Initializing... drag & drop files here
Supports: AVCHD
AVCHD (Advanced Video Coding High Definition) was introduced by Sony and Panasonic in 2006 for HD consumer camcorders and stores its audio as Dolby Digital (AC-3) at 64-640 kbit/s with 1-5.1 channel modes, or as linear PCM on professional models. The video track is rarely needed when you only want the sound — extracting to MP3 strips out a 4-12 GB per hour H.264 stream and leaves a 60-150 MB stereo file that plays anywhere.
| Property | AVCHD (source) | MP3 (output) |
|---|---|---|
| Type | HD video container + audio | Audio-only stream |
| Year introduced | 2006 (Sony/Panasonic) | 1993 (Fraunhofer/MPEG-1 Layer III) |
| File extension | .mts,.m2ts,.avchd | .mp3 |
| Typical audio codec | Dolby Digital AC-3 | MPEG-1/2 Layer III |
| Audio bitrate range | 64-640 kbit/s (AC-3); up to 1.5 Mbit/s (LPCM) | 8-320 kbps CBR / VBR |
| Channels | 1.0, 2.0, or 5.1 (consumer); up to 7.1 (pro) | Mono or Stereo |
| Sample rate | 48 kHz typical | 8-48 kHz |
| File size (1 hr stereo) | ~3-5 GB with video | ~60-150 MB |
| Universal player support | Limited (VLC, Premiere, Final Cut) | Effectively universal |
| Bitrate | Mode | Best for | 1 hr file size |
|---|---|---|---|
| 96 kbps | Mono | Voice memos, transcription source | ~43 MB |
| 128 kbps | Stereo CBR | Podcasts, lectures, sermons | ~58 MB |
| 192 kbps | Stereo CBR | Casual music, event recordings | ~86 MB |
| 256 kbps | Stereo CBR | High-quality music archives | ~115 MB |
| 320 kbps | Stereo CBR | Maximum MP3 quality, masters | ~144 MB |
| V0 (≈245 kbps) | Stereo VBR | Best size-to-quality tradeoff | ~110 MB |
AVCHD typically records AC-3 at 256-384 kbit/s for stereo and up to 640 kbit/s for 5.1. Since MP3 re-encoding loses some quality at every step, match or slightly exceed the source: pick 256 kbps for music-heavy footage, 192 kbps for general events, and 128 kbps for dialogue or interviews. Going above 320 kbps gives diminishing returns because of MP3's psychoacoustic ceiling.
Yes — both AC-3 and MP3 are lossy, so converting between them is a transcode that compounds artifacts. For archival, extract to a lossless format instead with AVCHD to WAV or keep the original surround track with AVCHD to AC3. MP3 is the right choice when you need universal playback rather than mastering-grade audio.
AVCHD is the format specification jointly developed by Sony and Panasonic. MTS is the file extension used by camcorders for in-camera recordings, and M2TS is the same MPEG-2 Transport Stream container after it's copied to Blu-ray or a computer — Sony often renames.mts to.m2ts when imported via PlayMemories. All three carry the same H.264 video and AC-3 (or LPCM) audio, and this tool accepts any of them. For the.mts variant specifically, see MTS to MP3; for .m2ts files the workflow is identical.
Use the Trim section. Set Start Time to the timestamp where you want the audio to begin (for example, 00:05:30 for five and a half minutes in) and Duration to the length you want to capture. For longer projects with multiple cuts, run the full conversion first and split the resulting MP3 with Audio Cutter, which lets you mark unlimited segments.
No — MP3 is a stereo format only (with limited mono support). If the source AVCHD contains 5.1 AC-3, the conversion downmixes to stereo using standard ITU-R BS.775 weights (front L/R full, center -3 dB, surrounds -3 dB, LFE dropped). To keep the discrete surround channels, convert with AVCHD to AC3 instead, which is lossless within AC-3.
QuickTime stopped shipping native AC-3 support in macOS, and Windows Media Player removed it earlier. AVCHD files often fail to open or play silently because the audio codec isn't installed even when the H.264 video decodes. Converting to MP3 sidesteps the problem entirely since MP3 decoders are baked into every operating system shipped since the late 1990s.
Leave it on Original (48 kHz, which is what camcorders record). Drop to 44.1 kHz only if you're burning a traditional audio CD or matching a DAW session locked to that rate. Sample rates below 22.05 kHz audibly cut high frequencies and should only be used for voice-only archives where file size matters more than fidelity.
Yes — drag the entire folder onto the upload area or shift-select multiple files. Each clip processes independently and downloads as its own MP3. The settings you choose apply to every file in the batch, so set Quality Preset and Audio Channel once and the same recipe runs across all of them.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — the practical limit is upload size and connection speed, not a per-file cap. A multi-gigabyte AVCHD recording converts without issues; no watermark, no sign-up required.