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Supports: MKV
If a device or program refuses to open your MKV, converting to AVI is usually about reach, not quality: AVI is older and almost universally playable on Windows, while MKV is the more capable modern container. The short version — convert to AVI when you need a stubborn legacy player, set-top box, or editor to accept the file; stay on MKV (or move to MP4) when you want subtitles, chapters, or multiple audio tracks to survive. Because AVI's container is server-transcoded here, you also get to re-pick the video and audio codec on the way out.
| Property | MKV (Matroska) | AVI (Audio Video Interleave) |
|---|---|---|
| Introduced | Announced December 2002; standardized as RFC 9559 in 2024 | Microsoft, November 1992 (Video for Windows) |
| Developer / governance | Open standard, royalty-free (Matroska non-profit) | Microsoft, RIFF-based |
| Multiple audio tracks | Yes, unlimited | Possible but poorly supported by many players |
| Subtitle tracks | Yes, soft subtitles + fonts embedded | No native attachments — subtitles must be burned in or shipped separately |
| Chapters / menus | Yes | No |
| Codec flexibility | Codec-agnostic (H.264, H.265, AV1, VP9, etc.) | Best with older codecs; struggles with B-frame codecs like H.264/H.265 |
| Typical file size | Smaller with modern codecs | Often larger; weaker compression options |
| Large-file handling | Filesystem-limited | Original AVI capped near 2 GB; OpenDML (AVI 2.0, 1996) lifts it, but support varies |
| Best for | Archiving, multi-track movies, HD/4K | Legacy Windows players, older editors, hardware that predates MKV |
The container swap is the easy part; the codec you pick in step 2 is what decides whether the target machine plays the file and how big it ends up. AVI is a RIFF wrapper from 1992, so its comfort zone is the generation of codecs that shipped alongside it.
| Video codec | Roughly matches | Size at similar quality | Choose it when |
|---|---|---|---|
| MPEG-4 (default) | MPEG-4 Part 2, the classic AVI workhorse | Baseline for this list | You want the safest bet on unknown legacy Windows software |
| Xvid | The same MPEG-4 Part 2 family, Xvid FourCC | About the same as MPEG-4 | An old player or set-top box specifically lists Xvid or DivX support |
| DivX | MPEG-4 Part 2 with the DivX FourCC | About the same as MPEG-4 | A DivX-certified DVD player or TV is the target |
| MPEG-2 | The DVD-era codec | Largest of the group | You are feeding a DVD-authoring or MPEG-2 editing tool |
| H.264 | The modern AVC codec most MKVs already use | Smallest at equal quality | You know the destination handles H.264 inside AVI — it relies on B-frames the AVI index was never designed around |
Audio defaults to MP3, which virtually every AVI-capable player decodes. Pick AC3 if you are keeping a Dolby Digital soundtrack for a home-theatre chain, or AAC only if you have confirmed the player accepts it in a RIFF container.
Usually yes. AVI cannot natively carry soft subtitles, embedded fonts, or chapters, and most players read only one audio track from an AVI. The converter keeps the primary video and audio stream; if your MKV has multiple languages or soft subs you want to keep, convert to MP4 or keep the file as MKV instead.
It depends on the codec, not the container swap itself. Re-encoding from one codec to another is lossy, so picking a higher bitrate or the Very High quality preset preserves more detail. Choosing H.264 inside the AVI keeps quality closer to the source than older codecs like MPEG-4 or Xvid, though some very old players only accept the older codecs.
AVI's older codec options and weaker compression often produce a bigger file at the same visual quality than a modern MKV does. If size matters, raise the compression in the File Compression section or set a Specific file size — or skip AVI and use MKV to MP4, which keeps files smaller with H.264 or H.265.
For the broadest reach on older Windows machines, MPEG-4 or Xvid inside AVI is the safest bet, since those decoders shipped widely for years. Choose H.264 only if you know the target player supports it in an AVI container — AVI was not designed around the B-frames that H.264 and H.265 rely on, so some legacy players stutter on it.
The original AVI format had a roughly 2 GB ceiling because of a signed-integer index; the OpenDML extension (AVI 2.0, 1996) raised it, but not every player honors OpenDML. For very long videos destined for old hardware, trim the clip with the Time Range option or keep it as MKV, which is limited only by your filesystem.
Ship them as a sidecar file. Save the subtitle track as a separate .srt and give it the same base name as the video — holiday.avi and holiday.srt in the same folder — and players such as VLC, MPC-HC, and most smart-TV media apps load it automatically. That keeps the text switchable and editable. The alternative is burning the subtitles permanently into the picture before conversion, which works on any player but cannot be turned off afterwards.
In practice, no — and you should not plan on it. The RIFF structure AVI uses identifies codecs by a four-character code and indexes frames in a way that assumes simple frame ordering, so codecs built around long reference chains and B-frames sit badly inside it. This converter offers H.264 for AVI output, which some players handle, but nothing newer is a sensible target. If you want H.265 or AV1, keep the file as MKV or convert it to MP4 — both containers were designed for those codecs.
Your files are sent over an encrypted (TLS) connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, the output carries no watermark, and files are never shared or made public. In our testing, a 1080p MKV with one audio track converts to a playable AVI without any manual codec tweaks beyond the defaults.