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Supports: ASF
ASF (Advanced Systems Format) is Microsoft's own container for Windows Media content, and .wma is simply the audio-only member of that same family — a .wma file is an ASF file that holds nothing but a Windows Media Audio stream. So pulling the sound out of a .asf (which usually wraps WMV video alongside WMA audio) and saving it as .wma is the most natural extraction on the site: the video track is dropped, and the audio lands back in the Windows Media format it was built for. The audio is re-encoded with the standard WMA v2 codec rather than stream-copied, so pick a matching bitrate to keep generation loss minimal.
.asf file onto the page or click "+ Add Files." Queue several at once and they all run with the same settings..wma file individually or as a ZIP. No sign-up, no watermark.| Property | ASF (.asf) |
WMA (.wma) |
|---|---|---|
| What it is | Container/wrapper | Audio-only ASF + WMA codec |
| Developer | Microsoft | Microsoft |
| First released | September 1996 | August 17, 1999 |
| Typical contents | WMV video + WMA audio | Windows Media Audio only |
| Sibling extensions | .wmv (video ASF), .wma (audio ASF) |
Same ASF container, audio payload |
| Codec written here | — | WMA v2 (lossy, psychoacoustic) |
| Native playback | Windows Media Player | Windows / Windows Media Player; limited elsewhere |
| Best for | Streaming/storing mixed A/V | Windows-only audio libraries |
For modern, broadly playable audio instead, ASF to MP3 or ASF to AAC is the better target; keep ASF to MP4 if you want to retain the video.
Almost — they share the exact same container. Microsoft defines ASF as the wrapper for Windows Media content, and states that the .wma extension marks an ASF file holding Windows Media Audio, while .wmv marks one that also carries video. In other words, a .wma file is an audio-only .asf file with a more descriptive name. A file saved with the generic .asf extension can hold either audio or video, which is why running an extraction is the reliable way to pull just the Windows Media Audio stream out as a clean .wma.
It re-encodes. The converter reads the audio stream inside your ASF and re-encodes it to WMA v2, rather than copying the bytes straight across, so it is not a bit-perfect passthrough. Because the source is already lossy WMA, a fresh lossy encode discards a little detail it can't recover. To keep that generation loss minimal, match or exceed the source's original bitrate — for most music files, a Constant Bitrate of 192 kbps keeps the result near-transparent. If you only need the audio out of the wrapper and don't care about staying in Windows Media format, ASF to MP3 avoids stacking WMA-on-WMA loss.
This converter defaults to WMA v2, the standard and more efficient Windows Media Audio encoder, and that's the right choice for almost everyone — it's a lossy, psychoacoustic codec that stays near-transparent for most listeners around 192 kbps and is decoded by any modern Windows Media stack. WMA v1 is the original 1999 codec, kept for compatibility; choose it only if you're feeding a very old device or application that predates v2 support. In our testing, a 3-minute ASF whose audio was already 160 kbps WMA, re-encoded to 192 kbps WMA v2, produced a file of roughly 4.3 MB.
Native WMA support is mainly a Windows and Windows Media Player story. Some third-party players such as VLC and foobar2000 decode it, along with certain car stereos and DLNA devices, but Apple's Music app, most smartphones, and many modern browsers do not. Reserve .wma for the one device or program that specifically expects it; if you need the audio to play broadly, convert to a portable format with ASF to MP3 or ASF to AAC instead.
Some older ASF/WMA files carry Windows Media DRM, which encrypts the audio and ties playback to a license tied to the original device or account. A converter cannot legally or technically decode a protected stream, so the conversion will fail or produce silence — this is a property of the DRM, not a fault of the format. If you need the audio and the file is DRM-locked, you must obtain an unprotected copy from the original source.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark, and your files are never shared or made public. On a large batch the practical limit is upload time, not a per-file size cap.