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Supports: WMV
WMV is a Microsoft-era video container (ASF wrapper, WMV9/VC-1 video, WMA audio) that ships almost exclusively from Windows tooling — Windows Movie Maker, older versions of Microsoft Expression Encoder, Camtasia exports, and corporate training systems. M4A is the audio sibling of MPEG-4 Part 14 (the same ISO Base Media File Format as.mp4), holding AAC-LC or Apple Lossless (ALAC) tracks. Converting WMV to M4A strips the unwanted video stream, drops the Windows-only WMA codec, and produces a file the Apple ecosystem accepts natively — useful when:
Already have a WMA file rather than a WMV video? Use WMA to M4A. Need MP3 instead for non-Apple devices? See WMV to MP3. Keeping the video track? Try WMV to MP4.
| Property | WMV (.wmv) | M4A (.m4a) |
|---|---|---|
| Container | Advanced Systems Format (ASF), Microsoft 1999 | MPEG-4 Part 14 (ISO/IEC 14496-14:2003), ISO Base Media File Format |
| Holds | Video (WMV7/8/9 or VC-1) + audio (WMA) + optional DRM | Audio only (AAC-LC or ALAC); no video track |
| Typical audio codec | WMA v2, WMA Pro, or WMA Lossless | AAC-LC at 128–256 kbps, or ALAC for lossless |
| Native playback | Windows Media Player, VLC, MPC-HC, ffmpeg | Apple Music, iTunes, QuickTime, VLC, Windows Media Player 12+, Android, every modern browser |
| Apple ecosystem | Not supported in macOS Music app or iOS | First-class — drag into Music, sync to iPhone, AirPlay, CarPlay |
| Streaming use today | Largely retired; Microsoft's own store abandoned WMA lossy in 2011 | Active — Apple Music delivers in AAC at 256 kbps; YouTube Music, SoundCloud use AAC |
| File-size efficiency | WMA Pro is competitive with AAC; WMA v2 lags | AAC is ~30% more efficient than MP3 at equal quality |
| Best for | Legacy Windows archives, Movie Maker exports | iOS/macOS playback, audiobooks, podcast masters |
Numbers below assume stereo output; "size per hour" is the resulting file for one hour of audio.
| Preset | Bitrate (AAC-LC) | Size per hour | Best for |
|---|---|---|---|
| Highest | ~256 kbps | ~115 MB | iTunes Store parity, music archives, mastering source |
| Very High | ~192 kbps | ~86 MB | Music libraries — transparent on most equipment |
| High | ~160 kbps | ~72 MB | General music sharing, podcasts with music beds |
| Medium | ~128 kbps | ~58 MB | Streaming-grade, narrative podcasts, audiobooks with music |
| Low | ~96 kbps | ~43 MB | Voice-with-light-music, web embeds; minor HF artefacts |
| Very Low | ~64 kbps mono | ~29 MB | Audiobooks, lectures, voice-only podcasts |
| Lowest | ~48 kbps mono | ~22 MB | Long-form voice archives; not for music |
AAC at 256 kbps is generally considered transparent for most listeners; the iTunes Store has used 256 kbps AAC as its standard since 2009 (iTunes Plus). For voice-only content, 64–96 kbps mono with AAC-LC produces files indistinguishable from the source on phone speakers and earbuds.
iTunes/Apple Music accepts both, but at equal bitrate AAC (the codec inside M4A) is meaningfully more efficient than MP3 — a 128 kbps AAC file sounds closer to a 192 kbps MP3 on most listening tests. The iTunes Store has standardised on 256 kbps AAC since 2009, so M4A is the format Apple's own catalogue uses. MP3 is still the safer choice for older car stereos, cheap MP3 players, or non-Apple environments — see M4A to MP3 if you need to cross-convert later.
No. Apple removed WMV/WMA support from the Mac years ago. QuickTime briefly supported WMV via the Flip4Mac plug-in (discontinued in 2017), and Apple's Music app on macOS will not import.wmv or.wma. Converting to M4A is the standard workaround. iTunes for Windows can convert WMA in-app via File → Convert, but it does not handle.wmv video files even on Windows.
ASF/WMV files carry their own metadata schema (WM/Title, WM/AlbumTitle, WM/Year, etc.), and most converters — including this one — map the common fields onto the M4A iTunes-style atoms (©nam, ©ART, ©alb, ©day). Embedded cover art in the ASF container also carries over when present. Edit any field afterward in Music, Mp3tag, or Kid3.
For nearly all WMV sources, AAC-LC at 192–256 kbps is the right answer. The original WMV was already lossy (WMA v2 or WMA Pro), so re-encoding to lossless ALAC just bloats the file without recovering any quality — you'd get a 600 MB-per-hour file holding the same audio as a 60 MB AAC file. ALAC only makes sense when your source is already lossless (WAV, FLAC, ALAC) and you want a Mac/iOS-native lossless container.
Because the video track is gone. A 1-hour 720p WMV at 2 Mbps is roughly 900 MB; the audio inside it is typically WMA at 128–192 kbps, which is ~60–85 MB on its own. Discarding the video stream and re-encoding the audio at 192 kbps AAC routinely produces files 10–15× smaller than the source — that's expected, not a quality problem.
A small amount, yes — you're decoding lossy WMA and re-encoding to lossy AAC, which is a one-generation transcode. For voice content at moderate bitrates this is inaudible. For music-heavy WMV files, the loss is minor at 192 kbps+ AAC. To minimise generation loss, pick a high bitrate preset (Very High or Highest) and don't re-compress the M4A again later. If you need a lossless intermediate, see WMV to WAV first.
Yes. Open Trim in Advanced Options and enter start/end timestamps in HH:MM:SS.mmm format. This is the fastest way to drop a long screen-recording leader, applause at the end of a lecture, or the silent buffer most Windows Movie Maker exports add. The trim happens during the same encode pass — no second step.
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