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Supports: FLV
HH:MM:SS.sss to extract a single segment. Click "Convert" and download. Files are processed in a browser session — no sign-up, no watermark, no upload to a third-party host.FLV (Flash Video) was the dominant streaming-video container of the mid-2000s — YouTube, Newgrounds, Hulu, and most Flash sites shipped video as FLV until HTML5 took over. The audio track inside an FLV is almost always lossy: MP3 was the common default, AAC arrived with Flash Player 9, and microphone-recorded FLVs typically used Nellymoser. Adobe ended Flash Player support on December 31, 2020, so FLVs are a legacy archive format now.
Converting that audio to FLAC (Free Lossless Audio Codec, formally specified in IETF RFC 9639, December 2024) repackages it into an open lossless container so no further generational loss occurs when you edit, re-tag, or re-encode later. Common reasons people pull FLAC out of an FLV:
Need the reverse direction or a different output? See FLV to MP3 for a smaller lossy file, FLV to WAV for uncompressed PCM, or FLV to MP4 if you actually want to keep the video.
| Property | FLV audio track | FLAC output |
|---|---|---|
| Compression type | Lossy (MP3, AAC, Nellymoser, Speex) or lossy ADPCM; rarely PCM | Lossless |
| Re-encode loss | Compounds on every edit/export | None — bit-identical decode |
| Typical size, 1 min stereo 44.1 kHz | ~1 MB at 128 kbps MP3, ~1.4 MB at 192 kbps AAC | ~5 MB (CD quality, level 5) |
| Channel support | Mono / stereo (most FLV codecs) | 1–8 channels per RFC 9639 |
| Sample rate range | Codec-dependent (8 / 11.025 / 22.05 / 44.1 kHz typical) | 1 Hz – 1,048,575 Hz |
| Bit depth | Codec-dependent (16-bit decode typical) | 4–32 bit |
| Modern player support | Requires FLV-aware tool (VLC, ffmpeg) | VLC, foobar2000, Apple Music, Windows 10+, every DAW |
| Streaming-era role | Adobe Flash, EOL 2020-12-31 | Active IETF standard |
| FLV audio codec ID | Codec | Lossy? | Notes |
|---|---|---|---|
| 2 | MP3 | Yes | Most common in legacy FLV; bitrates 64–320 kbps typical |
| 10 | AAC (LC / HE-AAC / Main) | Yes | Added in Flash Player 9 (2007) |
| 0 | Linear PCM | No | Rare; the only FLV audio source where FLAC genuinely preserves the original bits |
| 1 | ADPCM | Yes (lossy) | Adaptive PCM, low-rate |
| 4 / 5 | Nellymoser 16 kHz / 8 kHz mono | Yes | Used by Flash microphone capture |
| 11 | Speex | Yes | Flash Player 10+, voice-optimized |
Codec IDs above match the FLV file format spec (Adobe). The converter decodes whichever codec the FLV holds and re-encodes the resulting PCM stream into FLAC — quality is bounded by the lossy source.
| Level | Encode speed | File size vs level 8 | When to pick |
|---|---|---|---|
| 0 | Fastest | ~3–5% larger | Bulk batch of throwaway FLVs |
| 5 (default) | Fast | ~1% larger | Standard library imports |
| 8 | Slower | Reference | Music archive, the practical max |
| 12 | Slowest | ~0.1% smaller than 8 | Diminishing returns; rarely worth it |
Every level produces an identical decoded waveform. The slider only trades CPU time for a smaller file.
No, and any tool that says otherwise is misleading you. The audio inside almost every FLV is already lossy (MP3, AAC, Nellymoser, Speex, or ADPCM), so data was permanently discarded at the original encode. FLAC preserves whatever the FLV decoder hands it bit-for-bit, but it cannot reconstruct what was thrown away. The benefit is that no further loss happens on subsequent edits — not that the audio gets cleaner.
Both store the same decoded waveform. FLAC compresses it losslessly to roughly 50–60% of the WAV size and supports rich tagging (Vorbis comments) for artist, album, replay-gain, cover art, and so on. WAV has no native tag system and is roughly twice the size on disk. FLAC is the better choice for music archives unless a tool you depend on rejects FLAC. See WAV to FLAC if you have the reverse situation.
The FLV file format defines audio codec IDs 0–15: Linear PCM (0), ADPCM (1), MP3 (2), Nellymoser 16 kHz mono (4), Nellymoser 8 kHz mono (5), AAC (10), Speex (11), and MP3 8 kHz (14). MP3 is the most common in YouTube-era files; AAC arrived with Flash Player 9 in 2007; Speex was added with Flash Player 10. The converter decodes any of them and outputs FLAC.
Leave both at "Original" unless you have a specific reason to change them. Resampling — for example forcing a 22.05 kHz Nellymoser source to 48000 Hz — does not add audio information; it only enlarges the file. The same goes for forcing a mono Nellymoser source to stereo: you get a duplicated mono track in two channels, not real stereo. Downmix to mono only when the source is genuinely identical on both channels and storage matters.
Yes. Use the Trim controls to enter a start time and duration. Both fields accept either plain seconds (125.5) or HH:MM:SS.sss (00:02:05.500). Only the selected segment is decoded and written to FLAC, so the output is exactly the length you asked for. For more advanced cuts on the FLAC after conversion, see Trim FLAC.
The FLV's MP3 or AAC track is lossy and typically sits around 128–192 kbps. A lossless FLAC of the decoded audio at 44.1 kHz / 16-bit stereo runs roughly 800–1,000 kbps — five to eight times larger. That's the cost of preserving the decoded waveform exactly. If size matters more than re-edit safety, FLV to MP3 is the smaller option.
No. Adobe ended Flash Player support on December 31, 2020, and started actively blocking Flash content in January 2021. FLVs still play in VLC, ffmpeg, and most modern media tooling because the container and its codecs are decoded in software — Flash Player itself is no longer in the chain. Converting to FLAC removes the FLV dependency entirely.
No. FLAC compression levels 1–12 are all lossless. Decoding any of them yields the identical PCM waveform. The slider controls how hard the encoder works to predict and pack the data — higher levels run slower and write a slightly smaller file. Level 5 (the encoder default) is fine for nearly every use case. If you're encoding a large batch and want to save a few percent on disk, level 8 is the practical ceiling.
Yes. Both legacy Flash voice codecs decode normally and re-encode to FLAC. Note that Nellymoser-8 is mono at 8 kHz and Speex is voice-optimized at 8/16/32 kHz, so the resulting FLAC will preserve the source's narrow bandwidth — it won't sound like studio audio, because the original wasn't.
Yes. Drop multiple FLVs in the upload area; each one is converted to its own FLAC with the same settings. For huge libraries you may want to also run Compress FLAC afterwards if storage is tight, though that re-encodes the FLAC at a higher compression level rather than reducing audio fidelity.