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Supports: WTV
WTV (Windows Recorded TV Show) is the container Windows Media Center wrote when it captured live TV, replacing the older DVR-MS format with the TV Pack 2008 update for Windows Vista and shipping as the default in Windows 7's bundled Media Center. Microsoft discontinued Media Center with Windows 10 in May 2015, so today's .wtv files are effectively orphan archives that few players touch natively. Stripping the audio to AAC turns a 1-4 GB recording into a 50-200 MB file that plays on every iPhone, Android, browser, car stereo, and smart speaker built since the mid-2000s.
| Property | WTV | AAC |
|---|---|---|
| Type | Video/TV container | Audio codec |
| Introduced | 2008 (TV Pack for Vista) | 1997 (MPEG-2 Part 7, ISO/IEC 13818-7) |
| Origin | Microsoft / Windows Media Center | MPEG / Fraunhofer, AT&T, Sony, Dolby, Nokia |
| Typical contents | MPEG-2 video + MPEG-1 Layer II or AC-3 audio | Audio only (LC, HE, HE v2 profiles) |
| Max channels | Depends on broadcast (stereo or 5.1 AC-3) | 48 full-bandwidth + 16 LFE |
| Sample rates | Broadcast-tied (32/44.1/48 kHz) | 8 kHz to 96 kHz |
| Typical file size | 1.5-4 GB per hour of HD recording | ~57 MB per hour at 128 kbps stereo |
| DRM | Yes — copy-protected captures bind to the recording PC | None inherent |
| Native player support | Windows Media Center, VLC (most files) | Every iOS/Android device, all major browsers, iTunes, YouTube |
| Status | Discontinued with Windows 10 (May 2015) | Active; default audio for iTunes Store, YouTube, Apple Music |
Pick a bitrate against the source audio in your WTV. Most broadcast TV ships either MPEG-1 Layer II stereo at 192-384 kbps or Dolby Digital AC-3 5.1 at ~384-448 kbps; re-encoding to AAC can roughly halve the bitrate at equivalent perceived quality because AAC is a more efficient codec.
| AAC bitrate | Channels | Best for | Approximate hourly size |
|---|---|---|---|
| 64 kbps | Mono | Talk radio, news, sermons, audiobook-style content | ~29 MB |
| 96 kbps | Stereo | Spoken-word podcasts, low-bandwidth uploads | ~43 MB |
| 128 kbps | Stereo | General-purpose music and broadcast — transparent for casual listening | ~57 MB |
| 192 kbps | Stereo | High-quality music capture, broadcast concerts, archival listening | ~86 MB |
| 256 kbps | Stereo | Apple Music / iTunes Match parity; near-lossless for most ears | ~115 MB |
| 320 kbps | Stereo | Maximum LC-AAC quality — diminishing returns above this | ~144 MB |
Windows Media Center recordings of cable or premium channels were often flagged as copy-protected (DRM). Those files only play back on the original recording PC and cannot be legally converted by any third-party tool, online or desktop. If the converter fails or returns silence, check the file's properties in Windows: a "Protected" label means DRM. Over-the-air ATSC captures from a free TV tuner are usually unencrypted and convert without issue.
WTV uses MPEG-2 for video and either MPEG-1 Audio Layer II or Dolby Digital AC-3 for audio, depending on what the broadcaster sent. The converter demuxes whichever audio stream is present and re-encodes it to AAC. If your recording carries 5.1 AC-3, you can downmix to stereo (or mono) using the Audio Channel option for portable playback.
Variable Bitrate (VBR) gives you better quality at the same average file size because it spends more bits on complex moments and fewer on silence. Constant Bitrate (CBR) is preferable when the file will be streamed over a fixed-bandwidth connection or chunked for HLS, since each segment is predictable in size. For archival, pick VBR around 128-192 kbps; for streaming, pick CBR at your bandwidth ceiling.
A one-hour HD WTV recording is typically 1.5-2.5 GB. Extracting just the audio at 128 kbps AAC stereo lands around 57 MB — roughly a 30-50x size reduction. At 64 kbps mono (fine for spoken-word) you land near 29 MB. The video portion is discarded entirely when you convert to AAC.
Yes. The Trim control lets you set a start time and duration in HH:MM:SS.mmm format, so you can drop the pre-roll, ad break, or post-credits. If you need finer multi-segment editing (multiple ad pods inside one show), convert first then use audio-cutter to remove individual sections.
Yes. AAC has been the iTunes Store and Apple Music default since 2003 and is natively decoded on every iPhone, iPad, Mac, Apple TV, and HomePod. Drop the file into the Files app, Voice Memos, or any podcast app and it plays without conversion. If you need an .m4a extension instead of .aac, use WTV to M4A — the codec is identical, only the container wrapper differs.
AAC at 128 kbps generally sounds better than MP3 at 128 kbps because it uses a more modern psychoacoustic model — that's why Apple, YouTube, and most streaming services standardized on it. MP3 still wins on universal hardware support (a 2005 car stereo will play MP3 but might choke on AAC). If you need maximum compatibility with old hardware, use WTV to MP3 instead.
The AAC output is audio-only by design. If you want to keep the picture and just modernize the container (so it plays on Mac, iPhone, or in a browser), use WTV to MP4 — that re-wraps the MPEG-2 stream into an MP4 with AAC audio, leaving you a video file instead of a pure audio track.
No. Files are processed in your browser session and deleted from the server after conversion completes. There is no account, no log of filenames retained, and no marketing email — close the tab when you're done and the working copies are gone.