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Supports: AAC, AC3, AIF, AIFC, AIFF, AMR +13 more
This converter takes a file in almost any common audio format — MP3, WAV, FLAC, OGG/Vorbis, M4A, WMA, AIFF, OPUS, AC3, AMR, and more — and re-encodes the audio to AAC (Advanced Audio Coding). This guide walks through the conversion, then explains the one thing that trips people up most: AAC quality depends heavily on whether your source file is lossless or already lossy.
AAC is a lossy codec, so the right bitrate depends entirely on what you started with. There are two cases, and they behave very differently:
If you want a one-click choice rather than thinking about numbers, set Quality Preset to Highest or High; it uses VBR internally and spends bits where the audio is complex.
If a file is DRM-protected — for example, tracks purchased from older iTunes stores or downloaded from a streaming subscription — it cannot be converted, because the protection blocks re-encoding. Corrupted or partially-downloaded audio files may also fail to decode. And if your goal is an Apple-tagged file with cover art and proper metadata, you want the M4A container (same AAC codec, MP4 wrapper) rather than a raw .aac stream — the raw ADTS .aac format carries only the audio frames, not album art or chapter markers.
The converter accepts the common audio formats — including MP3, WAV, FLAC, OGG, OPUS, M4A, M4B, WMA, AAC, AC3, AIFF, AIF, AIFC, AU, AMR, OGA, WEBA, DSS, and VOC. For a single dedicated route you can also use the per-format pages such as Convert WAV to AAC, Convert FLAC to AAC, or Convert MP3 to AAC.
At the same bitrate, yes — AAC was designed as the successor to MP3 and generally sounds better, with the advantage being most noticeable below 128 kbps. AAC also reaches a given quality at roughly 15-20% smaller file sizes. The gap narrows at high bitrates: at 256 kbps and above, most listeners cannot tell AAC and MP3 apart. MP3 still wins on raw compatibility with very old hardware.
No. Both are lossy formats, so converting MP3 to AAC is a lossy-to-lossy transcode — the detail the MP3 encoder already discarded is gone for good and cannot be restored. Converting can preserve quality if you match or exceed the source bitrate, but it can never add quality back. The big quality win for AAC comes from converting a lossless source like WAV or FLAC.
128 kbps VBR is the bitrate the MPEG specification cites as transparent (audibly indistinguishable from the source) for stereo music, and Apple's iTunes Store ships tracks at 256 kbps AAC for extra headroom. In our testing, encoding a CD-quality 44.1 kHz WAV at 256 kbps VBR produced a file roughly one-fifth the size of the WAV with no audible difference on consumer headphones. For voice or podcasts, 64-96 kbps is plenty.
AAC plays nearly everywhere. Android has decoded AAC since its earliest releases (the raw .aac ADTS stream is an officially supported format), Windows has built-in AAC support, and in the browser AAC works in the HTML5 audio element across Chrome, Safari, and Edge, with partial support in Firefox — roughly 96% of users globally. The "Apple-only" reputation comes from the .m4a container confusing some non-Apple software, not from the AAC codec itself.
Files are uploaded over an encrypted connection, converted on our servers, and then deleted automatically a few hours after conversion. There is no sign-up, no watermark, and your files are never shared or made public.