Initializing... drag & drop files here
Supports: AIF, AIFF
AIF is the 3-letter version of Apple's AIFF (Audio Interchange File Format) — uncompressed PCM audio dating back to 1988, the macOS counterpart to WAV. The two extensions point at the same byte format; Windows historically preferred a 3-letter extension, so older Mac apps and burning utilities saved with .aif. The file is lossless and editor-friendly but enormous: roughly 10 MB per minute of CD-quality stereo. MP3 is lossy compressed audio that's 8-15× smaller at quality indistinguishable from the source for most listeners. Common reasons to convert AIF → MP3:
See also AIFF to MP3 for the 4-letter variant, or AIFC to MP3 for the compressed AIFF flavor.
| Property | AIF | MP3 |
|---|---|---|
| Compression | Uncompressed PCM | Lossy (perceptual coding) |
| Typical bitrate | 1411 kbps (CD quality 16-bit/44.1k stereo) | 64-320 kbps |
| Typical 4-min song | ~40 MB | ~5-9 MB |
| Quality | Bit-perfect | Audibly excellent at 256-320 kbps |
| Universal playback | Mac, pro audio software | Every device on earth |
| Editing | Native PCM, every editor | Lossy on every re-save |
| Best for | Mastering, archival, editing on Mac | Distribution, sharing, mobile listening |
| Bitrate | File size (4-min song) | Use case | Audible vs source |
|---|---|---|---|
| 128 kbps CBR | ~3.7 MB | Podcasts, audiobooks, speech | Slight high-frequency loss |
| 192 kbps CBR | ~5.5 MB | General music, casual listening | Mostly transparent |
| 256 kbps CBR | ~7.3 MB | Quality music distribution | Effectively transparent |
| 320 kbps CBR | ~9.2 MB | Best MP3 quality, near-lossless | Audibly identical for most listeners |
| V0 VBR (~245 kbps avg) | ~7 MB | Best quality-per-byte | Effectively transparent |
| V2 VBR (~190 kbps avg) | ~5.5 MB | Balanced quality and size | Mostly transparent |
Yes — the bytes inside are identical. Apple originally specified the format as AIFF, but early cross-platform tools needed a 3-letter extension for Windows (FAT/8.3 era), so .aif became common. macOS, iTunes, GarageBand, and Logic Pro all read both interchangeably. The MP3 conversion is identical regardless of which extension your source uses.
Yes — MP3 is lossy. The encoder discards audio data that perceptual studies suggest is below the threshold of hearing. At 256-320 kbps the difference from the source AIF is inaudible to most listeners in normal conditions. At 128 kbps you may notice subtle high-frequency softness on cymbals and reverb tails. Keep your AIF masters as backup; deliver MP3 to listeners.
For music distribution: 320 kbps CBR or V0 VBR for highest MP3 quality, or 192-256 kbps for a smaller-but-still-excellent balance. For podcasts and speech: 128 kbps CBR is plenty. For audiobooks: 96-128 kbps mono cuts size further. Match the source sample rate (usually 44.1 kHz) to avoid resampling.
AIF stores every PCM sample at full bit depth — 16 or 24 bits times 44,100 samples per second times 2 channels = ~1411 kbps. MP3 uses psychoacoustic modeling to keep only what your ears can detect, often at one-tenth the data rate. The compression ratio is 8-15× depending on bitrate. The reduction is real and lossy, but at 320 kbps it's effectively transparent.
Yes — drop in all the tracks at once. They convert in parallel within your browser session and download individually or as a single ZIP. Settings can apply uniformly (typical for albums) or be tuned per file.
ID3 metadata transfer depends on what's embedded in the source AIF. Modern GarageBand, Logic, and iTunes exports include full metadata blocks that map to MP3 ID3v2 tags (artist, title, album, year, track number, embedded artwork). Older .aif files burned from CDs or saved by legacy tools may have no embedded tags, in which case the output MP3 will also be untagged — add tags afterward in iTunes/Music or a tag editor.
VBR (variable bitrate) uses fewer bits during simple passages and more during complex passages, giving better quality per byte than CBR at the same average bitrate. Use VBR for music. CBR (constant bitrate) has predictable file size and is required by some streaming and broadcast workflows. Use CBR for podcasts and broadcast.
Yes. Use the trim section to enter a start time and duration. Both accept seconds (12.5) or HH:MM:SS.sss format (00:01:30.500). Useful for pulling a single song from a long DJ-mix .aif or extracting a clip from a recording session render.