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Supports: MOV
Turn an Apple QuickTime MOV into an MPEG transport stream (.ts) — the container built for broadcast and streaming. TS wraps your video in fixed 188-byte packets with error-correction markers, so it keeps playing through dropped or corrupted data on satellite, IPTV, and terrestrial feeds. It is also the segment format behind HLS adaptive streaming: an HLS encoder slices video into a series of short .ts files carrying H.264 video and AAC audio. Converting MOV to TS does re-encode the video, so keep the Quality Preset high to hold detail.
.mov onto the page, or click "+ Add Files" to pick one or several from your computer..ts file. No sign-up, no watermark.| Property | MOV (QuickTime) | TS (MPEG Transport Stream) |
|---|---|---|
| Standard | Apple QuickTime File Format | MPEG-2 Part 1 Systems — ISO/IEC 13818-1 / ITU-T H.222.0 |
| Typical video codec | H.264 or HEVC | H.264, MPEG-2, or HEVC |
| Packet structure | Index-based atom/box layout | Fixed 188-byte packets with error correction |
| Built for | Editing and local playback (Apple ecosystem) | Broadcast (DVB/ATSC/IPTV) and HLS streaming |
| Error resilience | Low — corruption can break the file | High — recovers from dropped packets |
| Chapters / rich metadata | Yes | No — no MP4/MOV-style chapters |
| File size at same quality | Baseline | Slightly larger (per-packet overhead) |
Use TS when the destination is a stream or a broadcast chain, not a download. TS was designed for unreliable transmission — its 188-byte packets carry error-correction and synchronization markers, so a player can resync after lost data on a satellite, IPTV, or terrestrial feed. It is also the native segment format for HLS. MP4 and MOV are better for storing and editing a single file, but they are not built to survive packet loss mid-stream.
It can, because TS is a re-encode rather than a straight container swap — the video is decoded and compressed again into the transport stream. Keeping the Preset on "Very High" minimizes any visible loss. Since most TS output carries the same H.264 codec your MOV likely already used, a high-quality setting produces a file close in size to an H.264 MP4, plus a small amount of transport-packet overhead.
H.264 video with AAC audio. Apple's HTTP Live Streaming architecture specifies that media segments are .ts files carrying an MPEG-2 transport stream with H.264 video and AAC, MP3, or AC-3 audio, typically a few seconds long each. Choosing H.264 + AAC in the codec dropdowns keeps your TS output compatible with HLS players and the .m3u8 segmenting that wraps them.
VLC, MPV, and most desktop players open .ts directly, and many smart TVs and set-top boxes handle it natively. Web platforms are pickier: YouTube and Facebook do not accept .ts uploads, so for general sharing convert the other direction with TS to MP4 or use MOV to MP4 instead. TS shines inside a streaming or broadcast pipeline, not as a universal share format.
You can convert several MOV files in one batch with the same settings. The realistic limit on a big file is upload time, not your device. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.
No. The transport-stream container is built to carry program and timing data for broadcast, not the chapter markers and rich metadata that QuickTime MOV and MP4 store. In our testing, a 1080p H.264 MOV converted to TS at "Very High" played back at matching resolution and bitrate, but author tags and chapter points did not survive the conversion. If you need that metadata preserved, keep an MOV or MP4 master alongside the TS segments.