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Supports: X3F
X3F is Sigma's proprietary RAW container that holds the three vertically stacked color layers captured by the Foveon X3 sensor — no demosaicing, full RGB at every pixel location. It opens in SIGMA Photo Pro and a small handful of editors (Lightroom support is partial, and many viewers refuse it outright). WMV (Windows Media Video) is Microsoft's video format, stored inside an ASF container, and is the format Windows Media Player has always opened without third-party codecs since Windows XP. Turning a stack of X3F captures into a single WMV slideshow gives you a file your Windows-using clients and family can double-click without installing anything.
| Property | X3F (Sigma RAW) | WMV (Windows Media Video) |
|---|---|---|
| Type | RAW still image | Compressed video |
| Owner | Sigma Corporation (Foveon Inc.) | Microsoft |
| Container | Proprietary X3F | ASF (Advanced Systems Format) |
| Color capture | Three stacked layers, no demosaic | YUV 4:2:0 after compression |
| First released | 2002 (Sigma SD9) | 1999 (WMV 7) |
| Bit depth | 12-bit per layer (typical) | 8-bit per channel |
| Typical file size | 20–55 MB per frame | 1–20 MB per second of video, codec-dependent |
| Native Windows playback | No — needs SIGMA Photo Pro | Yes — Windows Media Player since XP |
| Native macOS / iOS playback | No | No — requires third-party (VLC, Flip4Mac) |
| Current camera support | Discontinued; no Sigma camera has shipped a Foveon body since the DP Quattro line was discontinued in 2022 | Encoded by ffmpeg, HandBrake, OBS, and most NLEs |
| Codec / preset | What it is | When to use it |
|---|---|---|
| WMV2 (Windows Media Video 8) | Default for this tool. MPEG-4 Part 2-derived; broad Windows compatibility back to XP. | Anything that has to "just play" on a generic Windows machine. |
| WMV1 (Windows Media Video 7) | Original 1999 codec, lowest efficiency. | Only if your target software explicitly requires WMV7. |
| WMV3 / WMV9 (VC-1) | Higher efficiency, the codec standardized as SMPTE VC-1 in 2006 and used on HD DVD and Blu-ray. | DVD / Blu-ray authoring, sharper output at the same bitrate. |
| Constant Quality preset | Encoder targets a fixed visual quality; bitrate varies with scene complexity. | Slideshow output where every frame is a still photo — quality is the right knob. |
| Constraint Quality preset | Encoder works inside bitrate ceilings. | When the output must hit a specific file-size or bandwidth budget. |
| Lowest / Low / Medium | Small files, visible compression on detail edges. | Quick proofs, email-friendly drafts. |
| High / Very High (default) / Highest | Larger files, retains Foveon micro-detail and skin tones. | Client deliverables and archive-grade slideshows. |
WMV opens in Windows Media Player without installing anything; MP4 with H.264 does too on Windows 10 and 11, but older Windows 7/8 boxes and many enterprise-locked machines lack the H.264 decoder. If your audience is firmly on Windows and you don't know which version, WMV is the safer bet. For everyone else, Convert X3F to MP4 is the more portable choice.
They flatten. The Foveon sensor's stacked red/green/blue photodiodes give X3F its distinctive per-pixel colour fidelity, but any video codec — WMV2, WMV3, H.264, AV1 — encodes in YUV 4:2:0 at 8 bits per channel. The slideshow keeps the look of each frame but you lose the editing latitude RAW gave you. If you need to grade first, develop the X3Fs in SIGMA Photo Pro to TIFF, then run the TIFFs through this converter.
Not in this converter — it produces a silent WMV from the image sequence. Render the silent slideshow here, then drop it into Windows Movie Maker, Clipchamp, DaVinci Resolve, or any NLE to add an audio track.
Presets run from 144p up to 4320p (8K). A Sigma SD Quattro H produces roughly 6192 × 4128 px JPEGs from the X3F, so 2160p (4K UHD) at 3840 × 2160 is a sensible target — it's sharp on a modern display without exploding file size. Pick "Keep original" only if you genuinely need the full sensor resolution, and expect a large WMV.
Not without help. WMV is a Microsoft format; macOS and iOS dropped native Windows Media Components years ago, and Telestream's Flip4Mac is no longer endorsed. Mac users can install VLC for free, which plays WMV fine. If most of your audience is on Apple devices, render to MP4 (H.264) instead — it plays natively in QuickTime, Photos, and Safari.
The Duration setting is global for this batch: every X3F gets the same on-screen time (default 5 s, configurable from 1/60 s up to 10 s). To vary durations per slide you'd need to render multiple batches at different durations and stitch them in an editor, or use the "Video per image" merge strategy and concatenate them.
Three reasons stack up: 4:2:0 chroma subsampling discards half the colour resolution, the WMV codec applies block-based compression that smooths fine detail, and the output resolution may be lower than the X3F's native dimensions. Pick the Highest quality preset, output at the X3F's native pixel dimensions, and choose WMV3 / VC-1 if your player supports it — that's roughly as close to the SPP preview as WMV will get.
Yes. Files are uploaded over an encrypted connection, processed on xconvert's own servers, and deleted automatically after a few hours — they are not passed to any third-party service. That matters for unpublished client shoots, NDA-bound architectural work, and anything else you don't want on a stranger's server.
No. The converter reads the X3F bytes directly on our servers. SIGMA Photo Pro is only required if you want to develop the RAW (white balance, exposure, sharpening) before rendering — for a quick visual flip-through, you can go straight from X3F to WMV here. See also Convert X3F to JPG if you just want individual developed stills, or Convert X3F to TIFF for an editable 16-bit intermediate.