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Supports: WTV
WTV is the container Windows Media Center wrote when it recorded live TV, and the recordings are enormous for a simple reason: they store the broadcast stream at close to the bitrate the station sent, with essentially no re-encoding. This tool rebuilds the video stream to a size you choose and hands back a smaller .wtv file. Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours.
| Property | Value |
|---|---|
| Full name | Windows Recorded TV Show |
| Introduced | Windows Media Center TV Pack 2008 for Windows Vista, then standard in every Windows 7 Media Center edition |
| Supersedes | DVR-MS, the recording format used by Windows XP Media Center Edition |
| Container | Proprietary Microsoft container — not MPEG-TS and not MP4 |
| Video inside | MPEG-2 on most broadcast recordings; MPEG-4-family video on some sources |
| Audio inside | MPEG-1 Layer II or Dolby Digital AC-3 (ATSC A/52) |
| Also carries | Guide metadata (show title, episode, channel, air date), closed captions, and copy-protection flags |
| Typical bitrate | Whatever the broadcaster sent — US over-the-air HD commonly sits in the 8-19 Mbit/s range |
| Browser playback | None. No browser plays .wtv natively |
| Current status | Media Center shipped as a paid add-on for Windows 8 and 8.1 and was not carried forward into Windows 10 |
There is no lossless shortcut here. A WTV recording is already a compressed broadcast stream, so making it smaller means re-encoding the video — decoding every frame and writing new ones at a lower bitrate. That costs picture quality, and the loss is permanent; keep the original if the recording matters. Three levers move the number:
Because the output of this page stays in the WTV container, there is no video or audio codec choice here — the codec lists have no selectable entries when the target extension is .wtv. Choosing a codec is a conversion job, not a compression job.
Media Center is gone, and .wtv went with it. Nothing outside old Windows builds — no phone, no smart TV, no console, no browser — opens the format, and most editors refuse it. If you are re-encoding anyway, convert the recording to MP4 with H.264 instead: the same quality loss buys you a file that plays everywhere and is typically far smaller, because H.264 reaches comparable picture quality at roughly a third to a half of the bitrate broadcast MPEG-2 needs. Compressing in place only makes sense when something in your workflow specifically requires a .wtv file.
| Property | WTV (as recorded) | MP4 (H.264) | MKV (H.264) |
|---|---|---|---|
| Plays on phones, smart TVs, consoles | No | Yes | Usually |
| Plays natively in a browser | No | Yes (H.264 + AAC) | No |
| One hour of HD, typical size | 3-8 GB | ~0.9-1.4 GB at 2-3 Mbit/s | ~0.9-1.4 GB at 2-3 Mbit/s |
| Keeps Media Center guide data | Yes, in full | Title-level metadata only | Title-level metadata only |
| Accepted by common video editors | Rarely | Yes | Usually |
| Multiple audio tracks and subtitles | AC-3 plus broadcast captions | Supported, limited subtitle types | Best-in-class |
Media Center honoured the copy-protection flags broadcasters and cable operators set. Recordings from channels marked copy-once or copy-never — typically premium cable channels received through a CableCARD tuner — were encrypted with Windows Media DRM and licensed to the PC that made them. That protection is part of the file, so no converter, compressor or remuxer can read the video: not this tool, not FFmpeg, not a desktop app. If a recording plays only on the original machine, or a copy prompts for a licence elsewhere, it is protected and the job will fail or produce an empty result. Free-to-air recordings from an antenna tuner are almost always unprotected and process normally.
Because Media Center recorded the broadcast almost verbatim. An ATSC over-the-air multiplex carries up to roughly 19 Mbit/s across a 6 MHz channel, and an HD programme can claim most of that. At 8-19 Mbit/s, one hour of recording is 3-8 GB before you count the AC-3 audio, captions and guide data the container also stores.
No. Everything except trimming requires decoding and re-encoding the video, which loses quality. The only zero-loss reduction available is cutting footage you do not need — the padding at the start and end, or the ad breaks.
Convert, in almost every case. Both operations re-encode, so the quality cost is the same, but MP4 with H.264 plays on hardware that has never heard of Media Center and reaches a given quality at a much lower bitrate than the MPEG-2 inside a typical recording. Stay on .wtv only if a specific legacy Media Center setup still needs to read the file.
Very likely. Recordings flagged copy-once or copy-never are DRM-encrypted and readable only on the recording PC, so the decode step fails no matter which tool you use. Check whether the file plays on a second computer: if it asks for a licence, the content is protected and there is no legitimate way to re-encode it.
Start with "Target file size (%)", which the interface labels (Best). In our testing, percentage targets are the method that lands closest to the requested size on broadcast material, because bitrate on a recorded programme swings sharply between dialogue and action and a fixed bitrate has to be set for the worst case. Use "Specific file size" only when you have a hard ceiling to hit, and "Constant Quality" when the size does not matter but the picture does.
The show title and basic descriptive fields normally survive a re-encode into another .wtv file, but treat the richer Media Center guide payload — series metadata, thumbnails, chapter and caption data — as expendable. If that metadata is the reason you are keeping the recording, archive the original file alongside the compressed copy.
Yes, one range at a time. Set "Trim" to "Time Range", give a start time and a duration, and only that section is encoded — which is both the fastest and the only quality-free way to shrink a recording. If cutting is all you need and you do not want to re-encode the whole programme, use Trim WTV instead of this page.
The file is uploaded over an encrypted connection, processed on our servers and deleted automatically after a few hours. Nothing is shared, published or kept for training, and there is no sign-up or watermark. Because recordings are large, expect the upload to dominate the total time — that is the real limit on this job, not the encode.