeping it browser-ready.
| Property | Value |
|---|---|
| Full name | Audio Interchange File Format — Compressed (AIFF-C) |
| Developer | Apple |
| Released | July 1991 (superset of AIFF, 1988) |
| Typical payload | Uncompressed PCM (the "NONE" compression type); can also hold codecs like A-law, µ-law, ADPCM |
| Byte order | Big-endian (Apple/IFF heritage) |
| Best for | Mastering, archival, and editing on macOS where lossless quality matters |
| Trade-off | Large files; limited native support outside Apple and pro-audio tools |
| Property | Value |
|---|---|
| Full name | WebM audio (audio-only WebM, MIME audio/webm) |
| Developer | Google / the WebM Project |
| Released | 2010 (container based on Matroska, BSD-licensed) |
| Audio codecs | Opus or Vorbis (both open, royalty-free) |
| Licensing | Open and royalty-free |
| Native browser support | Opus/Vorbis play in Chrome, Firefox, Edge, and Opera; modern Safari added support, but older Apple desktop apps may not open .weba |
| Best for | Web audio, <audio> embeds, and Android delivery where small size and open codecs matter |
.aifc file onto the page or click "+ Add Files" to select one or several at once.If your AIFC holds uncompressed PCM, encoding it to Opus or Vorbis is a lossy step — some data is discarded that cannot be recovered. In practice that loss is usually inaudible at sensible bitrates: Opus is widely considered transparent for music around 128 kbps and above. If you need a truly lossless result, convert to FLAC instead, which keeps the audio bit-for-bit while still shrinking the file.
Opus is the newer codec (IETF standard RFC 6716) and generally delivers better quality per kilobyte across its full 6–510 kb/s range, which is why it is the default for WEBA. Vorbis is older but very widely supported and a safe fallback if a target player chokes on Opus. For most web and Android use, Opus is the better pick.
Because AIFC is typically uncompressed PCM — every sample is stored at full size — while WEBA packs the audio with a perceptual codec that discards inaudible detail. In our testing, a 60-second 16-bit/44.1 kHz stereo AIFC near 10 MB encodes to roughly 1 MB of Opus at 128 kbps, an order-of-magnitude reduction.
Opus and Vorbis in WebM play natively in Chrome, Firefox, Edge, and Opera, and in recent versions of Safari. Older Apple desktop apps such as legacy QuickTime, and some hardware players, may not recognize .weba. For the widest compatibility — email, older devices, in-car players — convert to MP3 instead.
The audio itself — sample rate and channel layout — is carried over (or you can keep Audio Channel and Audio Sample Rate on "Original"). However, WebM uses Matroska-style tags, so AIFF-specific chunks and some proprietary metadata do not map across one-to-one. Keep your original AIFC if you rely on embedded studio metadata.
Yes. WebM is built on the Matroska container and released under a BSD-style license, and both of its audio codecs — Opus and Vorbis — are open and royalty-free. That makes WEBA a good long-term choice for web distribution without licensing constraints.
It depends on your goal. Choose WEBA for small, open, web-friendly audio; choose WAV if you need an uncompressed file with the broadest editor support; choose MP3 for the most universal playback across old and new devices. WEBA wins on size and open licensing, not on legacy compatibility.