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Supports: WTV
\Users\Public\Recorded TV\) are supported. Batch upload works.WTV (Windows Recorded TV Show) is the proprietary container Windows Media Center has used since the 2008 TV Pack on Vista and standard on Windows 7. It wraps MPEG-2 or MPEG-4 video with MPEG-1 Layer II or Dolby Digital AC-3 audio plus DRM and EPG metadata. EPS (Encapsulated PostScript), introduced by Adobe and Aldus in 1987 and frozen at spec version 3.0 in May 1992, is the print-and-prepress veteran: a PostScript program packaged as a single file with a %%BoundingBox and optional TIFF or WMF preview. Converting a WTV broadcast frame to EPS gives you a single still that any traditional layout pipeline can place. Common scenarios:
\includegraphics and into Word/InDesign without rasterisation at placement.Need video instead of a still? Convert the recording first via WTV to MP4, or extract a raster still with WTV to JPG or WTV to PNG if your downstream tool prefers a bitmap.
| Property | WTV | EPS |
|---|---|---|
| Type | Time-based video container | Single-page PostScript graphic |
| Year introduced | 2008 (Windows Media Center TV Pack on Vista) | 1987 (spec v3.0 frozen May 1992) |
| Video codec | MPEG-2 or MPEG-4 | n/a — embeds a raster image inside PostScript |
| Audio codec | MPEG-1 Layer II or AC-3 | None |
| Default playback target | Windows Media Center on Vista / Windows 7 | Print RIPs, page-layout apps, illustration apps |
| Modern OS support | Removed from Windows 10 (May 2015 announcement) | Opens in Illustrator, InDesign, CorelDRAW, Inkscape, Photoshop, Affinity, GhostScript |
| Transparency | n/a (video) | Not supported in EPS spec |
| ICC color management | Embedded broadcast colorimetry | Not supported |
| Typical use today | Legacy DVR archives | Legacy print pipelines that haven't moved to PDF/X |
EPS is officially a "legacy" format — Adobe recommends PDF or AI for new vector work — but it remains the lowest-common-denominator import for older RIPs and journal submission systems, which is why frame-to-EPS still earns its keep.
| Source broadcast | Native pixels | EPS use case |
|---|---|---|
| NTSC SD analog | 720×480 (480P) | Newsletter thumbnails, half-column figures |
| PAL SD analog | 720×576 (576P) | UK/EU magazine thumbnails |
| ATSC HD 720p | 1280×720 (720P) | Half-page editorial figures, web-to-print |
| ATSC HD 1080i/p | 1920×1080 (1080P) | Full-page or sign-shop output up to ~A3 at 150 DPI |
| Up-rezzed via Resolution Percentage > 100% | bicubic scale | Use only if the layout requires; quality cannot exceed source |
EPS embeds the raster at the chosen pixel dimensions; print rendering depends on the placement size in the host document, so a 1920×1080 frame placed at 6.4 in wide prints at 300 DPI.
EPS is a PostScript wrapper that older print RIPs, journal submission portals (Elsevier EES, IEEE PDF eXpress for certain figure tracks), and Quark / older InDesign layouts still ingest natively. A JPG or PNG works for most modern workflows — pick those if your pipeline is browser- or print-on-demand-based. Pick EPS when a downstream tool specifically asks for it or when you need a single placeable file with a %%BoundingBox for legacy layout software.
The EPS encapsulates the raster you choose. Pick 1080P (or Keep original for native source pixels) and the frame is embedded at full pixel resolution — but EPS is still a raster-in-PostScript wrapper, not a scalable vector trace. Enlarging the placed EPS past its native size in a layout will pixelate exactly the same as enlarging the source frame.
WTV uses MPEG-2 / MPEG-4 inter-frame compression — a single broadcast frame's data on disk is tiny because it references neighbours. EPS stores the chosen frame as a self-contained raster (often LZW- or DCT-compressed PostScript image data) plus PostScript overhead. A 1080p still in EPS commonly lands at 0.5-3 MB depending on compression mode and content complexity, even when the source WTV averages ~10 Mbps over many minutes.
No. Microsoft announced in May 2015 that Windows Media Center would not ship with Windows 10, and an in-place upgrade removes WMC. Windows 11 also omits it. VLC, MPC-HC, and PotPlayer play WTV with the right codec pack; FFmpeg and HandBrake transcode it. For frame extraction without installing playback software, browser-based conversion is usually the fastest path.
Yes — pick Multiple Screenshots under Frame Selection, set the interval (every N seconds or every N frames), and the tool emits one EPS per captured frame. Useful for storyboarding a recorded show or pulling a sequence of stills for a print explainer.
Cable, satellite, and OTA recordings flagged with the broadcast flag often carry CGMS-A / WMDRM protection inside the WTV container. Protected WTV files cannot be transcoded or extracted by any general-purpose tool, including this one — the encrypted streams are unreadable without the original Media Center key. Home recordings of unencrypted ATSC over-the-air broadcasts and tuner cards that ignored the flag are usually fine.
Yes — InDesign, Illustrator, Scribus, and \includegraphics in LaTeX all place EPS correctly and use the %%BoundingBox to position it. Modern LaTeX engines (pdfLaTeX, XeLaTeX, LuaLaTeX) call epstopdf automatically. The on-screen preview in InDesign may look low-res because EPS only carries a TIFF/WMF thumbnail; the printed/exported output uses the embedded full-resolution raster.
PDF is the modern answer: Adobe itself recommends PDF/AI over EPS for new content, and EPS lacks transparency and ICC color management support. Use EPS only when a specific submission system, RIP, or older layout tool demands it. If your end target is print and the system accepts PDF, extract to JPG/PNG with WTV to JPG and place that into a PDF, or convert the resulting EPS via EPS to PDF for downstream tooling.
Conversion happens within your browser session and files are removed when the session ends. No account, no email, no watermark, no per-file or per-day cap beyond what your browser memory will hold for a batch.