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Supports: WMV
WMV is Microsoft's video container (ASF) typically carrying a WMA audio track. WMA decoders are not bundled with most non-Windows browsers, and the WMV/ASF stack itself has been dropped from Safari, Chrome, and Firefox media pipelines. WEBA is the audio-only variant of WebM — the same Matroska-based container Google ships across HTML5 <audio> elements — and it almost always carries Opus or Vorbis, both royalty-free codecs. Converting WMV to WEBA strips the video stream and re-encodes the audio into a format the open web actually plays.
<audio> elements with a.weba source play in Chrome, Firefox, Edge, and Opera without WMP, Silverlight, or a vendor extension. Useful for podcast pages, course modules, and product demos pulled from a screen-capture WMV.| Property | WMV (.wmv) | WEBA (.weba) |
|---|---|---|
| Container | ASF (Advanced Systems Format) | WebM (Matroska subset) |
| Typical audio codec | WMA v2 (WMAv2) | Opus (default) or Vorbis |
| Bitrate range | WMA: ~5-320 kbps | Opus: 6-510 kbps; Vorbis: ~45-500 kbps |
| Sample rate ceiling | WMA: 48 kHz | Opus: 48 kHz; Vorbis: 192 kHz |
| Royalty-free | No (Microsoft-licensed) | Yes (BSD / IETF RFC 6716) |
HTML5 <audio> support |
Not supported in Chrome, Firefox, Safari | Chrome, Firefox, Edge, Opera; Safari 14.1+ for Opus-in-CAF/MP4, partial WebM |
| Native macOS / Linux playback | Requires third-party codec | Native via system or browser |
| Carries video | Yes | No (audio-only WebM variant) |
| Preset | Approx. bitrate | Best for |
|---|---|---|
| Lowest | 24-32 kbps | Mono voice notes, low-bandwidth podcasts |
| Low | 40-64 kbps | Single-speaker narration, audiobook chapters |
| Medium | 80-96 kbps | Spoken-word with music beds, screencast audio |
| High | 128 kbps | Music demos, mixed content, default for streaming |
| Very High | 160-192 kbps | Music with critical detail, archival web masters |
| Highest | 256-320 kbps | Near-transparent music; ceiling before diminishing returns |
You only get the audio. WEBA is the audio-only variant of the WebM container — there is no video stream in the output by design. If you need to keep the picture, convert to WMV to WebM instead, which keeps both streams.
Pick Opus unless you have a specific compatibility reason to use Vorbis. Opus is newer (IETF RFC 6716, 2012), is mandatory in WebRTC, supports 6-510 kbps with very low latency, and matches or beats Vorbis at every bitrate above ~32 kbps. Vorbis is fine for legacy Firefox or Chrome builds older than 2013, but those are not browsers any user is still running.
The WMV container may carry an unusual audio codec (Sipro ACELP.net is the historical edge case, but some old screen recorders write WMV with no audio stream at all). Open the.wmv in VLC and check Tools > Codec Information — if there is no audio stream listed, there is nothing to extract. If the codec is exotic, try a different source recording.
Safari does not play.weba files via HTML5 <audio> out of the box. iOS Safari and macOS Safari prefer.m4a (AAC) or.caf containers. If you need universal mobile playback, convert to WMV to M4A or WMV to MP3 instead. WEBA is the right choice when your target is Chrome, Firefox, Edge, or any Chromium-based browser including Android Chrome.
Same container, different convention..webm typically signals "this file contains video (and optionally audio)" while.weba signals "audio only — no video stream is present." Some servers and players are stricter about MIME types (audio/webm vs video/webm); using the.weba extension makes the intent obvious to both browsers and pipelines. The byte structure is otherwise identical.
No. WMV uses the ASF container with WMA audio; WEBA uses the WebM (Matroska) container with Opus or Vorbis. They are entirely different bitstreams and headers. Renaming the file extension will produce a broken file that no player can decode. You need an actual transcode, which is what this tool does.
The converter re-encodes — it does not just remux. If your source WMA is 320 kbps and you pick Medium (80-96 kbps Opus), the output will be smaller and will lose some detail, but Opus is efficient enough at 96 kbps that most listeners cannot distinguish it from the original WMA for speech and most music. For archival, pick Very High or Highest.
Use the Trim controls to set a start time and duration. The trim happens during the same encode pass, so you do not pay an extra quality hit — and the output only contains the slice you asked for. Useful for pulling a single quote or a chorus out of a long screen recording.
There is no enforced file count for batches. Per-file size is bounded by what your browser can hold in memory during processing (typically several GB on desktop, less on mobile). For sources larger than ~2 GB, convert in smaller segments or use the desktop encoder of your choice.