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Supports: X3F
.x3f RAW files from a Sigma DP Merrill, sd Quattro, SD1 Merrill, or any other Foveon X3 camera. Batch upload is supported — convert an entire shoot in one pass. Files stay in your browser session; nothing is sent to a third party.TIFF (.tiff) or TIF (.tif) — the bytes are identical, only the suffix differs. Resize with Resolution Percentage, Preset Resolutions, or explicit Width x Height if you don't need the full Foveon resolution.X3F is the proprietary RAW container Sigma writes from every Foveon X3 sensor camera — SD9 (2002) through the SD1 Merrill, DP1/DP2/DP3 Merrill, dp Quattro, and sd Quattro/sd Quattro H. The Foveon sensor stacks red, green, and blue photodiodes vertically at each pixel site (exploiting silicon's wavelength-dependent absorption depth), so X3F files contain three full color layers instead of a Bayer mosaic that has to be demosaiced. The trade-off: only Sigma Photo Pro (SPP), the Sigma X3F Plug-in for Photoshop, and a handful of third-party tools (Iridient, Capture One via DNG, X3Fuse) can actually read X3F natively. Converting to a 16-bit TIFF bakes the demosaicked Foveon image into a format every professional photo tool on the planet understands.
Need a different output? See X3F to JPG for compressed web delivery, X3F to PNG for lossless 8-bit/16-bit RGBA, or X3F to TIF for the .tif extension. Converting other camera RAWs? Try DNG to TIFF, CR2 to TIFF, ARW to TIFF, or NEF to TIFF. Bring TIFFs back down to size with Compress TIFF or repackage to TIFF to PDF.
| Property | X3F (Sigma Foveon RAW) | TIFF (Tagged Image File Format) |
|---|---|---|
| Publisher | Sigma Corporation (Foveon Inc. acquired by Sigma, 2008) | Aldus Corporation 1986; Adobe inherited spec when it acquired Aldus in 1994 |
| Latest spec | Proprietary, undocumented publicly | TIFF 6.0 (3 June 1992); BigTIFF for files >4 GB (LibTIFF 4.0, 2011) |
| Type | Camera RAW (un-demosaiced sensor data with metadata) | Container for processed raster images |
| Color model | Three-layer Foveon X3 RGB (stacked photodiodes) | Grayscale, RGB, CMYK, Lab*, YCbCr, indexed, multi-channel |
| Bit depth | 12-bit or 14-bit per layer (camera-dependent) | 1, 2, 4, 8, 16, 24, 32 bits per sample; floating-point also supported |
| Compression | Lossless (Sigma proprietary) | None, LZW, ZIP/Deflate, JPEG (lossy), PackBits, CCITT Group 3/4 |
| Max file size | Limited by storage / camera firmware | 4 GB for classic TIFF (32-bit offsets); ~18 EB for BigTIFF |
| Multi-page | Single image per file (SFD bracketed sequences use .x3i) |
Yes — multiple IFDs in one file |
| Native read support | Sigma Photo Pro, Sigma X3F Photoshop plug-in, Iridient, RawTherapee, X3Fuse | Photoshop, Lightroom, Capture One, Affinity, GIMP, Preview, browsers (Safari), most DAMs |
| Typical file size | 30–70 MB (Merrill 46 MP three-layer) | 50–200 MB uncompressed; 15–60 MB with LZW/ZIP on 16-bit photos |
| Best for | Original capture, maximum-quality demosaicing later | Editing master, archival, print pre-press, scientific imaging |
| Type | Lossless? | Best for | Notes |
|---|---|---|---|
| None (Uncompressed) | Yes | Maximum compatibility, scientific imaging, ingestion pipelines that parse raw IFDs | Files are huge — a 46 MP 16-bit RGB TIFF is ~265 MB uncompressed |
| LZW | Yes | 8-bit photos, line art, screenshots, mixed content | Universally supported; on 16-bit photographic data LZW can actually grow the file due to high-entropy samples |
| ZIP / Deflate | Yes | 16-bit photo masters, large smooth-tone images | Same algorithm as .zip; typically 5–15% smaller than LZW on photos and the recommended choice for 16-bit Foveon output |
| JPEG | No | Editing-grade TIFFs where some loss is acceptable for a ~70% size cut | Lossy DCT inside the TIFF wrapper; avoid for archival masters or anything you'll re-save multiple times |
| PackBits | Yes | Legacy print/RIP workflows | Required by the baseline TIFF spec; very mild compression; only useful for compatibility |
| CCITT Group 4 | Yes | 1-bit bitonal scans (faxes, line art) | Designed for bilevel data; not for photographic Foveon output |
For Foveon TIFF masters, pick ZIP/Deflate when you want lossless archival, JPEG when you want a smaller editing copy, and None only if the downstream tool can't parse compressed TIFF.
Not if you use 16-bit TIFF with lossless compression (None, LZW, or ZIP). The demosaic step itself bakes in whatever rendering choices the converter makes (white balance, X3 Fill Light, color profile), but the resulting 16-bit per-channel TIFF preserves the full tonal range the Foveon sensor recorded. The lossy bit comes from JPEG compression inside the TIFF wrapper — avoid that for masters. Sigma Photo Pro's own export and the Sigma X3F Plug-in for Photoshop both default to 16-bit TIFF for this reason.
DNG (Adobe's Digital Negative) keeps the file in a RAW state, so you can keep tweaking white balance, exposure, and tone in Lightroom or Capture One non-destructively. TIFF bakes those decisions into pixels. Convert to DNG when you want to keep editing in a RAW workflow, and to TIFF when you want a finished, edit-ready master that any tool can open. Many photographers keep both: a DNG archive plus a TIFF working master per shot.
.tiff and .tif?None — they're the same format with two extensions for historical DOS-era compatibility (the 8.3 filename limit forced .tif). Pick whichever your downstream tools or naming conventions prefer. Our File extension dropdown lets you choose either; the bytes inside the file are identical.
Larger, usually 3–8x. A 46 MP three-layer Merrill X3F is ~50 MB on disk. The same image demosaicked to a 16-bit RGB TIFF is roughly 265 MB uncompressed, ~120–180 MB with ZIP compression, or ~40–80 MB with JPEG-in-TIFF. The growth is because X3F stores compressed sensor data while TIFF stores processed full-color pixels.
Yes. Both treat 16-bit TIFFs as first-class catalog files — you can import, develop, mask, and export from them just like a RAW. The trade-off is that you lose the wide RAW latitude (recoverable highlights, shadow lift headroom) that the X3F still has. If you need the full RAW envelope inside Lightroom, convert X3F to DNG first.
Camera model, lens, focal length, aperture, shutter speed, ISO, and capture date are written into the TIFF's standard EXIF tags. Sigma-specific maker-note fields and the proprietary Foveon-layer metadata don't have direct TIFF equivalents and are dropped. For a workflow that round-trips all the Sigma-specific metadata, stay in X3F or DNG.
JPEG-in-TIFF is a legacy feature from the TIFF 6.0 spec (1992) that lets you wrap a JPEG-compressed image in a TIFF container — useful when a pipeline requires a .tiff extension but doesn't need lossless data. It cuts the file size by roughly 70% versus uncompressed TIFF. For Foveon masters destined for editing or print, pick LZW or ZIP instead; for lightweight editing copies that will be flattened later, JPEG-in-TIFF is reasonable.
Classic TIFF uses 32-bit byte offsets, capping files at 4 GB. If your Foveon shoot composite or focus-stack TIFF crosses that line, you need BigTIFF (64-bit offsets, supported in LibTIFF 4.0+ since 2011, Photoshop, Lightroom, GIMP 2.10+, and most modern apps). For single-image Merrill or Quattro TIFFs the 4 GB ceiling is irrelevant — even a 16-bit floating-point 50 MP image is well under 1 GB.
SPP gives you the best Foveon demosaic Sigma's own engineers can build, plus their X3 Fill Light tone tool — but it's slow, only runs on macOS/Windows desktops, and ties you to one machine. This converter is faster for bulk turnaround, runs entirely in your browser, and outputs TIFFs that drop straight into the same downstream tools (Photoshop, Lightroom, Capture One). For maximum demosaic quality on a hero shot, use SPP; for everything else, batch through here.