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Supports: X3F
X3F is Sigma's proprietary raw format that stores the layered red/green/blue data captured by the Foveon X3 sensor — color is sampled at every pixel location rather than reconstructed from a Bayer mosaic. ASF (Advanced Systems Format) is the Microsoft container that wraps Windows Media Video and Windows Media Audio streams. Converting a folder of X3Fs into a single ASF gives you a Windows-native slideshow video — useful when you need to drop a quick proof reel into PowerPoint, share frames with someone running a legacy Windows workflow, or archive a session in a format that plays back without a raw converter installed.
| Property | X3F (input) | ASF (output) |
|---|---|---|
| Type | Raw still-image format | Audio/video container |
| Origin | Sigma Corporation, 2002 (SD9) | Microsoft, first released Sept 16, 1996 |
| Signature / structure | ASCII "FOVb" header | GUID-based objects (Header + Data required, Index optional) |
| Captures | Stacked R/G/B per pixel (Foveon X3) | Encoded WMV / WMA / VC-1 streams |
| Typical size | 10-55 MB per frame (sensor dependent) | Depends on codec, bitrate, duration |
| Extension family | .x3f, .x3i |
.asf, .wmv, .wma |
| MIME type | image/x-sigma-x3f (de facto) |
video/x-ms-asf |
| Spec status | Proprietary, no public spec | Spec rev 01.20.03 (Dec 2004); not updated since |
| Native software | Sigma Photo Pro, SIGMA X3F Plug-in for Photoshop | Windows Media Player Legacy, VLC, MPC-HC |
| Streaming support | None | Designed for HTTP/MMS progressive playback |
| Best for | Maximum color fidelity from Sigma bodies | Windows-native playback and PowerPoint embedding |
| Setting | What it controls | When to change the default |
|---|---|---|
| Merge strategy | One ASF from all images vs. one ASF per image | Keep "Merge" for slideshow; switch to "Video per image" if you need each frame as its own clip |
| Image Duration | Seconds each X3F is shown | Increase to 8-10 s for review reels; drop to 1/24 s or 1/30 s for stop-motion |
| Background Color | Letterbox fill when aspect ratios differ | Match your deck (white for light slides, black for dark) |
| Quality Preset | Constant Quality vs. Constraint Quality + Lowest-to-Highest preset | "Very High" is the recommended balance; drop to Medium for sharing under 25 MB |
| Resolution | Original / Fixed (480p-8K) / Preset (1920x1080, 1080x1920, etc.) | 1080p for general use; 720p for email attachments; vertical presets for Reels-style decks |
| Width / Height | Custom pixel dimensions with aspect lock | Use when targeting a specific player window or projector |
ASF is the right pick when the target environment is Windows-native and a single-file slideshow is the goal — PowerPoint on Windows embeds ASF/WMV without prompting for codecs, and Windows-era playback chains expect it. If you have no Windows-only constraint, MP4 with H.264 is more universally supported (browsers, mobile, macOS, smart TVs); consider X3F to MP4 instead. The Microsoft Learn docs themselves recommend the newer Source Reader / Sink Writer APIs over the legacy Windows Media Format SDK, which is a signal that ASF is in long-term maintenance mode.
Output length equals frame count multiplied by Image Duration. Twenty X3Fs at the default 5 seconds = 100 seconds (~1 min 40 s). Drop Duration to 1 second for a fast contact-sheet reel or raise it to 10 seconds for a paced gallery. The actual rendered duration may shift fractionally if the encoder rounds to keyframe boundaries.
Partially. The Foveon sensor's per-pixel R/G/B stack produces unusually clean color, but the X3F → ASF pipeline must demosaic (in this case, de-layer) into 8-bit RGB and then encode to WMV. You lose the raw headroom you'd keep in Sigma Photo Pro, and the lossy codec adds further compression. For colorimetric-grade output, develop the X3Fs in Sigma Photo Pro first and use the resulting TIFFs; ASF works best when the goal is playable presentation, not archival color.
Any X3F written by the Foveon X3 lineup: SD9, SD10, SD14, SD15, SD1, SD1 Merrill, sd Quattro, sd Quattro H, DP1/DP2/DP3, the DP Merrill series, and the dp Quattro series. Sigma discontinued the DP Quattro models in 2022 and has not shipped a new Foveon body since, but X3F files from earlier bodies remain valid input.
This tool produces silent video from images. If you need narration or a music bed, generate the silent ASF here first, then mux audio in Shotcut, OpenShot, or any NLE that handles ASF/WMV. ASF natively carries WMA, AAC, AC-3, MP3, and other tracks — the container itself is codec-agnostic.
They are effectively the same container — WMV is an ASF file whose primary stream is Windows Media Video. The .wmv extension is a hint to the OS that video is present; .asf is the more general label. If your downstream tool insists on .wmv, rename the file or use X3F to WMV directly.
ASF/WMV has no native browser support — Chrome, Firefox, Safari, and Edge will not play it inline without a plugin. On macOS, ASF requires VLC or a third-party codec pack; Apple has never bundled Windows Media playback. If you need universal playback, transcode the ASF to MP4 (H.264 + AAC) with ASF to MP4 after generation, or skip ASF entirely and use MP4 from the start.
There is no per-file cap published for this tool; we have processed Merrill-era X3Fs (~50 MB each) and Quattro raws without issues. Processing happens in your browser session so the practical limit is your machine's available RAM — batches of 50-100 Merrill X3Fs may slow Chrome on machines with 8 GB or less. If you hit a wall, split the batch or downsample the X3Fs to TIFF first via X3F to TIFF.
Yes — convert the X3Fs to JPG with X3F to JPG and arrange them in a contact-sheet PDF instead. The ASF route is for cases where playable video is specifically required (PowerPoint embed, Windows kiosk loop, legacy review workflow). For static review, JPG or TIFF will always be faster and smaller.