Initializing... drag & drop files here
Supports: X3F
.m2ts file ready to drop into BDMV\STREAM\ for authoring with tsMuxeR or multiAVCHD. No sign-up, no watermark, no email gate.X3F is Sigma's proprietary RAW container for the Foveon X3 sensor — a stacked-photodiode design that records full R/G/B at every pixel instead of interpolating across a Bayer mosaic, which is why X3F skin tones and fine detail famously hold up on the SD9, SD10, DP/dp Merrill, dp Quattro, sd Quattro H, and fp / fp L. The catch is playback: outside Sigma Photo Pro (and a small handful of third-party tools such as X3Fuse), almost nothing on a TV, set-top box, or Blu-ray deck can open an X3F directly. M2TS is the Blu-ray Disc Audio-Video (BDAV) MPEG-2 Transport Stream wrapper — every commercial Blu-ray stores its movies as numbered 00001.m2ts, 00002.m2ts,... under BDMV\STREAM\, encoded as H.262/MPEG-2, H.264/MPEG-4 AVC, or SMPTE VC-1, with audio in Dolby Digital, DTS, or linear PCM (Dolby TrueHD / DTS-HD MA optional). Rendering an X3F slideshow into M2TS bridges Foveon's colour fidelity into a container any Blu-ray player, PS5, Xbox Series X, or VLC can play back without a RAW decoder.
STREAM folder of a BDMV or BDAV project and burn to BD-R.Need a different output instead? Convert X3F frames to standard images with X3F to JPG or X3F to TIFF, build an X3F to AVCHD clip for older camcorder workflows, or render X3F to MP4 for web/social sharing. Already have an MP4 you want re-wrapped for Blu-ray? Use MP4 to M2TS.
| Property | M2TS (BDAV/BDMV) | MP4 (MPEG-4 Part 14) | AVCHD |
|---|---|---|---|
| Underlying container | MPEG-2 Transport Stream (188-byte packets + 4-byte BD timestamp = 192 bytes) | MPEG-4 ISO base media file format (atoms/boxes) | MPEG-2 TS variant, same 192-byte packets |
| Video codecs allowed | H.262/MPEG-2, H.264/AVC, SMPTE VC-1 (mandatory on Blu-ray); HEVC on UHD discs | H.264, H.265, MPEG-4 Part 2, AV1, VP9 | H.264/AVC only |
| Audio codecs allowed | Dolby Digital, DTS, Linear PCM (mandatory); Dolby Digital Plus, Dolby TrueHD, DTS-HD MA (optional) | AAC, MP3, AC-3, Opus, FLAC, ALAC, and many more | Dolby Digital (AC-3) or uncompressed LPCM only |
| File extension and naming | 00001.m2ts, 00002.m2ts (5-digit) |
Any filename, .mp4 |
00001.MTS (uppercase, 8.3) |
| Folder structure | BDMV\STREAM\ (movie) or BDAV\STREAM\ (recording) |
None — single self-contained file | BDMV\STREAM\ (DVD) or PRIVATE\AVCHD\BDMV\STREAM\ (SD card) |
| Designed for | Blu-ray authoring, broadcast streaming | Web delivery, mobile, general video | Consumer camcorders on DVD / SD |
| Initial release | Blu-ray Disc spec, 2006 (M2TS extension first edition August 2004) | ISO/IEC 14496-14:2003 | May 2006 (Sony / Panasonic) |
| Best for | Photo discs, Blu-ray menus, broadcast hand-off | YouTube/Vimeo upload, phone playback | Older Sony/Panasonic camcorder workflows |
Constant-quality (CRF-style) presets in this converter map roughly to the bands below. All sizes assume H.264 at 1920x1080, 24 fps, 5 seconds per frame.
| Preset | Approximate H.264 CRF / size per minute | Best for | Notes |
|---|---|---|---|
| Highest | CRF ~16, ~110 MB/min | Mastering, archival Blu-ray | Headroom for re-mux; overkill on a 1080p TV |
| Very High (default) | CRF ~18, ~65 MB/min | Final-deliverable photo disc | Visually transparent for static slideshows |
| High | CRF ~21, ~38 MB/min | Long retrospectives, gift discs | Good middle ground; fits ~3 hours on BD-R 25 |
| Medium | CRF ~24, ~22 MB/min | Preview cuts, USB-stick playback | Mild softening on fine Foveon detail |
| Low | CRF ~28, ~12 MB/min | Sharing online before final author | Visible compression on smooth gradients |
| Lowest | CRF ~32, ~6 MB/min | Quick proofing only | Banding on skies, mosquito noise on edges |
If you need a hard size cap (e.g. 25 GB on a single-layer BD-R), switch from a Quality Preset to Constraint Quality and let the encoder cap the bitrate; Blu-ray's maximum video bitrate is 40 Mbps (BD-Video) so anything above that won't play on a strict-spec deck.
Yes, with two caveats. If you drop the bare .m2ts onto a USB stick, modern players (PS5, Xbox Series X|S, Sony UBP-X800M2, Panasonic UB820, VLC on any platform) will play it as a video file. If you want it to play as a Blu-ray disc with a menu, you have to build the BDMV folder structure (BDMV\STREAM\00001.m2ts plus BDMV\PLAYLIST\00000.mpls and BDMV\CLIPINF\00001.clpi) using a tool like tsMuxeR, multiAVCHD, or DVDFab — this converter produces the stream, not the full disc structure.
Because the only place M2TS is the right answer is Blu-ray authoring or broadcast-style delivery. MP4 plays on everything (browsers, phones, smart TVs, social media), but Blu-ray players read M2TS natively and reject MP4 from disc. M2TS also uses a transport-stream design with PCR timestamps that survives bit errors better than MP4's program-stream layout — relevant for satellite/IPTV hand-off, irrelevant for a USB stick. If your destination is YouTube or a phone, use X3F to MP4 instead.
It defaults to 5 seconds per frame. Pick from 1/60, 1/30, 1/24, 1/10, 1/5, 1/3, 1/2, 1, 2, 3, 5, 7, or 10 seconds in the Image Duration dropdown. A 1/24-second duration plays each X3F as a single video frame at 24fps — useful for turning a Foveon burst sequence into stop-motion. 10 seconds is the longest dwell — good for portraits you want viewers to linger on.
Yes. X3F's Foveon sensor captures red, green, and blue at every pixel site without a Bayer colour filter array, so there's no demosaic step in the conventional sense — the converter does the per-pixel RGB resolve, applies the camera's white balance and tone curve from the X3F header, then encodes to H.264. Quality is comparable to opening the same RAW in Sigma Photo Pro and exporting JPG at 100, then frame-pumping into a Blu-ray encoder.
The free tier accepts files up to 1 GB each. A single sd Quattro H frame is typically 50-65 MB; a dp Quattro frame 40-50 MB; an SD15 frame 14 MB. That means a batch of roughly 15-25 modern Foveon RAWs fits comfortably in one session; larger shoots can be processed in two passes and then concatenated by a Blu-ray authoring tool.
Letterboxed, with the Background Color you pick filling the empty area. The default is black, which matches Blu-ray cinematic convention; you can also choose white, gray, or any of 24 named colours if your slideshow has a brand palette. The frame itself is never cropped — the full Foveon image is fit inside the 16:9 canvas at the target resolution.
Not from this single converter — it produces a silent M2TS video stream. To add music for Blu-ray, mux an AC-3 (Dolby Digital) or LPCM track into the M2TS using tsMuxeR after this conversion finishes; AC-3 and LPCM are the two audio formats every Blu-ray player must decode. AVCHD camcorders use the same audio constraint.
AVCHD was designed for consumer camcorders writing to DVDs and SD cards; it locks you to H.264 video and AC-3 or LPCM audio, with the file extension uppercase .MTS rather than lowercase .m2ts. BDMV M2TS gives you H.262, H.264, and VC-1 video plus DTS and TrueHD audio, plays on every modern Blu-ray deck, and uses 25 / 50 / 100 GB BD-R media instead of 4.7 / 8.5 GB DVD. For a fresh photo disc, BDMV M2TS is the more flexible target; choose X3F to AVCHD only if you specifically need DVD media or compatibility with an older Sony/Panasonic camcorder workflow.
files are processed on our servers and deleted automatically after a few hours and removed after the session ends. No account, no email, no watermark, no per-file gating. Sigma Foveon files often contain unpublished portrait or commercial work, so the no-server-storage policy matters — your RAWs never enter a permanent storage bucket.